steinberg CUBASE AI 7

Belrin Concert Grand Piano
ABSYNTH  Aabmil
ABSYNTH  Acoustic Bass

Mozart Piano Sonata No.11 in A major, K.331 Rondo: Alla Turca

M K Ciurlionis Respectfully Prepared For Piano

Andante Sostenuto - No.4 - Preludes Op.7

Andante Sostenuto - No.4 - Preludes Op.7 - M. K. Cuirlionis

Performed live on March 26th, 2015 with the Gothenburg Symphony Orchestra and Maestro Kent Nagano

I. Allegro moderato 
II. Adagio di molto 
III. Allegro, ma non tanto

LIVE in SWEDEN: Sibelius Violin Concerto 1st Movement extract

Finally I picked up the courage to try this piece! This is a legendary piece that almost everyone knows. I think this is the only classical piece that the entire universe knows thanks to cars reversing and water dispensers everywhere :P .

Für Elise or (For Elise) was composed by Ludwig van Beethoven. Of course everyone knows Beethoven since he is the genius who composed and played even after he lost his hearing! This is only possible when the great could visualize the piece completely in his mind and is such a perfect virtuoso pianist, that he can mimic the sounds in the mind in reality without needing a feedback! What I feel is the biggest plus for Beethoven is that his pieces are very easily reachable by common folk. Compared to other classical giants like Bach, Choppin whos pieces arent easily appreciated, Beethoven’s style and elegance is easy appreciated by musicians and others alike.

The piece itself is a testimony for what I’ve mentioned above. Its based on A minor, with simple arpeggios on the left hand while the right plays the melody. Its such a simple piece that most people feel that its not even worth playing in a recital! But the piece has such an amazing level of expressiveness. This is a piece that can be played beautifully by one person while the other person can make it feel bland while playing the same notes. The piece also has three distinct stages, one is the recurring theme, that everyone is familiar. In between the recurring theme are two stanzas, that have very different moods. The first stanza is a very curious and very mischievous one. The second one is a stanza that emphasizes anger, and the cools down back to the recurring soft theme.

For me, this piece is one of the best compositions ever. I have to thank Valentina Lisitsa for her version of the piece which is what inspired me to try this in the first place. I hope I’ve done a reasonable amount of justice to this masterpiece and I hope you guys like it.

[Update] Made a better version on 23rd June after a lot of feedback that my tempo was waaaaay off. So I’ve slowed the piece down a little more and increased the pace of the faster sections! I’ll make a overall faster version a little later after more practice :)

Ludwig Van Beethoven - Bagatelle in A minor (Fur Elise)

Ludvig Van Bethoven - Fur elise

http://www.lorenzotempesti.com

Un "classico" della musica classica, brano romantico in tonalità minore, una "bagatella" per solo pianoforte di Ludwig van Beethoven.
Immagine: "Musica di sottofondo le note" di Vera Kratochvil

Für Elise (Per Elisa)

Antonio Vivaldi - Winter (Full) - The Four Seasons

ANTONIO VIVALDI PRIMAVERA ALLEGRO

Bethoven-para elisa

Beethoven - Moonlight Sonata (FULL)

Bethoven - Piano Sonata No.17 In D Minor Op.21, No.2 Tempest

Lorenzo Tempesti is an Italian soundtrack composer from Udine, Friuli Venezia Giulia. He has published various albums on his own (notably his piano CD While the others sleep, 2016) and participated in compilations by the international labels Soundiva and Raighes Factory. He distributes his wide production music library through his websites www.bestproductionmusic.com and www.suonimusicaidee.it, on which it is possible to request and obtain licenses for using Tempesti’s songs in videos, apps and other projects.

Für Elise (Per Elisa)

Lorenzo Tempesti

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