Forever after for solo flute (excerpt) by Hope Lee, performed by Mark Takeshi McGregor. Available on the album "Lutalica" on Redshift Records. Download the Lutalica album for free at: redshiftrecords.org/releases/tk468/

Hope Lee is a Chinese-Canadian composer, born in Taiwan and immigrated to Canada in 1967; she’s presently based in Calgary (Treaty 7 territory), where she composes and teaches. Her solo flute piece, forever after (2000), is based on a previous work, ...I, Laika... for flute, cello, and piano, dedicated to the memory of the composer’s father, Colonel Luke S.S. Lee, an airforce pilot who was reported missing during a mission to Laos in 1961. While...I, Laika... evokes a requiem,forever after is a song of remembrance — though not without its moments of grief or even outright anger. The work alternates between lyricism and fits of percussive angst before finally evaporating into a peaceful latticework of grace notes and whistle tones.

Hope Lee: forever after (excerpt)

Described as a “mind-blowing” musician of “huge physical energy” (Times Colonist), flutist Mark Takeshi McGregor is one of Canada’s leading interpreters of classical, contemporary, and experimental music. As a soloist, chamber musician, and interdisciplinary artist, Mark has performed extensively across five continents, including appearances at Vancouver New Music Society, Little Chamber Music Series That Could, Innovations en Concert (Montreal), GroundSwell (Winnipeg), Honolulu Festival, Internationale ADEvantgarde-Festival (Munich), the Melos-Ethos Festival (Bratislava), Núcleo Música Nova’s International Symposium of New Music (Curitiba, Brazil), and the 2017 ISCM World New Music Days (Vancouver). An outspoken advocate of new music, Mark is the principal flute of the Aventa Ensemble in Victoria, flutist of the Vancouver-based Tiresias Duo with pianist Rachel Kiyo Iwaasa, and flutist of the McGregor-Verdejo Duo with guitarist Adrian Verdejo. McGregor has given many local and world premieres, and considers the commissioning of new works by contemporary composers to be a cornerstone of his work as a musician.