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Recorded by The Super Weird Society, with lyrics by Greg Wilson, Carmel Reynolds, Katherine Reynolds and Kermit Leveridge, ‘Serious Sirius Super Weird Space Party’ was recorded at the request of Daisy Eris Campbell for the recent run of her inspired stage production of the Robert Anton Wilson book ‘Cosmic Trigger' at London’s Cockpit Theatre during May 2017.

In line with inclusions on the Super Weird mixtapes ‘Blind Arcade Meets Super Weird Substance in the Morphogenetic Field’ (2014) and ‘Alan Moore’s Mandrill Meets Super Weird Substance At The Arts Lab Apocalypse’ (2017), Greg Wilson edited the backing track, in this case Ednah Holt’s ‘Serious, Sirius Space Party’ (1981), with overdubbed vocals provided, in this case, by The Reynolds, whilst Ché Wilson and Derek Kaye also assisted with engineering / mastering.

For more on Cosmic Trigger:
http://www.superweirdsubstance.com/cosmic-trigger-play/


‘what tangled webs do people weave, when the network is perceived’.

The Super Weird Society ‘Serious Sirius Super Weird Space Party’ (Greg Wilson Cosmic Trigger Mix)

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Disco, Edits and feel good House music. 

Shared with love and admiration. Mixed on vinyl.

After finding the rave scene in 1990, Lee bought his first set of decks a year or two later. Initially influenced by the music in the North West and clubs like Legends (Warrington), The Quad, Cream, The Hacienda he started his music collection and would play at parties, the odd bar gig and create mixtapes for friends.

Fast forward to the turn of the decade (and century!), now living in London, Lee was part of an underground party collective called Most Excellent, putting on parties at various South London venues such as Brockwell Park Lido and The Telegraph (Brixton), playing classic, funky and soulful house music playing alongside a few notable guests like Trevor Fung and Stuart Patterson. 

After a break of about 10 years to get married and start a family, he started listening to the likes of Fingerman, LNTG, The Reflex and was hooked on the underground edits and disco scene. The decks were dusted off and he started to buy music again…

Lee is now proud to be part of the #DiscoWaltons family, a DJ, Producer and music fan collective who frequent the chatrooms of some of the best music shows and livestreams available to humankind!

https://www.facebook.com/discowaltons/

Dee Jay Skizzy B is a DJ known for his energetic mixes, particularly in the disco and funk genres. Some of his popular tracks and mixes include       

Rockin After Midnight: A funk and disco edit that reached the 28th position in chart history
Club Hits: A mix that showcases his ability to create engaging club music, which peaked at 47th in the club music charts and 6th in the Baltimore club music charts
Mighty Love Mix: A recent release, posted just a few days ago, highlighting his ongoing creativity
Hot Shot: Another popular mix, uploaded three months ago, demonstrating his consistent output
Studio 54 Classics Mix: A well-received mix featuring iconic artists like the Commodores, Bee Gees, and Gloria Gaynor
DSB XXX House Mix: A house mix with disco and deep house elements, garnering positive comments from listeners
Dee Jay Skizzy B has a notable online presence, with 15,999 followers and a variety of mixes available to stream. His content spans multiple genres, including 

Disco Edits
Funk
House Music (including Latin house, disco house, deep house, and funky house)
Baltimore Club Music
Jersey Club
Philly Club
He engages with his audience through comments and reposts, and offers options for fans to support his work through premium subscriptions or tips.

DOTLOTL-Visions also includes simply DOTLOTL as trade and Label name created by Peter Roland Siegfried Bauer, Short P.R.S.B.

The name DOTLOTL and all its derivates like DOTLOTL-ACOUSTICS, DOTLOTL-MEDIA, DOTOLELE, or DOTLOTL-Duke-Uke, or DOTLOTL-Pale-Wulf and all the other names that contain DOTLOTL as well as the invention (discovery) of the STUFFS-TREE are inventions and intellectual property of Peter Bauer, Berlin.

A multi-media label founded by DJ Greg Wilson, Super Weird Substance deals primarily with balearicpsychedelicdubdisco recordings whilst, on the live side, hosting sixties-styled ‘Happenings’ that include talks, art, bands and DJs.

Announcing its presence at the beginning of summer in 2014 – via the good vibes life-affirming mixtape ‘Blind Arcade Meets Super Weird Substance In The Morphogenetic Field’ – the label took five Super Weird Happenings across the country, whilst releasing a series of new recordings on vinyl, the next year. Eight singles were released between June and October, followed by a CD compilation, bringing together all of the singles as well as alternate versions and a special Greg Wilson mix.

Building on the success of a memorable Festival No.6 showcase in Portmeirion in 2015, Super Weird Substance returned in April 2017 with their most ambitious event to date, the 14 Hour Super Weird Happening at The Florrie. Prior to that Super Weird Substance collaborated with the man who bestowed their name, teaming up with Alan Moore and his Mandrillifesto project, Super Weird Substance created their second mixtape, ‘Alan Moore’s Mandrill Meets Super Weird Substance At The Arts Lab Apocalypse’, taking his acute social commentary and reinventing it within their own joyous sonic realm.

In 2018, the label returned to music with digital single, Gone With The Vibe and the first Substance Select EP. 2019 saw a new, younger energy introduced to the label, bringing with it new sounds, set to be unleashed in 2020, alongside Substance Select Vol.2, releasing Bella Technika remixes on vinyl.