Pre-order the album / stream the track: https://orcd.co/rudemovementsrmx

Following a limited 7” vinyl release of SunPalace edits in 2020, BBE Music finally delivers the full-length versions of Moodymann and Kenny Dope’s ‘Rude Movements’ remixes, alongside brand new interpretations by François K, Frankie Feliciano and OPOLOPO, plus a special edit by Phil Asher.

François Kevorkian needs no introduction to fans of House and electronic music. Featuring keys by Eric Kupper, his ‘SATS Dub’ and ‘TradMix’ versions of ‘Rude Movements’ are simply classic works, summoning House music’s golden era forward in time, to the here and now. Bonus spaced-out ‘Flerken Space Bubbles’ and beat-less ‘Atmosphere’ revisions are also included in the digital version: both invaluable tools for DJs. Ricanstruction label founder and long-time champion of the good groove, Frankie Feliciano delivers a slick and faithful update of ‘Rude Movements’, with a slight Latin soul twist. Swedish mix-king OPOLOPO turns in a typically live-sounding, funky and dancefloor-ready jam (ready whenever the dancefloor is, anyway) The full, extended version of Moodymann’s remix retains the original ‘jammed’ feel of Rude Movements, adding stellar flute, sax and piano solos to that hypnotic vibe. Kenny Dope’s Afro-Latin inspired ‘Dancefloor Powder’ version is joined this time by a rough’n’ready, street tough ‘O’Gutta’ mix; calling all b-boys and b-girls! For the expanded digital package, we are also including a special edit by our sorely missed brother Phil Asher, created for his own DJ sets and now available to all.

Made famous by David Mancuso at his New York Loft Parties, ‘Rude Movements’ was an obscure Brit-funk b-side recorded in the home studio of Mike Collins. The track’s unique sound, coupled with pristine sonics and production values caught the audiophile ears of Mancuso, and the rest is history. Soon the track found its way into the hands of Loft Party denizens Larry Levan, Nicky Siano, Frankie Knuckles and Danny Krivit and continues to influence House and electronic producers through to this day.

SunPalace - Rude Movements (OPOLOPO Remix)

“Gotta Give It Up!!!” is soulful, dancy and riddled with funk. The track is inspired by the soul and funk artists of the 70’s and 80’s (such as Rick James and Earth, Wind & Fire) and modernized with a production style that pays homage to the current funk masters like DāM-FunK and Mndsgn. It features an intricate synth-bass line, a horn section, slick rhythm guitar, and gang vocals (reminiscent of the P-Funk era). The release is the second single off of Alistair Blu’s upcoming 4-track EP, titled Shades of Blu, scheduled for release on October 1st.

@alistairblu: This track was really fun to make. It all started with that synth-bass line that pulses along throughout the whole tune. I think that’s what inspired me to create a whole song around that groove. I had the first three elements (programmed drums, the main synth pad, and the synth-bass) that gave me a solid starting point to make something special. In order to get that big chorus sound I recruited some awesome musicians, including the very talented vocalist Mel Pacifico and my horn player pals from Busty and the Bass (Scott Bevins on trumpet and Chris Vincent on trombone). 

The track has two instrumental solos in there too. The first is a reverse trumpet solo that Scott initially recorded and that I later processed and chopped up. Then there’s that climactic synth solo that I added near the end. I wanted to combine a bunch of elements of various funk styles, from Parliament-Funkadelic and Rick James to the more contemporary producers of Modern Funk. I’m happy to hear how the track finally ended up.

Purchase

Exclusive Premiere: Alistair Blu "Gotta Give It Up!!!"

With the jazz-leaning electronic producer Hemai, Swiss trumpeter Bodo Meier finds the perfect remixer to give his Afro Latin inspired jazz a subtle electronic edge.

Hailing from Switzerland, Bodo started playing the trumpet at 8 and very quickly turned to jazz and improvisation. For the last 12 year, he's been touring intensely with a variety of artists across the globe.

In 2012, a tour through Brazil with the rock band Underschool Element in 2009 and in Senegal with percussionist Mory Samb started a deep connection with the Afro-American music heritage . Today, Bodo is involved in many projects and bands with Latin American music.

Bodo moved to London in 2015 and became very active in London's music scene. He started collaborating with guitarist Tjoe Man Cheung. Together they recorded two albums and toured twice in Hong Kong and China in 2016 and 2018. Now back in his native Switzerland, he writes and arranges music for his own band as well as others and released his debut album 'Approaching Change' on Berlin label QFTF. 

Bodo's debut EP, 'Eclipse', follows the release of singles 'Lamento Olvidado' and 'Roadrunner'. Both supported by the likes of Kev Beadle, Soho Radio, Twisted Soul and Jazz FM. It sees Bodo collaborate with electronic sensation, Tru Thoughts signed producer Hemai, for a dancefloor remix of 'Roadrunner' and swiss collective Alma Negra for their own take on 'Lamento Olvidado'.

Producer and multi-instrumentalist Louie Hemus AKA Hemai sonically melds soul and jazz with an electronic tinge. “Production-wise I’m experimenting with the concept of space; bringing together my favourite sounds from around the world and the universe and merging them with UK roots”, he explains. 

Born and bred in the UK’s second capital Birmingham, Hemai grew up around jazz culture, music and live musicians, taking influence from the likes of Herbie Hancock, The Gilberto’s and D’Angelo to modern day acts like Zero7 and Corinne Bailey Rae.

His 2019 debut EP “Eyes, Closed” received upfront support from Gilles Peterson, Erica McKoy and Papaoul (Worldwide FM) and from his home station BBC Radio West Midlands. The release was closely followed by Hemai’s official remix of Oscar Jerome’s “Gravitate” and being titled one to watch by BBC Introducing’s Jaguar on her Hot List 2020, cementing the now London-based artist’s place in the thriving UK jazz and electronic scene.

Follow Bodo

Exclusive Premiere: Bodo Maier "Eclipse" (Hemai Remix)

BBE Music presents the first ever digital release for ‘Baby Doll’, a hidden Roy Ayers gem from the 70s, originally issued as a limited 12″ single back in 2003.

Initially intended to be the opening single for the first volume of Roy Ayers ‘Virgin Ubiquity: Unreleased Recordings 1976 – 1981’, somehow the track never made it onto the album itself, so this vintage disco cut has never appeared on digital formats, until now.

Featuring the great Bernard ‘Pretty’ Purdy on drums, ‘Baby Doll’ boasts William Allen on bass and Chano O’Ferral on congas, with vocals, keys and clarinet taken care of by Mr. Ayers himself.

Roy Ayers - Baby Doll

‘Little Orphan Boy’ is the second single taken from album ‘This Is Brian Jackson’, presented with remixes by Two Soul Fusion, a.k.a. Louie Vega and Josh Milan.

The veteran artist’s first true solo LP in over 20 years, ‘This Is Brian Jackson’ is produced by Phenomenal Handclap Band founder Daniel Collás. Collás lovingly re-frames and updates ideas and demos that Jackson first laid down back in 1976, right around the time he recorded ‘Bridges’ with Gil Scott-Heron, for a solo project that never saw the light of day... until now.

Alongside his ‘Two Soul Fusion’ partner Josh Milan, Louie Vega gives the album’s closing track ‘Little Orphan Boy’ two truly vintage remix treatments, taking the song on an eclectic, soul-stirring, timeless journey. The extended ‘Two Soul Fusion’ mix calls to mind the golden era of Masters at Work productions, featuring a Latin-infused percussion groove, shimmering organs and in-the-cut funky guitar lines. The ‘Downtempo’ remix lets Brian Jackson’s vocals ride over a head-nodding, stripped back, yet equally soulful arrangement.

“A dream to work with Brian Jackson” says Louie Vega. “I mean, he’s a big part of our musical landscape and has been a huge inspiration in our lives. From way back to my early years in the Bronx, through to my DJing and producing career, into productions like Nuyorican Soul, Elements of Life, Kenlou, Brian and Gil have always been with us! Now to work on such an amazing song with Brian’s keyboard work and lead vocal, it made it so much easier for Two Soul Fusion (Josh and I) to find that pocket and groove. We had to create anepic piece and take you on a trip through several styles, it was calling for it. That’s due to the original work of Brian Jackson, a true Master at Work & Two Soul Fusion hero!!! I’m looking forward to seeing what’s next on the horizon with us and the one & only Brian Jackson.

Brian Jackson: "I have always loved the musicality and the rhythmic power that surges through the artistry of Louie Vega since I first heard him in Masters at Work. I made a silent wish that one day I would hear one of my songs given that special treatment. Imagine my elation to know that it would finally happen - with a song I wrote and recorded 45 years ago for a solo project that might have never happened if not for producer Daniel Collás and BBE chief Peter Adarkwah! Louie, along with Two Soul Fusion partner Josh Milan and I are alike in so many ways, I knew that if we ever got together, magic would happen and well... here’s to magic! My love and gratitude to Louie, Josh, Daniel, Peter and the beautiful BBE family.”

Brian Jackson - Little Orphan Boy

Monzanto Sound blend neo soul with jazz, psychedelic funk and motorik flare, on first single "Nuff Blues" from their upcoming EP 'Tomorrow, Tomorrow and Tomorrow' due out Autumn 2022 on None More Records.

Vocalist Mimi tells us, “I envision a scorned lover, torn between love, pain and rage, reflecting melancholically on an unfortunate situation where they surrendered and lost themselves completely for the one they love”.

Monzanto Sound is a band from London fusing together different styles from the African Diaspora and combining them with a hypnotic, psychedelic edge. They are a high energy, rhythmic group with an ear for space and simplicity capable of getting any crowd moving. Their sonic aesthetic is something that is considered carefully as they incorporate synths and effects in a way that has more inspiration from 90s dance and electronic music. 

Lead singer Mimi Koku writes intentional, captivating lyrics, which have an emotional honesty that speak on multiple levels. The band have been described as a blend of Can, Fela Kuti and Sade with dubby off kilter funk grooves.

Tomorrow, Tomorrow and Tomorrow

Exclusive Premiere: Monzanto Sound "Nuff Blues" (Forthcoming on None More Records)

SB@Instagram

Cyclops-Superbreak Edit

AWB - Wasn't I (Mark Wayward Instrumental Edit)

I truly love music and create it purely out of passion and joy.
I'm not trying to make money or violate anyone's rights — I just want to share what I love.
If you’re a copyright holder and have any concerns about this track, please don’t submit a strike.
Instead, kindly email me 💌 info.takeiteasyrecords@gmail.com
, and I’ll be happy to fix or remove it.
Thank you so much for your understanding and support! 💛

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Winta - First Move (Original Mix)

Kool Funk

Dreaming in Detroit

Super db are:
JM Sutcliffe - Guitars, vocals
JP Sutcliffe - Drums, keys, percussion, vocals
Lorenzo Bassignani - Bass
Matt Dibble - Keys, sax, clarinet, percussion, vocals

Super db was formed in 2014 and released their debut album 'Death by Disco' in 2016 and EP 'Listen To This' in 2017.

One of their songs 'The Best In Me' is featured on a Warner France compilation album 'California Groove IV'.

Their second album 'Ecoute Ca' will be released July 2nd 2021. 

Their sound is a distinctive mix of pop, disco, funk, rock and jazz, inspired by Earth Wind and Fire, The Police, Toto, Supertramp and Prince, amongst others.
Contact Super db on superdb4@gmail.com