I was born as Ed Vink on july 1967 in Den Haag (Netherlands).
During the 80s - 90s i came in touch with the so called "Italo Music", which i loved very much.
Idols where "Koto" and "Laserdance". These guys made the so called "SpaceSynth" tracks.

Around 1990 I bought my first synthesizer (Yamaha YS-100), and soon after that a Roland TR-808 Drum computer.
(The Yamaha didn't had a rythm module). Few years later a Roland Sound Canvas was added to the collection.
Using an Atari-ST as sequenser, i did create my first tracks.

Internet was not around those days, so this music didn't left the building ;-)
Then, the creation of music stopped (I became a father), and i sold the equipment. (Stupid me!)

Now, in the modern days, DAW software like Ableton makes it again possible to create great tracks without having to buy real synthesizers ;-).

After creating several "80s" sounding tracks, now i am playing with more modern sounds like Trance etc.

everything danceable and beyond

bookings/press/info/promos:
deathmetaldiscoclub@gmail.com

Als Voice-Over spreekt Michel van Dijkhuizen teksten in voor Bedrijfs- en Instructiefilms, Documentaires, Voice Response Systemen, etc...
Kijk op www.michoice.nl 

This Soundcloud account is discontinued. Please visit my Youtube Channel for my music (link below). Thanks!

Patriek is a techno producer and DJ from The Netherlands. Always working on finding the perfect sound for his music and DJ sets. Going back to the early 90′s Patriek his interest in electronic dance music is ever growing. After years of producing electronic dance music his debute finally was a fact in december 2012 on the dutch label Audio Autopsy.

Bookings: stefandekoningmusic@gmail.com
@wildernisevents

Purplekiss records is the home of pop band Silver factory Superstars.

Artist, DJ, Producer, musician and record collector ... since 1980.

Releases on: ZYX, Blanco Y Negro, Best Record, DWA (Dance World Attack), Private Records, Disco Modernism, Flashback Records, Fresh Colour, Giorgio Records, Lusso Records, Special Groove Records,  Analog Language, Vintage Pleasure Boutique, Extravaganza Publishing Srl, Forest Jams, Mordisco records, Italo Moderni, Around My Dream Records, Disco Evolution, Magic Sound Records, Tonight Records, I.D. Limited, Fonogrammi Particolari, Mannequin Records, Pardonnez-nous, SP Records, No More Pop, Opilec Music, Radio Cosmos, Disco Segreta, Mecanica, Bordello A Parigi, Vielspaß, Archivio Fonografico Moderno, Mond Musik, Nadanna, Cyber Dance, Viewlexx, Moustache, Roller Disco, Red Laser, Flight Recorder, Rebirth Records, Panama Racing, Flexx, Mothball, Wuff records, Cargo Records, Centre Neptune, Magic Waves, Medellin Mixage, Space Sound Records, Maschina Records, I Am Private/Universal Music, Lucky Harvest Music Company, Paper Bag Records, Emerald & Doreen, CrunchyFrogDK, Power Dance.

Flemming Dalum, also know as King of the cut, discovered his musical journey at an early age. An interest based out of curiosity for electronic synthesizer legends emerging while he grew up. With his first synth, the Korg Polysix, a lifelong passion was born. He started playing in bands in 1982, experimenting with electronics and the new world of sounds and possibilities. At the same time he started experimenting with records and discovered a natural talent for mixing and blending synths with records, creating his own unique world of sound. In mind that the CD wasn't invented, neither was the HD recorder, the heart in Flemmings set-up was a simple cassette recorder. An invention that should soon add yet another angle to his musical universe. With snappy skills and imagination, the cassette soon became his most important instrument taking him to the next level. The world of mixing. With sampler, echomachine, decks, synths and a beloved cassette recorder, the first true mixes came out of his studio already in 1983. Mixes with so much detail, soon giving him the legendary name "King of the cut". In the same year, 1983, Flemming stumbled across Koto "Chinese Revenge", a discovery that should soon lead Flemming into a brave new world matching his own, with synths and electronics being the heart of the music. The passion became strong and shortly after the Koto discovery, brought him to his first trip to Milan, Il Discotto, Discomagic, Non-Stop, Merak etc. to investigate the Italo phenomenon in detail. The following years Flemming visited the Italian distributors 11 times which later proves to be one of the major reasons to the fact that he has one of the worlds most complete collections of Italo and Disco. Through the years, the synths has been replaced with computers and equipment matching the urge for mixing. Something that has kept the true Italo spirit alive and made Flemming Dalum a legend in mixing today.

Mr.Ed (Ed Vink) is following