Name: Jon Gibson - Cycles (excerpt) by Superior Viaduct
Duration: 6 min 2 s
Description: From album "Two Solo Pieces ." Originally released in 1977. Reissued on Superior Viaduct, 2017. www.superiorviaduct.com

Ströer Duo - Vietnam

Oliver Coates cover of Bryce Hackford's Another Fantasy. all played on Cello

Oliver Coates - Another Fantasy (Bryce Hackford)

Torn Hawk - Thud (B Side)

Anchor in the storm:
The Muses take what's simple, 
Converting to gold

::

Original music & haiku poetry by Bob Weathers

In the Storm

Sunday Ambient - 23

Jean Bernard Raiteux 
Les Demons
FKR086
LP | Digital

The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronised by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos/De Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere (Sinner/Harlem Pop Trotters) and presented here in full soundtrack form for the first time.

Proudly claiming the dubious accolade of the Spanish sexploitation version of The Devils as the distributor’s most bankable asset, this previously banned 1973 European witch flick would rip the art house facade from Ken Russell’s well polished box office smash and push the envelope way beyond the closet titillation of the gentrified new wave controversy seekers. Delivered on a comparable shoestring budget as the 55th feature in Jess Franco’s filmography of approximately 203 completed movies, The Demons (Les Démons), directed under the Anglicised pseudonym Clifford Brown, took many of the Franco’s sexually stylistic watermarks (epitomised in his Vampyros Lesbos trilogy) adding witchcraft, possession and nunsploitation against a rural Mediterranean backdrop before disappearing into the woods. Whilst clearly taking inspirational plot cues from Michael Reeve’s The Witchfinder General (UK 1968) and drawing comparisons with scenes from Eiichi Yamamoto’s Belladonna Of Sadness (Japan 1973) this B-Movie reduction of Franco’s wide palette of colourful ingredients has in recent years provided enthusiasts/champions/defenders of the workaholic horrotica bastion with a rare and treasured addition. Future-proofed by an essential component, omnipresent in Franco’s films, it is the mysterious commercially unobtainable soundtrack music that cements the unwaning interest in his risqué brand of unconventional shock/schlock sinema (not hindered my the enigmatic title card misinformation that often surrounds the original composers) and the music herein that has given Franco’s harshest critics a second chance/reason to reevaluate this man’s unapologetic art.

Following on from Finders Keepers previous expanded release of Bruno Nicolai’s score for Franco’s 1970 adaptation of De Sade (FKR069) this record stands as another tribute to Franco’s life which he lived through the mechanisms of a camera with relentless zeal and a passion to challenge every aspect of movie making along the way. UNDERground, OVERambitious, RIGHT on, LEFTfield, BELOW the radar but ABOVE criticism. INdulgent and OUTrageous, but never middle of the road, Jess Franco was many things but he wasn’t pretentious and never delivered art for art’s sake and I feel honoured to have spent time with him. Franco was in fact a realist, he kept both feet firmly on the ground and a keen eye behind the right side of the lens and if Jess did have any demons his films were his exorcisms, the critics were the bloody judges and his legacy (through the medium of X-rated cinema of variable quality) is immortal.

www.finderskeepersrecords.com

Jean Bernard Raiteux - The Weakness Of Rosalinda

100% - Lost Youth

From album "Two Solo Pieces ." Originally released in 1977. Reissued on Superior Viaduct, 2017. www.superiorviaduct.com

Buy Vinyl

Jon Gibson - Cycles (excerpt)

Purchase: ilyasahmed.bandcamp.com/album/behold-killers
Catalog #: GN56
November 22, 2019
CASSETTE+DIGI

Since embarking on an enchantingly forlorn run of musical activity, Ilyas Ahmed has remained incredibly active both as a visual artist and an incredibly versatile musician. Ahmed has cultivated vibrantly esoteric collaborations with Liz Harris (Grouper) and Matt Carlson & Jonathan Sielaff (both of Golden Retriever), among others, is an active member of heady, genre-defying experimental instrumental band Grails, and steadfastly issued quiet epics of psych-minimalism. Now, the Pakistan-born, Portland, Or.-based musician returns with 'Behold Killers,' perhaps his most alluring and distantly seething work to date. 

"Pass No Jazz" unfurls its tattered but tranquil tapestry over the entire A-side, tracing each step with unhurried care and curious composure. "Metal Freedom" leads the B-side in a synth-laden cloud of shimmering tragedy and seething hope. "Mad Love" dials things down for a modest symphony of gritted minimalism and soot-covered, negative space. Closing piece "Wild Violet" shimmers in a desolate dance of eerie weightlessness and wretched resolve.

Best consumed in the dead of night or frosted isolation, ‘Behold Killers’ is an aural yarn explicitly woven for the trodden.

Ilyas Ahmed - "Wild Violet"

From the album Music For 18 Musicians (Steve Reich) available May 8, 2020 on Western Vinyl.

Pre-order: https://smarturl.it/motgsf

Jon Gibson - Cycles (excerpt)

Superior Viaduct

Recent comments

Mathias D. Clain

Window Magic

Related tracks