Name: Teer + SuperMachina // Sailing Into A Lull by SuperMachina
Duration: 4 min 48 s
Description: A collaboration between Teer [@sebastian_lex] and SuperMachina

Some sounds that I've never heard before bro!

creatieve and beautifull ambient track , good sounds !

Love the talent and the mix in this.  Outstanding work.

this beat is something else, fantastic textures, great work. Sounds like detuned hurry gurdy or something. Wild

This is a dub version of this song: https://soundcloud.com/jonny-figment-530184385/death-howl-a-song-about-humans

I've Decided To Live Forever (Death Howl Dub)

Relationships aren't easy to keep unless real love is involved!

I´m The One

I'm The One

Interlude

Melodic Prospect

A collaboration between Teer [@sebastian_lex] and SuperMachina

Ruffini Base

Teer + SuperMachina // Sailing Into A Lull

Tetrahedron

This track is basically just a series of arpeggios on my guitar, each 2 bars long and played twice in a row before going to the next note.  The corresponding chord is also played on the keyboard and bass in arpeggio style.  The key is in a loose A Major (maybe?)for most of the song, switching to F# Major midway through (perhaps?).

To help this transition, the arpeggio right before F# is C#7 (or Db7 in the key of F# Major.)  This is the dominant chord in F# Major and I think it helps, but the key change itself isn't real noticeable, it actually seems to happen during the Db7 starting at 1:07 (makes sense I guess, as Db7 definitely isn't in A Major, but is dominant in F# Major.)  The arpeggios in this first "A Major" section are A - D(Dsus4) - A - D(Dsus4) - B7 - E - C#m - E - Db7.  The Db7 is supposed to set us up to handle F# a little easier, but according to playing A and F# on my keyboard, the key shifts during the Db7.  The new series of arpeggios in "F# Major" begins F# - Cb - Db - Ebm - F# - Cb - Db - E7, the E7 setting us up to slip back into A Major, which is then just A - D(Dsus4) several more times.

Interesting enough, as before, the key changes back to A during the E7 arpeggio starting at 2:05 (as E7 is dominant in A Major.)  If you have a keyboard, play the F# and the A during each transition.  The shift seems to happen before the "tonic arpeggio" is played, but instead during the dominant chords that lead to the new tonic.  Kind of cool!!

Wavering

Darkness Is a Moment

rockon2020

b-flat blues

Short orchestral cue - clam build to battle. Written in Cubase using BBCSO Professional, Albion One, Hans Zimmer Piano, Hans Zimmer Precussion Professional and various synths.

Remember

Second collaboration with COMBSTEAD💀
(@combstead-928282858).

Like always amazing music base produced by him

Lyrics and vocals are mine

Saint and Sinner (feat. COMBSTEAD💀)

Exploring the vast universe of electronic music. Having not settled on a planet yet.

Supermachina is the work of Reinhard Koenig, a creator of electronic music. Reinhard follows procedural approaches in generating rhythms and melodies, rather than composing them in a traditional way. The result is some quite intense tracks that are glitchy in nature, abstract, and actually quite fun.
https://electronica.org.uk/blog/supermachina-let-the-freaks-out/

Teer + SuperMachina // Sailing Into A Lull

SuperMachina

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