A new track from our upcoming, as-yet-untitled second album. Featuring a very special appearance by A.C. Newman of The New Pornographers.

A Girl Named Lou Pt. 2 (feat. A.C. Newman)

Shotgun

Cemetery Eyes

I'm a Receiver

Debut album under the name Claws of Paradise.

Matt Brundrett
Ryan Havers
Will Hoffman
Matt Kelly 
Jamie Zillitto
Scott Zillitto

Produced by Claws of Paradise

Recorded at:

Sea Side Lounge Recording Studios (Brooklyn, NY)
Engineered by Mitch Rackin, Charles Burst

Gul Studios (Clifton, NJ)
Engineered by Jamie Zillitto

Mixed and mastered by Mitch Rackin

Art/design by Will Hoffman

Photography by James Burger/Will Hoffman

02 Avenue X

03 Drunks

04 Jersey Devil

05 Cheap Perfume

06 Sic Sided Di

07 Kill Caesar

ADAM SWIDERSKI - Guitar, Vocals
SARAH MALINDA ENGELKE - Keytar, Vocals
BRIAN BAIR - Drums 
NEIMAH DJOURABCHI - Bass
AUDREY MARSHALL - VOCALS
SEAN WILSON - LEAD GUITAR

"If Fellini had made beach movies, Supermajor would have been their elegiac, enchanted house band. “Cemetery Eyes” is an anthem pouring out from and then somehow all around the dashboard of some convertible that went off a too-sharp curve on the Pacific Coast Highway in 1966 and never returned to Earth, picking up alien angel doo-wops and Eno buzzes from the ether and the future along with its irresistible elysian guitar jingle and synth fizz while it was in the air with no interference. “Your Drift Is a Drug” has that motorcycle-kickstart rhythm, recoiling on itself as it chews up distance, wrapped up in sensations torn away from the disappearing landscape. Happier yet still wiser, Supermajor are pop prophets and sibyls who haunt a collective hit parade without ever having had to die, as rock and roll never does, because they know that youth only passes from soul to soul. There is no more radio but there’s still ritual, and Adam Swiderski’s headlining songs are testaments of movie-star confidence and morality-play caution while Brooke Tarnoff’s and Sarah Engelke’s are séances of ’70s arena-diva sorrow and transcendence, “I See You Clearing” a prayer for hearts put back together from each others’ pieces and “Shotgun” the proto-punk hall of fame B-side. Everything converges for “A Little Piece of the Sun,” the kind of half-album-length epic that whole societies of counterculture would collect around. Supermajor makes the music of the flattened spheres, orbiting eternally on black tracks and then shooting you into the day each time the needle has to lift off." -Adam McGovern http://mcgovernix.wordpress.com/2014/07/08/off-the-chart/

Shotgun

Supermajor

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