“The blue-eyed blonde that blends beats… and sticks out like Gwen Stefani on BET.” -MC LYTE on DJ Girl 6 - 

In Spike Lee’s movie “Girl 6,” the lead character (a phone sex operator) used a number instead of her name to remain anonymous. DJ GIRL 6, on the other hand, is far from anonymous, adopting the moniker because the movie reminded her of the harsh realities behind going “all in” to pursue your dreams. Harsh realities aside, DJ GIRL 6 has fought her way to the cutting edge of DJ techniques and technology, blazing trails for others to follow for just over ten years now. 

GIRL 6 is a pioneer in the Video DJ movement, not just as a female, but as one of the first commercial video remixers on the scene, period. Her clever and thought-provoking use of wordplay and movie clips won her one of the first video remixer spots on www.crooklynclan.net where she remains the only female to date. She is also the only nationally-known acclaimed female Video DJ. Truly, GIRL 6 has become one of the premiere DJs, VJs, and remixers on the planet, an exclusive club she fought and worked hard to help create. 

The driving force behind Miss 6’s trailblazing is simple – she’s damn good! The simple fact is both her audio and video alike are a manifestation of a lifetime of experience. GIRL 6 has been flirting with DJing her entire life, and it's rather obvious that DJing likes what it sees... 

When she was only 15 she worked as a hotel maid to buy her then-boyfriend turntables and a mixer, only to be dumped the day before his birthday. She then spent the next few weeks scratching “f*ck you” into his parents’ answering machine. Want to know where that guy ended up? Kinko’s in Redding, CA (we looked it up!). Realizing how naturally DJing came to GIRL 6, she became much more aggressive in her pursuit of her dreams. After more than 10 years of perfecting her craft, the manner in which she commands the tools at her fingertips has become nothing short of sorcery. Her magical sets are largely composed of dramatic pauses, comedic elements, movie clips, wordplay, rock, rap and “throwbacks,” with uncanny timing that brings nostalgia and energy to even the most fickle of crowds. This time-tested talent has won her a place in the hearts of A-list celebrities who began demanding her as their opening act or touring DJ, including Janet Jackson, the Jonas Brothers, Enrique Iglesias, Joan Jett, Aerosmith, Maroon 5, Sheryl Crow, Boy George, Wyclef and Sir Mix-A-Lot (to name a few). Word spread quickly as she has been in rotation at some of the Nation’s hottest clubs and featured in interational publications for over eight years as seen below: 

Las Vegas Night Life (09/09), Jersey Shore (08/09), Trump News (02/09), Red Orbit (01/09), Business Journal (01/09), Reuters (12/08), Newsday, (12/08), New York Post: Page Six (12/08), Las Vegas Night Life (11/08), Las Vegas Weekly (10/08), Atlantic City Weekly (11/08), Mix Matters (07/08), Ya Heard (03/08), Ace Magazine (06/07), Sound (06/06) Rap Attack, (06/06), EQ (05/05), Rocker Girl (06/05), Bust (06/05) Mobile DJ (01/05 & 06/04), UR Chicago (09/04), The Stranger (05/09/05), Tablet (12/04, 01/05), DJ Times (04/05), Remix Online (03/05 Roof (Urban Latino TV, NY), Grinde Mode Magazine (04/05) and Thick Magazine (04/05) to name a few. 

As anyone can tell from this small taste of her extensive resume, GIRL 6's notoriety is well-earned, as her Vegas-style sets will have you dancing to everything from Elton John to Lil’ Jon! 

Come experience the surprise attack of the new Video Vixen DJ Girl 6!

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Words With Woods podcast hosted by the soon-to-be Jordhan Woods and Josh Woods.

Follow Us On Twitter @HeyItsJordhan & @JMcFly11! 

Questions, comments and sponsorships to wordswithwoods@gmail.com. 

Hailing from provincial Italy, world class DJ & producer Benny Benassi is a name needing little introduction but always deserving of wide admiration and acclaim.  Indulging in a career spanning fifteen plus years, Benassi is renown as a humble, authentic and charming character who has grown from club DJ to festival king to multi-million selling record producer taking success in his stride. Trademarking his unique infusion of house and electro with his global smash “Satisfaction” Benny has continued to create music which is a clear evolution of this signature sound but never deviating too far. 

There is no better place to start delving into the rich history of the Benassi career than with his international blockbuster, “Satisfaction” and its game-changing music video became his launch pad into stardom. Created with his cousin and producer, Alle Benassi, and inspired by the car horns outside an open street facing window, this single catapulted into the charts with a #1 in France, #2 in the UK and Germany. Followed by his debut album Hypnotica, which reached top 20 across nearly all parts of Europe within the first month of release. 

The next few years for Benny were a culmination of successes, whether it be the major festivals he went on the play (Coachella, EDC, Ultra Music Festival, Tomorrowland to name a few) or his next artist album, Rock N Rave in 2008. The same year he won a Grammy Award for his ground breaking remix of Public Enemy “Bring The Noise” further catapulting the Benassi name into stardom. 

In 2011, Benny teamed up with a star-studded album cast for his album Electroman which featured T-Pain, Kelis, Jean-Baptsiste and Apl.de.ap amongst others and most famously Gary Go with his chart-topping single “Cinema”.  The Skrillex remix of “Cinema” not only went Gold in the US and platinum in Australia and Canada but won the Benassi’s another Grammy whilst holding firm in the iTunes top 10 dance chart for over 6 months. 

Still on this exceptional career high, Benny Benassi combined talents with Chris Brown to create one of the biggest cross-over dance records of its time with “Beautiful People”. The following years have been a measure of incredible world tours and releases, most notably his record “Dance The Pain Away” with John Legend, which premiered live on stage at Coachella with John himself. 

2016 saw Benny released his first album in five years Danceaholic, an unexpected, stunning cocktail of already released tracks, two unreleased reworks of older singles and brand new songs, led by the hit summer anthem “Paradise”, once again with Chris Brown. “Paradise” stayed in the Top 50 UK charts for 10 weeks and boasts more than 65 million video views and close to 47 million Spotify streams. 

In recent years, Benny's main releases include “Everybody Needs A Kiss” featured US duo Sofi Tukker racking up over 10 millions streams online and was featured as the sound of gay pride for Musica.ly, "Lonely Nights" featuring Lil Yachty, interspersed with two great house-oriented tracks, "Inside" with Chris Nasty, performing well in clubs and on streaming platforms and "Everybody Hates Monday Mornings" with his own production outfit, BB Team, and featuring the eccentric and charismatic YouTuber, Canguro English.

Beyond his own productions he brought his sound to a wider musical audience with a flurry of high-profile remixes with the likes of Bob Marley & The Wailers, Giorgio Moroder, Madonna, Sean Paul and the Rolling Stones, to name but a few; whilst maintaining a weekly radio show on the US heavy-weight iHeart Radio broadcasting to a staggering quarter of a billion listeners monthly.

OUT NOW:
Fedde Le Grand - I Just Wanna Party
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Fedde Le Grand - Here Comes That Sound
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Fedde Le Grand - Elektro
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Fedde Le Grand - All Over The World 2023 (Club Remix)
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Fedde Le Grand ft. Muntu - B2B
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Fedde Le Grand & 22Bullets - Down
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Fedde Le Grand - Nothing's Gonna Hurt You
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Fedde Le Grand - Bounce That:
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Fedde Le Grand x Robert Falcon - Heaven (feat. Sofia Quinn):
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Noel Holler & Fedde Le Grand feat. French Original - Tokyo Lights:
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Sigala & Rita Ora - You For Me (Fedde Le Grand Remix)

Fedde Le Grand & Vince Freeman - Devils:
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Fedde Le Grand & Love Harder feat. Amy Grace - Same Thing:
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STILL FRESH:
Fedde Le Grand and Melo.Kids - Losing Control:
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Fedde Le Grand and NOME. - Sucker For Love (feat. Amanda Collis):
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Find me:
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straight ill.
repping San Diego and Tijuana from '93 til

Mexican-American bad-boy Victor ‘Harvard Bass’ has always brought together the raw appeal of American booty with the style and function of European Ass. His sound has earned him in-crew-sion in Seth Troxler’s Tuskegee posse, Green Velvet’s Relief Records, and of course Tiga's Turbo. With years of releases under his belt, he’s maintained an impressively consistent voice. 
​
It all comes down to the fact that he is a bonafide sex addict who managed to turn a problem into a career by combining his obsession with thickness and his prowess for production. His Releases can be heard as Harvard Bass’ confession, his plea of insanity set to the sound of a perfectly functioning Ibiza super-club, complete with sexy paid dancers, industrial smoke cannons, and the kind of mass communal ego death that comes from 10+ straight hours of tech-house.
 
With the Launch of his very own Bump City Records, Harvard has vowed to put his famous raw ghetto sexiness on the map. Boom-time, ladies and gentlemen.

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