Chiller than Radial Gaze's (but still a banger)

Farben - Beautone 
Soylent Green – On The Balcony
Lowtec - 10 Strikes To 2001 B1
Donna Regina - Star Ferry (Michael Mayer Remix) 
Whirlpool Productions – Calm Down 
Whirlpool Productions – Moonshine 
Whirlpool Productions – A Game To Play 
Glance – For Love 
Matthew Boone Feat. Eric Crozier - Don't Hold Back Your Love 
Second Life - Into You (C/Rock's Heavy Soul Vocal Dub) 
Glissando Bros. Feat. Jimmie Wilson - Flowers (Glance "Second Life" Mix) 
Nordstadt Union - Walking Tune

Hausmusik 41 (2000)

https://supersoundglobal.bandcamp.com/album/super-sound-global-edits-vol-1

We are happy to present 14 dancefloor ready edits from the early to late 90s. The tracks range from slower, afternoon groovers to more latenight uptempo jams. Available as name-your-price on Bandcamp. Hope you enjoy!

Bandcamp

Alexandra - Sinanai (Nic Jalusi Edit)

Cato Canari is back for Trushmix 218 with his traditional NYE mix, saying good bye to the old, and hello to the new! This time Mr Canari goes in dance mode, end of 80's to early 90's house, UK sounds and dance in various forms. A cheerful mix that will hopefully give you a good spark to start this new year in a good and positive way!

Let's hope this will be a more peaceful and less challenging year for everybody!
Music is the key, love is the message!

Enjoy music from the top!

Trushmix.com

Trushmix 218 - Cato Canari

DJ, producer and NTS resident Elena Colombi is next up in Tate Etc.'s MixTate series. Responding to Jannis Kounellis' Bells, they weld a quietly unsettling mix of sounds and words, including some releases from their label, Osàre! Editions.

For full tracklist and an accompanying text written by Elena Colombi for issue 61 of Tate Etc. magazine visit: tate.org.uk/art/artworks/kounellis-bells-ar00071/mixtate-elena-colombi-jannis-kounellis

MixTate: Elena Colombi on Jannis Kounellis

Breakfast, in Flo motion - served by Flo Dill, every Monday to Wednesday. 
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/the-breakfast-show-flo/episodes/the-breakfast-show-flo-31st-july-2024

The NTS Breakfast Show w/ Flo 310724

Love Injection is a New York music and culture monthly fanzine in print since February 2015, founded by DJs, archivists, and audio enthusiasts Paul Raffaele and Barbie Bertisch. Their namesake record label launched in 2020. Avid record and audio enthusiasts, Paul is also an art director and Barbie writes and performs music with various projects.

https://www.instagram.com/loveinjection.nyc
https://www.instagram.com/barbiebertisch 
https://www.instagram.com/paulraffaele 
https://www.instagram.com/loveinjection.records

https://loveinjection.nyc

LOVE INJECTION WITH BARBIE & PAUL @ The Lot Radio 09-14-2024 Audio

Some people say "DJaying" is an art form, but for WILLIAM ROBBINS, TOMMY CASTRO and PLANET B it is more like a spiritual exercise. Their sets which are inherently something ephemeral, but through the manipulation of knobs and buttons, create unforgettable timeless masterpieces. These are their stories. Executive Producer Dick Wolf.

www.instagram.com/clublonely
www.instagram.com/onewilliam
www.instagram.com/tommy_castro

grandstreetsounds.org

GRAND STREET SOUNDS @ The Lot Radio 09-17-2024

Office Dance (27/09/24)

80's Rampwalk delivers an hour of cold wave, minimal synth, industrial, post-punk and music made in Berlin basements. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/80srampwalk/episodes/80srampwalk-20th-november-2024

80s Rampwalk 201124

Easy

For the 7th installment of our mix series we have the pleasure to welcome the always smiling Benedek(@benedek_music) with his contribution named Zebrano Baby: Wilton's The Divide. Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Hi Nicky, how've you been lately?

NB: I’ve been great, enjoying the summer here in L.A.. Just working hard on music, had a few U.S. DJ gigs, some session work and a live show in L.A. that took up a lot of my time.

MFM: For readers that aren't familiar with Jimmy Fallon's The Tonight Show perhaps you could tell a bit about what you do and where you do it?

NB: Hahaha. I used to do quite a bit of session work and engineering. I’m good at setting up old gear and trouble shooting so I initially was getting hit up to wire up old synths and drum machines. I haven’t been doing that as much over the past few years, I’m mainly living off of my own music and DJing, which makes me happy. Now I just do gigs like that occasionally as they come up.

MFM: You seem like a musician who likes to try out new stuff and explore new sounds and directions. Do you consider that a plus or does it sometimes make things more complex too maybe?

NB: Definitely. I’m pretty honed in on what I like but at the same time there is definitely a breadth to my taste and what i want to achieve sonically. I often have to juggle multiple projects in different vibes going at once. It can take me looong time to finish tracks. More dance oriented stuff I can definitely knock out faster. I’m trying to get better at finishing things quickly and moving on to the next. I just kind of make what i want to make. It can be diverse but i think it all fits together in some way too via my harmonic, rhythmic and melodic sensibilities and the gear i use.

MFM: Could you visually talk us through your studio? 

NB: It’s on the fourth floor of an office building in Koreatown, Los Angeles. I’ve got a bunch of synths, samplers, drum machines and rack fx. Lately I use my SY99 and Prophet 600 all the time, Eventide H3500 and DSP4000, Yamaha SPX90, plus a lot of cheap Kawai gear. Vibe wise the studio is dark and cozy with two windows overlooking a busy intersection. I share the space with my good friend Alex Talan (Coolwater) who helped mix my Earlyman Dance record.

MFM: How would you describe the L.A. music scene, is it a nice place (for you) to be right now? Did it change compared to when you started?

NB: I think it’s pretty good here right now, lots of people are really into the music. What I love about the scene here is that it can kind of be whatever you make of it. There is a lot going on, every weekend there are multiple shows or parties put on by local crews. There are plenty of spaces to put stuff on, mostly all underground. It’s also easy to be in your own world and just work on music and enjoy the lifestyle here. It’s always been a place people move to fulfill their entertainment or artistic dreams, in the music or film industries or other fields, and I would say that applies now more than ever.

MFM: Thanks for your contribution to the mix series, how did you prepare for this mix, and how would you describe the eventual result?

NB: I’m kind of putting this together as I go, but i guess its kind of an imaginary soundtrack for driving around LA in my Benz 190e, some kind of crime drama with some lighthearted comedic elements. I bought a lot of records while i was traveling this year but also reinvigorated my love for digging locally in LA, so it’ll be a mix of all of that.

MFM: What's up next, any exciting releases or things coming up?

NB: Up next is a 12” on L.I.E.S. with my buddy Delroy. We’ve been making tracks together for almost 10 years but this will be our second release, and first one under this moniker “Trackstars”. Earlier this summer I just put out a record with Tom Noble on his label Superior Elevation. Check it!

MFM Mix 007: Benedek

DJ Crew and Record Collectors 
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Alexandra - Sinanai (Nic Jalusi Edit)

SUPER SOUND GLOBAL

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