Based this on a Charlie Chaplin sample - loads of breaks, chops, bouncing and chopping again. 

Let us all unite

-Sélection Maison- " ( -_______- ) " - Lost Preset -
Passionate from the very beginning. He has shaped his culture while working with organisations and alternative projects for over fifteen years. His vibrant passion remains true to the frequency of the music.
An unmistakable electro feel. With groove and emotions in the movement, he’ll make you dance with an unwavering and liberating flair.

Hello :) 

Music gives me so much and is an integral part of my life. I love to share music and I truly love making music. 

I would like to highlight two important influences on my music and sound:

Ronny Pries has an excellent view of the foundations of sound and music: 
https://youtube.com/@rktic909?si=RTtumA1IS8pYG_lG

Variety of sound has opened up my ears to what I should strive to make my music sound like
https://varietyofsound.wordpress.com/

Music and art are my favorite puzzles :)

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'maisey moore' under CRSY is out now. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

Catford/London based creator of lofi soundscapes, abstract jams and visuals

If you like what you hear maybe sign up for my Twitch alerts to catch the next live stream where i get to spin these tracks in a DJ set format with additional analogue effects & visuals . They are pretty chilled so be warned :)

https://www.twitch.tv/lorst3n

Welcome to my SoundCloud!
Here to make meaningful connections through music.

Peace.

Dan

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime, Shamanic Drumming, Mantra, 

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

HELLO SOUNDCLOUD.PEOPLE...   
follow me and enjoy  
if you scroll down you will find good stuff , I promise you ....;)
           ✨ 
we may feel small or alone, 
but in reality, we’re all bound together by the same stardust

Let us all unite

Superstein