Gilbert's Effect

For this album, photographs by Thomas Lutz illustrate a narrative that is recounted with my music. A person - let’s call them „She“ - who leaves her parent’s house to lead an independent life. But then for whatever circumstances, she faces the danger of homelessness.

„She’s Leaving“, the title track, is inspired by an experience at age 17, when I left my parent’s house and carried a box of my things on foot to my new home. On my 38th birthday - the day my grandmother died - I wrote this piano piece.

„Variation I“ features a modified piano with sound built in the granular synthesizer. In „Variation II“ and „III“ this process is continued with addition of instruments and spatial effects.

„Night Tube“ is both a further variation and a reminiscence of „Waking the Witch“ by Kate Bush. Taken from the second side of her „Hounds Of Love“ LP, the concept piece „The Ninth Wave“ tells the story of a girl floating alone on the sea in a life raft. Voices of her family in her fantasy awaken her again and again, saving her from falling asleep, freezing to death and drowning.
In „Night Tube“ I think of a homeless person who nods off in the London subway at night and is startled, again and again, by inner and outer voices. In the metaphorical sense, it’s also about being scared awake in one’s own circumstances. There are currently an estimated 59,000 homeless women in Germany.

„Without A Sound“ closes the album. With this remix of the piano piece „She’s Leaving“ I tried to capture some of the emptiness and quiet vastness of Ryuichi Sakamoto’s music („async“). The trumpet samples come from a nocturnal jam session in the recording studio of the Stuttgart Musikhochschule in which I was involved.

With the additional „Threads of Reflections“ remix*, Belial Pelegrim contributes a unique cinematic soundscape with a generous and gentle atmosphere.

Credits:
1-6  Written, played, recorded, produced, mixed and mastered by Marie Wilhelmine Anders
https://soundcloud.com/marie-w-anders
https://soundcloud.com/moment_musik
7 Written by Marie Wilhelmine Anders. Produced, mixed and mastered by Belial Pelegrim
https://soundcloud.com/belial-pelegrim
Thanks to the colleagues from recording.de for their voices in „Night Tube“
Cover Pictures: Polaroids by Thomas Lutz
http://www.polanoid.net/people/profile?uid=74
Design by Clayton Jones
https://www.behance.net/claytonjones

Released December 31, 2021 by https://soundcloud.com/noisymeditation

A portion of the proceeds will be donated to Annapolis Lighthouse, a homeless prevention support center https://annapolislighthouse.org

She's Leaving

Without A Sound (She's Leaving) (Belial Pelegrim 'Threads Of Reflection' Remix)

A bit faster dub techno track 

I made a video for it that you can check out if you like:) 
https://www.youtube.com/watch?v=bKdIYiDdMLI&ab_channel=SteinRogerAndresen

Periodic Determination

Premiere Club Furies #819

Premiere completa: https://clubfuries.com.mx/2022/03/31/premiere-club-furies-krostif-time-golden-forest-records/

Krostif: @djkrostif
Golden Forest Records: @goldenforestrecords

Artista: Krostif
Título: Humanity
Sello: Golden Forest Records
Catálogo: 
Foto: Marion Bernard
Fecha de Lanzamiento:

Tracklist:
1. Always
2. Give
3. Time
4. For
5. Soul

Like & Repost ❤️🙏

Sigue a Krostif: 
https://soundcloud.com/djkrostif
https://djkrostif.bandcamp.com/
https://www.instagram.com/krostif_music/
https://www.youtube.com/channel/UCUTn3I6r5m6Lc474QlDREZA/

Sigue a Golden Forest Records:
@goldenforestrecords
www.facebook.com/GoldenForestRecords/
www.instagram.com/Goldenforest_Records/
www.mixcloud.com/Golden_Forest_Records/
https://goldenforestrecords.bandcamp.com/
https://linktr.ee/GoldenForestRecords
https://twitter.com/forest_records

Sigue a Club Furies:
@clubfuriess
https://clubfuries.com.mx/
www.instagram.com/clubfuriess/
www.facebook.com/clubfuries
twitter.com/FuriesClub
linktr.ee/clubfuries

Humanity

Time

Support & Buy

Premiere CF: Krostif — Time [Golden Forest Records]

Qrauer - "Cool Edit" from incoming album "Odd Fazes"

Spanning orchestral soundscapes, punchy minimal techno, inventive IDM and genre-de- fying collaborative creations, qrauer’s Odd Fazes album brings the highly acclaimed duo into exciting new sonic territory.

Qrauer are a German electronic duo made up of Christian Grochau, a virtuosic percus- sionist, producer and remix artist and Ludwig Bauer, a deft pianist, multi-instrumenta- list, and composer. Odd Fazes is their highly anticipated first full length album, following on from EPs Aracus (2018) and Heeded (released in April 2022), with lead single The Mess picking up major radio play including playlisting from Mary Anne Hobbs on BBC 6 Music.

––––––––––––––
@qrauer
Youtube:
www.youtube.com/channel/UC2cSlIBJeqHaKpeWVasL0TQ
Spotify:
open.spotify.com/artist/2tYAyeyRfbDiGDGFJaA1w3
Instagram:
www.instagram.com/qrauer
Facebook:
www.facebook.com/qrauer
Website:
www.qrauer.com
Label:
www.nonostarrecords.com

---------------------------------
Ak Family / Submit premiere:
submit.akfamily@gmail.com

www.facebook.com/akfamily1
www.instagram.com/akfamily69/
open.spotify.com/playlist/7MknHPkj4tKIZiwOEfm0Hx

Premiere : Qrauer - Cool Edit - (Nonostar Records)

I changed the bass in this and reuploaded

A positive person

Start of a new dubtechno track - early post - might update it more :)

The ambition of having no ambition

The 90's Were The 60's Turned Upside Down. 99% 90s.

☆★★ https://bit.ly/GRSCLM136 ★★☆

Deemkeyne’s Ending Dynasty marks the 136th entry in Greyscale’s Mood Series, delivering a masterfully crafted dub techno EP that thrives on depth, precision and atmosphere. Across four expertly produced tracks, Deemkeyne strikes a fine balance between rhythmic drive and hypnotic spaciousness, helping it become an ideal listen for those who appreciate the genre’s subtleties. 
Opening with 'Nothing And All', the EP immediately plunges into a vast soundscape. A dense chord progression glides over a tight rhythmic pattern, propelled by a pulsating bassline that commands attention. The track unfolds patiently, allowing each element to breathe, setting the tone for the journey ahead. 'Night Before Spring Comes' follows with a more spacious and contemplative approach. Its steady tempo is wrapped in layers of crackling static, evoking a sense of aged transmissions echoing through time. The minimal yet deeply effective composition leans into classic dub techno aesthetics, giving a hypnotic experience that lingers. With 'Gradientes', Deemkeyne shows a techier edge. Subwoofer-rumbling low-end frequencies anchor the track, while crisp percussion elements create a reserved yet captivating groove. The gradual build keeps tension intact, making it a standout moment for deep-listening sessions or late-night club explorations. The title track, 'Ending Dynasty', is arguably the EP’s high point. A driving bassline underpins machine-like chord stabs, generating a brisk yet fluid momentum. As the arrangement progresses, a well-placed break elevates anticipation, leading into a swirling cascade of cleverly layered elements. It’s a commanding closer with its intricate sound design and gripping sections that help you lose track of time. 
In Ending Dynasty, Deemkeyne delivers four richly textured pieces that embody dub techno’s finest characteristics. Strong chord work, compelling rhythms, and quality production make this EP a key statement in the Greyscale catalog. Deemkeyne makes a strong return to the label with this gem.

w&p - Deemkeyne
mastering - grad_u
artwork - Rima Prusakova
write-up - Tim Humphrey

☆★★ https://bit.ly/GRSCLM136 ★★☆

Ending Dynasty

Get it here

"The Boat" is a minimalist yet emotionally resonant techno track that drifts between introspection and movement — like a vessel caught between tides of memory and forward momentum. The piece begins with sparse, ambient textures resembling distant waves, accompanied by soft mechanical pulses that slowly evolve into a steady, fluid rhythm.

Pierre (Bob) Stephan uses restraint to great effect here: each sonic element feels deliberate and spacious, allowing the listener to float within the track’s subtle dynamics. The melodic fragments are gently melancholic, echoing the feeling of isolation or perhaps a quiet determination. As the composition unfolds, deeper basslines and filtered synth layers emerge like currents beneath the surface, guiding the track without overwhelming it.

"The Boat" could be interpreted as a metaphor — a journey across uncertain waters, a meditation on solitude, or a quiet rebellion against the noise of the world. It’s understated but powerful, balancing fragility with propulsion. Ideal for late-night reflections or immersive listening, this track reaffirms Stephan’s ability to create techno that breathes with emotional depth.

The Boat

vhromatic - R A V E

Hello :) :) :) 

Music is such a great thing. It gives me so much and is  a big part of my life. I love to dig around chasing those classic tunes that you find sometimes, I love to share music and I truly love making music. 

I started using Fruity Loops many years ago and I just loved it - still do. I try to make some music or art every day. If you like that as an idea, and you like some of the things I do - great. That makes me happy.

In the 80's I became interested in club culture. As a teen I was involved in running a youth club and arranged monthly disco nights that ended with slow dances. After some years dancing at regular clubs I went on an adventure to a night I had been hearing about. A night for the weird people. At that techno event I felt free, at home and I felt that I had found something I wanted to be part of for the rest of my life. 

After being stuck at home because of severe illness I found time and focus to start making my own music and art. In some ways my illness brought this gift as a side effect. If you struggle with illness I feel for you. That shit sucks. 

I believe in art, science, DIY and positivity. 

Music and art are my favorite puzzles :) 

Be in touch  :)

Periodic Determination

Superstein

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