Trying out some new stuff - made some changes to how I do stuff.

Thin Paper

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

Hello :) 

Music gives me so much and is an integral part of my life. I love to share music and I truly love making music. 

I would like to highlight two important influences on my music and sound:

Ronny Pries has an excellent view of the foundations of sound and music: 
https://youtube.com/@rktic909?si=RTtumA1IS8pYG_lG

Variety of sound has opened up my ears to what I should strive to make my music sound like
https://varietyofsound.wordpress.com/

Music and art are my favorite puzzles :)

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

https://open.spotify.com/artist/31z30JyUEF1yNOgEW6pch2?si=fsx_z8gJTqOBelSFFSA48A

Electronic music artist since the mid-'80s.
I create tracks of different genres and moods.

Thanks to all musicians and music lovers
on soundcloud who support me with likes,
comments and reposts. That motivates me
to record new tracks.

On SoundCloud since December 2017
© All rights reserved

My sounds were born because I was tired of (not) listening to what the media were offering, since the mid-90s, without paying any attention to the quality of the music.
I don't define myself as a musician, but a sound craftsman who, thanks to new technologies, enjoys experimenting with notes and sounds, and through SoundCloud I put myself to the test.
I thank all those who listen to me, but especially those who follow me.

FREEDOM OF OPINION - FREEDOM OF THOUGHT - FREEDOM OF EXPRESSION

Some say I don't mince words. I sometimes say terrible things, as well as sweet and superfluous ones. I can love and hate, but I always maintain respect for those who love me or provoke me.

Currently, the world is changing dangerously. Those responsible are not always who we think. And those who deserve punishment are undoubtedly those who cause it, but even more so those who instigate it.

I like Americans and I like Russians. What I appreciate much less is the politics of these countries, their leaders, their underlings, and their administrations... In France, it must be admitted that things have been a real mess for the past few years, and there's nothing we can do about it. We joined the European Union, which now imposes its directives, which dark and idiotic "governors" implement without a word, since their countries are no longer sovereign.

We knew the USSR (Union of Soviet Socialist Republics)... and now we are 27 countries in the UESR (Union of European Socialist Republics).

This UESR is a monumental mistake, not the very beginning, but the one it has become, an entity that relentlessly pursues its devastating expansionism, which also allows NATO bases in the countries of the union, and which the Russians consider a direct threat. Well, I understand them!

Remember the Cuban Missile Crisis from October 14 to 27, 1962, a diplomatic and military confrontation between the United States and the Soviet Union. The Soviet Union was "too close" and represented a direct threat! It was almost the beginning of World War III, so the Soviet Union withdrew its missiles. Let the United States do the same now by withdrawing its NATO nuclear missiles, which it has deployed throughout the European Union.

The European Union promised us peace—which is, after all, why it was created—but now it wants war. It must be said that what the European Union has lacked (from the very beginning!) is a common defense, which was not the case for the former Soviet Union or even for the United States today.

The United States of Europe is like the frog that wanted to be bigger than the ox. Without a common defense, it is headed for certain doom, or it relies on NATO for its defense, but the game is no longer the same and would be much more dangerous for the entire world. This is where forced expansionism leads.

Peace on Earth to people of goodwill - ❤️🕊️🙏

Pier WILL 

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🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

DJ / Producer George Cross’ love of dance music erupted when Rave dropped in the early 90s. He began to develop an obsession with hardcore, house, garage and underground techno, especially Colin Dale's ‘Outer Limits’ show on KISS FM, Fantazia, and nights at the UK's legendary south coast venues Sterns, Zanies and Golden Hill Fort. 

This passion led to George DJing in local clubs, sourcing new music any which way he could. Big influences over the years include Aphex Twin, Jeff Mills, Carl Craig, Trans Europe Express, Luke Slater and Basic Channel, which is evident in his production and DJ sets. 

After the success of 'Spark' [SKM004], which received 8/10 in top dance music magazine iDJ, gigs were soon secured across Europe, including a night sponsored by Nixon Watches at Portugal’s oldest nightclub. 

George's music has been supported by top DJs Dave Clarke, Brendon Moeller, Tania Vulcano and Cristian Varela, to name but a few. 

iDJ reviewer Lee Smith compared his sound to Carl Craig’s BFC era, recommending “Fans of Redshape, Black Dog and other classically inclined types should investigate forthwith”.

Thin Paper

Superstein