Trying out some new stuff - made some changes to how I do stuff.

Thin Paper

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

Hello :) 

Music gives me so much and is an integral part of my life. I love to share music and I truly love making music. 

I would like to highlight two important influences on my music and sound:

Ronny Pries has an excellent view of the foundations of sound and music: 
https://youtube.com/@rktic909?si=RTtumA1IS8pYG_lG

Variety of sound has opened up my ears to what I should strive to make my music sound like
https://varietyofsound.wordpress.com/

Music and art are my favorite puzzles :)

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

https://open.spotify.com/artist/31z30JyUEF1yNOgEW6pch2?si=fsx_z8gJTqOBelSFFSA48A

Electronic music artist since the mid-'80s.
I create tracks of different genres and moods.

Thanks to all musicians and music lovers
on soundcloud who support me with likes,
comments and reposts. That motivates me
to record new tracks.

On SoundCloud since December 2017
© All rights reserved

My sounds were born because I was tired of (not) listening to what the media were offering, since the mid-90s, without paying any attention to the quality of the music.
I don't define myself as a musician, but a sound craftsman who, thanks to new technologies, enjoys experimenting with notes and sounds, and through SoundCloud I put myself to the test.
I thank all those who listen to me, but especially those who follow me.

Hello dear Soundcloud listeners,

I'm still determined to continue producing music, the music of Pier Will, which can only be heard on Soundcloud and which can also be recorded... for now.

The world of music is rapidly moving towards a huge upheaval where the true musician will very quickly become "rare," or even more and more of a shadow, a peculiarity, a memory. This time is not so far away, as AI takes a predominant place in everything that touches us and surrounds us and in Music, this can already be heard very clearly!

Apparently, everyone is taking this lightly, and the few diehards are being sneered at as anti-progress terrorists, for now. I already have two work computers disconnected from the internet, which house my software and everything I need to work. No more updates for them to work properly... updates are only necessary if you need to connect! Another computer is dedicated solely to internet connection and will be used exclusively for streaming the tracks.

This decision has serious consequences for my production, as there are no more options to add anything to it. It's a gamble, but for me, it's an obligation to remain completely independent and free from AI.

Pier WILL - ❤️🕊️🙏

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Bonjour chers auditeurs Soundcloud,
Je suis toujours déterminé à continuer à produire de la musique, celle de Pier Will, que l'on ne peut écouter que sur Soundcloud et qui peut aussi être enregistrée… pour l'instant.

Le monde de la musique s'achemine rapidement vers un bouleversement majeur où le véritable musicien deviendra très vite « rare », voire de plus en plus une ombre, une singularité, un souvenir. Ce temps n'est pas si lointain, car l'IA prend une place prépondérante dans tout ce qui nous touche et nous entoure, et en musique, cela se voit déjà très clairement !

Apparemment, tout le monde prend cela à la légère, et les quelques irréductibles sont méprisés comme des terroristes anti-progrès, pour l'instant. J'ai déjà deux ordinateurs de travail déconnectés d'Internet, qui hébergent mes logiciels et tout ce dont j'ai besoin pour travailler. Plus besoin de mises à jour pour qu'ils fonctionnent correctement… les mises à jour ne sont nécessaires que si vous avez besoin de vous connecter ! Un autre ordinateur est dédié uniquement à la connexion Internet et sera utilisé exclusivement pour le streaming des morceaux.

Cette décision a de graves conséquences sur ma production, car il n'y a plus aucune possibilité d'y ajouter quoi que ce soit. C'est un pari risqué, mais pour moi, c'est une obligation de rester totalement indépendant et libre de toute IA.

Pier WILL - ❤️🕊️
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🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
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*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

DJ / Producer George Cross’ love of dance music erupted when Rave dropped in the early 90s. He began to develop an obsession with hardcore, house, garage and underground techno, especially Colin Dale's ‘Outer Limits’ show on KISS FM, Fantazia, and nights at the UK's legendary south coast venues Sterns, Zanies and Golden Hill Fort. 

This passion led to George DJing in local clubs, sourcing new music any which way he could. Big influences over the years include Aphex Twin, Jeff Mills, Carl Craig, Trans Europe Express, Luke Slater and Basic Channel, which is evident in his production and DJ sets. 

After the success of 'Spark' [SKM004], which received 8/10 in top dance music magazine iDJ, gigs were soon secured across Europe, including a night sponsored by Nixon Watches at Portugal’s oldest nightclub. 

George's music has been supported by top DJs Dave Clarke, Brendon Moeller, Tania Vulcano and Cristian Varela, to name but a few. 

iDJ reviewer Lee Smith compared his sound to Carl Craig’s BFC era, recommending “Fans of Redshape, Black Dog and other classically inclined types should investigate forthwith”.

Thin Paper

Superstein