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Eel-Ectro-Nique

Anti Anxiety 1 Hour

Everybody's Gotta Learn Sometime [reprise] [JAMES WARREN]

words and music by SeaLark.
SeaLark is Clark Stacer.




lines of opined people
hating that they're waiting 
just to drag the lime
using everything they find 
to justify their hating

please!  don't you     hesitate  
do not     procrastinate

so many pros are bending their hate bows
with each cast their venomous hate grows:

hate casters and    blame masters

abusing their muse faster and faster til ashes to ashes we all fall down 
after disaster 
after disaster

You make your hate
You cast your state
You seal your fate

if you can let it dissipate

you can let it go and 
let good vibes flow
come on, try it out     
see what you find 
un binded; un blinded
outside the timeless grind
of all of the 


lines of opined people
hating that they're waiting 
just to drag the lime
using everything they find 
to justify and bind their hating

please!  just please don't    hesitate  
do not     procrastinate
deconfabulate   it's not too late

so many pros are bending their hate bows
with each cast their venomous hate grows:

hate casters and    blame masters

abusing their muse faster and faster til ashes to ashes we all fall down 
after disaster 
after disaster

You make your hate
You cast your state
You seal your fate

Hating The Hating - 2a

phrygian delight with rock scissors;  papier mache; carbonated sine waves; a dash of night spookiness.

Mossy Moosejaw

written by James Warren (of The Korgis)
performed, recorded, mixed by Sealark
Sealark is Clark Stacer

Clark Stacer is a single aspect of all of consciousness, just like you!


lyrics:

change your heart
look around you
change your heart
it will astound you

I need your love like the sunshine

everybody's gotta learn sometime
everybody's gotta learn sometime
everybody's gotta learn sometime

[v3a]
Changes:
v3a:
- replaced bass with real bass. minor edits in progress
-

Everybody's Gotta Learn Sometime

Everybody's Gotta Learn Sometime (by James Warren)

Which half is pine, is the question we're exploring...experimentin' with some different instruments, using the Push2 and Ableton Live to put it together.  I love the 'capture performance' NON-record button recording capability, pressure's totally off!!

Changes:
[3a]
- length (moar) (3:15 -> 4:10)
- numerous unlinked contextual tweaks, warp factor 1
- vocal melody/harmony ideas starting to gel in me brain

[2a]
- length 
- transitions
- note placement refinement
- added drums, cymbals

Let It Be Love

Half - Pine Souffle - v3a

Let It Be Love
by Clark D Stacer 
Copyright 2023 All Rights Reserved
stop traumatizing the animal kingdom

Let It Be Love
[...that always comes out of you]

[I]
love
I want to be love
be love
how do you be love?

it's not hard 
if you're ready
you just let it go (let the rest of it go)

and be love
you just be love
it's all for your love
I do it all for your love

[II]
it's happened to all of us in time
we will all be there  on some (different/our own) timeline

(so)mmmm  just let it be love
let it be love
let it be love
that shines...

[III]
you think you're not in love with me;
I may think I'm not in love with you;
but we're just swimming in the same stew

and it's all made of love
everything is made of love
that shines from your soul

(just let it all out)
it's all made of love
(let it all out)
everything is made of love

[bass solo]

[II]
it's happened to all of us in time
we will all be there (each on our different) on some timeline

just let it be love (let it be love)
everything is made of love right out of your heart
take it all out,  let it out,
let it be free,
just let it be love


#newsong #clarkdstacer #supraphonica

Let It Be Love [1b]

Love, Sweet Love
wip
160bpm

copyright 2023 supraphonica/clark stacer


[2a]
- new bits; intro; verse 2,3
- moar refinement of natural expression rather than building heh.

Is It Wrong To Love You?

Love Sweet Love - v2a

Sea Turn Reef Tender

Sea Turn Reef Tender - 3a

[v4a]
- new tuning fork track
- new approach for drum consistency
- lots of balance adjustments

v3a  WIP

Inspirilation

Inspiralation

Hint Of Tea - 1a

Inspired by my old friend George Sluppick's "Let's Go for a Ride"
https://www.sluppick.com/

[3c]: bass tweaks mostly
[v3b]: moar balancier, bass grit for small speakers, spatial fun with e-pianos, vox next please, future Clark
[v3a]: balance, bass tightening  - um, don't forget to leave space which simplifies processing in the listener's mind.


v2a
- lots of edits, moving a few bits around
- moar sweet highs from the drums 
- bass cleanup, eq, limit

Slup's Up

FREE EP DOWNLOAD HERE --> http://bit.ly/FEELtj
@SUBPAC
http://www.torkomji.com/

“The first time I strapped on a M2 and experienced the bass, I knew we as humans, audiophiles, creators, had set the bar all to a whole new level. My productions are mixed cohesively, and with more balance than ever before.” - Torkom Ji

2.Torkom Ji - Heavenly Pulse *EXCLUSIVE* (SUBPAC Optimized)

Kalaallit Nunaat
Official Release on Earth Day 2020

Purchase HERE:  https://divasonic.bandcamp.com/album/kalaallit-nunaat

Back in July 2019, Ian Montgomery was on location shooting drone footage in Kalaallit Nunaat (Greenland) during the largest ice sheet melt on record. Changes in our climate around the world are now manifesting quicker and we notice this more and more in the abrupt changes in weather patterns and water distribution. On this Earth day, as we are required to stay inside, in turn giving our planet a much needed break. This is great time to tune into the power of our planet, and give reverence to the balance Mama Gaia works to maintain as well as reflect on our relationship to it.

The music represents the vast nature of the Greenland landscape, dominated by mountains, snow and ice and untouched beauty of the land and sky. 3 new compositions – Kalaallit Nunnat, Ulloq and Unnuaq were composed for Ian’s new films from that trip. The other three tap into the spaciousness and meditative quality of the first three.

It is interesting releasing this record during COVID-19 quarantine. Like the small and large icebergs and ice rafts drifting along in the current, We are physical isolated from one another and adrift as we await our next destination ... Changing form and shape… melting away the old to bring in the new… adaptation and survival.

Within this sea of change, our rigid patterns and known foundations break into icebergs big and small and we begin to experience the spaciousness that allows for new forms to emerge.

These compositions reflect the spaciousness from which we can connect to our own revelations. I hope these sounds allow you to heal, meditate deeply, expand and find new beginnings.

The best way to listen to these recordings is with high quality headphones. Kalaallit Nunaat was mixed in binaural/spatial audio using DearVRPro by Dear Reality to give you a more surround sound listening experience, similar to how we listen with our ears in our environment. In essence, it is a more 3D experience.

I am honored to partner with Jonathan Rowden at Overworld.XR on releasing this album. Overworld.XR’s mission is to release spatial audio projects and next level virtual reality experiences. 
credits
released April 22, 2020

Kalaallit Nunaat

All Tracks composed, performed, recorded, produced and arranged by Lynda Arnold unless otherwise noted

Kalaallit Nunaat

Lynda Arnold – Koshi & Flow Chime, Sample Processing
Andy Greenberg – Sound Design and Mixing
Jonathan Rowden – Spatial Mixing

Ulloq (Day)

Lynda Arnold – Vocals, Monochord, Synths
Jonathan Rowden – Spatial Mixing

Unnuaq (Night)

Lynda Arnold – Flute, Kalimba, Synths, Vocals, Effects, Recording, Arranging, Mixing
Jonathan Rowden – Spatial Mixing

Heart Strings feat. Caroline Campbell

Caroline Campbell – Harp Performance and Composition
Lynda Arnold – Vocals, Synths and Spatial Mixing

Melting

Lynda Arnold – Flutes (C Flute, Alto Flute, Glass Pan Flute), Synths and Spatial Mixing
Daniel Berkman – Onde Martenot

Shavasana Song

Lynda Arnold – Shrutis, Vocals and Spatial Mixing
Torkom Ji – Synths

Mastered by Burak Atas at Maven Mastering

Binaural Audio/Spatial Mixing using DearVRPro by Dear Reality

Cover Art: Photo by Ian Montgomery, Digital Art by Torkom Ji, Text and Logo Layout by Lynda Arnold and Jonathan Rowden

Overworld Records

Mossy Moosejaw

.·˚ sealark

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