ON THE ROAD

Ya Cant Hide

queen

Alone Again Remix

In the English language, the word “break” can be morphed into so many different applications.
It can be relaxing in the sense of taking a break after a long day. It can be harsh and emotional in the sense of breaking a promise to a loved one. It can be random and messy like a glass full of water breaking on the floor into a thousand pieces.
In the club, all of these different ideas take sonic form in the fast-rising subgenre of breaks, where the traditional metronomic kick is thrown into reckless abandon and the artist can apply any and all energies—a task the producer and DJ Jesse Leer accomplished in fine style on his new EP, Center of Pressure.
The latest release from Seattle’s own Feral One Records, Leer returns to the label with his own solo two-tracker after contributing another splendid breaks tune entitled “Coin Trick” to FO’s debut compilation, Seattle Volume 1, last Fall.
Both cuts on Center of Pressure drive home the diversity of the breaks sound with everything from their motion-fueled titles, “Center of Pressure” and “Swivel,” to their uncaged approach to melody.
The title track is what happens when the concept of centrifugal force becomes a piece of club-ready music. The only thing coming from the center is pressure, pushing the untamed drums, the buoyant bassline, the seething pads, and the jittering arpeggios to the outer edges.
Then “Swivel” musically embodies various movements that one would generally associate with a swivel chair. Sliding around the room are the sweeping high hats. Spinning in place are the rhythmic yet cyclical acid squelches, and the epic and lawless breakdown, well that’s why your parents told you not to stand on a swivel chair when you were a kid.

@jesseleer

Cover Art: Maria MK (GE)
Mastering: Hume Audio (SEA)
Feral One Records LLC
https://www.feralonerecords.com
https://linktr.ee/feralonerecords

Center of Pressure

Swivel

Jesse Leer - Swivel

BXTTLESCXRS!!-SNIPPET(PROD.DEAD YAMI & BORED OF EARTH)

miss ya crazy azz🤧💙
-Long Live L$G🕯🐐

#RIPBRUDDA FT A.P [PROD. @playasoulja]

All day long you come on to other guys then walk away - for fun! Well, don't mess around with me!

You'll find lots more original songs in my PLAYLISTS here: soundcloud.com/kei-r-woods/sets/my_songs

Dont Messaround With Me

DONT MESSAROUND WITH ME

Death race

“Gather close, and let the embers speak. For this is no tale of kings and crowns — this is the saga of fire, oath, and blood. This is the song of the last skald, and the flame that refused to die.”

In the twilight of the old world, when the fjords whispered of gods and ghosts, a warband rose beneath the dawn. Their oaths were carved in stone, their names etched in frost. The saga begins with “Oathbound at Dawn,” where warriors swear loyalty not by word, but by fire — a ritual of steel and spirit beneath the rising sun.

From the shadows of the fjord comes “The Wolf and the Fjord,” a tale of cunning and survival. The warband moves like smoke, striking with the silence of beasts. Then the drums thunder in “Hammerfall Rite,” a berserker’s invocation to Thor — the moment before the clash, where rage becomes ritual and the sky splits with fury.

But war is not only steel. In “Seidr’s Veil,” the warriors kneel before the völva, the seer who chants in tongues older than time. She shows them fate — not as prophecy, but as consequence. And then the clash: “Blood on the Ice” erupts with chaos, where shields splinter and the fjord runs red. Victory is won, but not without cost.

The ravens arrive in “The Raven’s Feast,” circling the dead with solemn grace. They do not mourn — they honor. The battlefield is silent, save for the wind and the wings. And then the myth deepens in “Stone of the Nine Worlds,” where the skald walks through realms of fire, frost, death, and dream. Each world speaks, each stone remembers.

Now the skald stands alone in “Skald of the Last Flame,” the titular track. He sings not for glory, but for memory — the last voice of a vanished warband, the final ember of a forgotten age. The longship burns in “Ashes of the Longship,” a funeral voyage across the sea, where names are whispered into the tide.

But the saga does not end. In “Echoes in the Hall of Shields,” the voices of the fallen rise in chorus. Their shields line the walls of the honored hall, and their names thunder through eternity. Yet even this is not the final flame.

A new chapter begins with “Where the Chief Fell, the Flame Rises.” The warband’s leader is gone, lost to legend. But his fire lives on. The Son steps forward in “The Son Who Bears the Ember,” uncertain but resolute, carrying the weight of legacy in trembling hands.

He learns the truth in “Peace Is a Lie.” The world does not honor restraint — it devours it. The Son casts aside hope and embraces fire. But in “Ashes of the First Command,” he learns that war is never clean. The cost of leadership is written in blood.

And finally, he rises in “The Flame That Does Not Bow.” No longer a child, no longer a warlord — he is the flame itself. Not wild, not broken, but eternal. He walks not for vengeance, but for truth. The saga ends not in silence, but in fire.

“So remember this, you who listen by the hearth: the skald may fall, the chief may fade, but the flame marches on. And in every oath, in every name, in every echo — the saga lives.”

The Flame That Does Not Bow

Disclaimer: Human-made // AI Assisted (Suno, openAI, ) Stranger Danger is an independent content creator and is not affiliated with, endorsed by, or connected to Games Workshop in any way.

BXTTLESCXRS!!-SNIPPET(PROD.DEAD YAMI & BORED OF EARTH)

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