shreya

vocal

rammy

sanskrit

Dachu'sCollection

aigeri nandeni nandeta modeni suresh k

Mantras

durgamatha

bhajans

Devotional

Aararo Aariraro

Vathil pazhuthiloodenmunnil kunkumam... by Sathish Menon

My tribute to Sri.V.Dakshinamurthy...

Mahishasura Mardhini

Hare Krishna Kirtan

Om jai jagadish hare

HARIVARASANAM-K.J.YESUDAS

Chandramouli - Krishna nee begane (carnatic fusion)

Priya Sisters - Lalitha Sahasranamam

Лакшми – совершенно особенная Ведическая Богиня.

Она обладает как магическими, так и практическими качествами.

Во времена испытаний она может стать врачующей утешительницей. Она даёт надежду на лучшее в самые тяжёлые времена. Лакшми является мощным космическим соединением, священным женским началом, имеющим реальное обличие, и дающее нам решимость, надежду и силу.

Существует легенда о том, как Лакшми появилась из цветка лотоса, росшего посреди молочного моря. Она предстала во всей своей неземной красоте в украшениях и драгоценных камнях. Прочие обитатели божественного пантеона сразу же признали её самой главной Богиней и поклонялись ей, как главному источнику, дарующему богатство и благополучие.Три тысячелетия спустя Лакшми по-прежнему остаётся символом, приносящим удачу, и самой почитаемой и любимой Богиней.

Её часто изображают в виде прекрасной женщины с огромными тёмными глазами и четырьмя руками. Облачённая в сари, изящная и очень женственная, она сидит или стоит на своём троне из розового лотоса. Её передние руки сложены в благословляющем жесте, дарующем Божественное благо. В двух других руках она обычно держит по лотосу. Её способность даровать нам благополучие в жизни символизируется золотыми монетами, сыплющимися из её рук в океан жизни.

Вам нужна помощь в работе, бизнесе, успехе, счастье и любви? Лакшми, вот к кому вы должны обратиться!

Но прежде следует вызывать Ганеша, управителя препятствиями, что бы расчистить путь для успеха. Несмотря на то, что есть специальные мантры и молитвы, с помощью которых пробуждают Ганеша.

Люди часто обращаются к нему просто: «Ом, Ганеша, Ом Ганеша, Ом Ганеша». Ганеша убирает препятствия и теперь Лакшми дарует Вам благополучие. Лакшми и Ганеша часто образуют пару, идущую бок о бок. Мы видим их совместное изображение на различных картинах.

Основным партнёром Лакшми однако, считается Бог Вишну – известный как Главный Хранитель, спускающийся на землю в виде воплощений, таких как Кришна. Лакшми реинкарнируется во всех человеческих жизнях, и поэтому представляется как пример неумирающей любви. Считается, что те, кто уделяет внимание Богине Изобилия каждый день, налаживает постоянную связь с Ней. Это можно ощутить с помощью простого фокусирования энергии на том, что вы решили создавать в своей жизни.

Лакшми существует за пределами выше наших человеческих чаяний и печалей. Оттуда, где она сидит на своём Священном Лотосе, она может направлять нас к большему благополучию, радости и более глубоким взаимоотношениям. Благодаря тому, что она также почитается как Великая Священная Мать, она ведёт нас из темноты к свету. И действительно, если Вы позволите Лакшми присутствовать в Вашей жизни, Вы можете обнаружить, как она поднимает Вас на более высокий уровень во всех сферах бытия. И в этом состоянии Вы начнёте понимать, что Вы способны на многое!

• Она та, которая дает богатство, процветание и успех.

• Лакшми также ассоциируется с красотой и достатком. Она дарует человеку удачу в работе, счастье в семейной жизни, заряжает энергией.

• Аспекту Лакшми поднесят фрукты, сладости, злаковые. Произносится санкальпа.

Источник

Йога, мантра медитация и самосовершенствование
Наука самоосознания нашей эпохи

04 - Mahalakshmi Suktam

07 - Sri Suktam

Namami Nanda-Nandana 

Sucaru vaktra mandalam sukarna ratna kundalam
Sucarcitanga candanam namami nanda nandana

Vrajangana sunayakam sada sukha pradayakam
Jaganmanah pralobhanam namami nanda nandanam 

from "Sri Nanda-nandanastakam " 

1) sucaru-vaktra-mandalam sukarna-ratna-kundalam sucarcitanga-candanam namami nanda-nandanam 
2) sudirgha netra-pankajam sikhi-sikhanda-murdhajam ananga-koti-mohanam namami nanda-nandanam 
3) sunasikagra-mauktikam svacchanda danta-panktikam navambudanga-cikkanam namami nanda-nandanam 
4) karena venu-ranjitam gati-karindra-ganjitam dukula-pita sobhanam namami nanda-nandanam 
5) tri-bhanga-deha-sundaram nakha-dyuti-sudhakaram amulya ratna-bhusanam namami nanda-nandanam 
6) sugandha-anga-saurabham-uroviraji-kaustubham sphuracchri-vatsalanchanam namami nanda-nandanam 
7) vrndavana-sunagaram vilasanuga-vasasam surendra-garva-mocanam namami nanda-nandanam 
8) vrajangana-sunayakam sada sukha-pradayakam jagan-manah pralobhanam namami nanda-nandanam 
9) sri-nanda-nandanastakam pathed ya sraddhayanvitah tared-bhavabdhim dustaram labhet tadanghri-yugmakam 

TRANSLATION: 

1) I offer pranama to Nandanandana, whose face is extremely delightful, in whose beautiful ears hang jeweled earrings and whose entire body is anointed with fragrant candana. 

2) I offer pranama to Nandanandana, whose eyes are more beautiful than the fully bloomed lotus, whose head is beautifully adorned with an arrangement of peacock feathers and who enchants millions of Cupids. 

3) I offer pranama to Nandanandana, from whose beautiful nose hangs an elephant-pearl, whose teeth are immensely effulgent, whose bodily complexion is more beautiful and lustrous than a fresh rain cloud. 

4) I offer pranama to Nandanandana, whose lotus hands hold the flute, whose lingering gait defeats even that of an impassioned elephant and whose dark limbs are beautified by a yellow shawl. 

5) I offer pranama to Nandanandana, whose threefold-bending posture is exquisitely elegant, the effulgence of whose toe-nails puts to shame even the moon, and who wears invaluable jewels and ornaments. 

6) I offer pranama to Nandanandana, whose body exudes an especially beautiful fragrance, and whose broad chest is adorned with the kaustubha jewel and the mark of srivatsa. 

7) I offer pranama to Nandanandana, the expert lover of Vrindavana who performs immaculate pastimes and who is attired in clothes which are suitable for those pastimes and who pulverized the pride of Indra. 

8) I offer pranama to Nandanandana, who as the lover of the Vraja gopis perpetually delights them and who enchants the minds of all living entities. 

9) Whoever regularly recites this (Sri Nanda-nandanastakam) will easily cross the seemingly insurmountable ocean of material existence and attain eternal residence at the lotus feet of Krsna. 

Side Notes on Namami Nanda-Nandana: Namami Nanda-Nandana is about Sri Krsna. It is a prayer to Krsna. Krsna is called Nanda-nandana in relationship with Nanda Maharaja, His foster father (as He appears as the son of Nanda Maharaja). When people said that He was born of Nanda Maharaja, He was called Nanda-Nandana. Nanda-Nandana is a loving way to say "Krsna". It is like saying "the darling son of Nanda Maharaja". 



Sri Nanda-Nandanastakam sung by Chakrini

ललितलवङ्गलतापरिशीलनकोमलमलयसमीरे ।
मधुकरनिकरकरम्बितकोकिलकूजितकुञ्जकुटीरे ।
विहरति हरिरिह सरसवसन्ते ।
नृत्यति युवतिजनेन समम् सखि विरहिजनस्य दुरन्ते धृवम्॥ अ प ३-१

पदच्छेद : ललित लवंग लता परिशीलन कोमल मलय समीरे मधुकर निकर
करम्बित कोकिल कूजित कुंज कुटीरे विहरति हरिः इह स रस वसन्ते
नृत्यति युवती जनेन समम् सखि विरहि जनस्य दुरन्ते

a pa 3-1-. lalita lavanga lataa= slimly, clove gillyflower plants, tendrils of; parishiilana= [lexically] on examining, [breeze on going over those flowers, interwoven with their fragrance]; komala= gentle; malaya samiire= Mt. malaya [with sandalwood trees] breezes; madhu kara nikara= honey, makers [honey bees] swarms of; karambita= intermingled with; kokila kuujita= by kokila [black singing bird] crooned; kunja kuTiire= in bowery, cabins;

vi rahi= without, having [their lovers at their side, estranged couples]; janasya= of such people; dur ante = non, stop endless, incessant [unrequited]; [ellipted] vasante= in such a springtime hat has all this paraphernalia; unrequited are lovelorn people in vernal season;

or, dur ante vasante= for adverse, end, to spring fever = terminable is spring fever; in spring alone the unrequitedness of lovelorn people is terminable; lovelorn people are unrequited, otherwise; hariH iha 1-sa ra 2 sa vasante

saH= he, [for whom you are searching; where the second sa became saH; [saH vasante viharati nR^ityati ca]; hariH= Hari, Krishna; vasante= in spring season; yuvatii janena= with girls of age, folks; samam= even as [at the very moment]; viharati nR^ityati= frolicking, dancing; sakhi = oh, dear; sara= come on [when the first sa with ra became sara = move on, come on]

sa mam= with, glory [gloriously]; yuvati jane nR^ityati= with girls of age, folks of, dances; sa rasa vante [vasante] = with sapful bliss, inclusive of [spring season that which contains the sapful bliss]; na= isn't he [phatic expression minus ? mark]; virahati= frolicking.

In this springtime gentle vernal breezes from Mt. malaya, the abode of sandalwood trees, that swivel round the slimly tendrils of clove gillyflower plants breeze gently, interwoven with both the fragrances... in this springtime that has bowery cabins made lively with the intermingled buzzes of honeybees swarms and croons of Kokila throngs... he whom you are seeking that Krishna is gloriously frolicking and dancing with folks of girls of age in Brindavan right at this moment, for this is spring, isn't it... oh, dear, therefore, come on... let's go... lovelorn people are unrequited, otherwise... [a pa 3-1]

Here the heroine compared to clove plant and hero to breeze, hence uddipana vibhaava an idea escalated.

उन्मदमदनमनोरथपथिकवधूजनजनितविलापे ।
अलिकुलसंकुलकुसुमसमूहनिराकुलबकुलकलापे  ॥ अ प ३-२

पदच्छेद : उत् मद मदन मनोरथ पथिक वधू जन जनित विलापे
अलि कुल संकुल कुसुम समूह निराकुल बकुल कलापे

3-2. ut mada= heightened, rejoice; madana manoratha= lust, longings [lustfulness]; pathika vadhuu jana = [lexically] of itinerants, women, folks of loverless ladyloves; janita vilaape= caused, ruefulness; ali kula= by honeybee, stock of [swarms of]; sankula= hurley burley; kusuma samuuha= flowers, groups of [bunches of]; niraakula= full of; vakula= Mimusops elengi, any of various acacia plants with showy yellow flowers; kalaape= in thickets; annexable hariH iha viharati... durante.

In this springtime that has thickets full with bunches of showy yellow flowers, on which swarms of honeybees are hurley burley... the season that heightens the joys and longings of womenfolk distanced from their lovers, only to land them in ruefulness and lovesickness, that Krishna is gloriously frolicking and dancing &c... [a pa 3-]

मृगमदसौरभरभसवशंवदनवदलमालतमाले ।
युवजनहृदयविदारणमनसिजनखरुचिकिंशुकजाले॥ अ प ३-३

पदच्छेद : मृग मद सौरभ रभस वशंवद नव दल माल तमाले
युव जन हृदय विदारण मनसिज नख रुचि किंशुक जाले

a pa 3-3. mR^iga= deer; mada= fat [musk]; saurabha= of fragrance; rabhasa= speediness [instantaneous]; vashanvada= self surrendered [one's own]; nava dala= having new, tender leaves; maala= enwreathing [the environ]; tamaale= having tamaala trees; yuva jana= young, people's; hR^idaya vidaaraNa= heart, rending; manasi ja= of mind, born one, [Love god, for he takes birth in one's own mind]; nakha= of nails; ruchi= in shine with; kinshuka= Butea frondosa, with blood red flowers; jaale= bunches of; annexable hariH iha viharati...durante.

In this season that has black tamaala trees enwreathing the environs with their new tender leaves that have their own fragrance akin to the instantaneous fragrance of deer's musk, and bunches of reddish flowers that analogous to the tender and roseate nails of Love god ready to rend the hearts of youngsters of age... in such a spring Krishna is frolicking and dancing &c... [a pa 3-3]

मदनमहीपतिकनकदण्डरुचिकेसरकुसुमविकासे ।
मिलितशिलीमुखपाटलिपटलकृतस्मरतूणविलासे॥ अ प ३-४

पदच्छेद : मदन मही पति कनक दण्ड रुचि केसर कुसुम विकासे
मिलित शिली मुख पाटलि पटल कृत स्मर तूण विलासे

a pa 3-4. madana= Love god; mahii pati= land, lord [king]; kanaka daNDa= golden, sceptre; ruchi= in shine with; keshara kusuma= Kesara [Mimisops elangi] flowers; vikaase= bloomed; milita = commingled; shilii mukha= iron, faced = arrow / honeybee [bees are metaphorical to the arrows of Love god, shliSTa ruupaka]; paaTali paTala= cup like daffodil flowers, bunches of; kR^ita= made as [rendered as]; smara = Love god's; tuuNa vilaase= quiver, in fashion of.

Now the bloomed golden flowers of kesara are in shine with the sheen of the golden sceptre of kingly Love god, the ruler of spring; bunches of cup like daffodils are in the fashion with his quivers; bees swarming on those flowers are rendered as his arrows ready to bolt on unrequited love pairs; in such a spring Krishna is frolicking and dancing &c... [a pa 3-4]

 The Love god, Manmatha, has only one quiver and one bow, and only five flower arrows aravindam, ashokam, cuutam, nava mallika, niilotpala but here they get multiplied as the love pairs are many.

विगलितलज्जितजगदवलोकनतरुणकरुणकृतहासे ।
विरहिनिकृन्तनकुन्तमुखाकृतिकेतकदन्तुरिताशे॥ अ प ३-५

पदच्छ्जेद विगलित लज्जित जगत् अवलोकन तरुण करुण कृत हासे
विरहि निकृन्तन कुन्त मुख आकृति केतक दन्तुरित अशे

a pa 3-5. virahi= lovelorn ones; vi galita= completely, tumbled [utterly bereft of]; lajjita= having prudishness; jagat= world [lovelorn people]; avalokana= on espying; taruNa karuNa= tender, whitish karuna flowers; kR^ita haase= made, laugh at; [or, jagat vigalita lajjita = at people, who are utterly bereft of prudishness; avalokana= on espying; taruNa= youngsters of age who are with their ladyloves]; karuNa= piteously; kR^ita haase= making, saddish grins = [youngsters who are with their ladyloves are grinning sadly at those that are behaving oddly as they are devoid of their prudishness]; virahi= lovelorn ones; nikR^intana= [as though] to lunge, tear asunder; kunta mukha akR^iti= spear, faced, in shape; ketaka= ketaka, mogra flowers; danturita ashe= full with, directions of compass.

Now the fully bloomed tender whitish flowers of karuna, espying lovelorn people, appear to be laughing at them for they are utterly devoid of their prudishness in lovesick behaviour...  while the long and lance like mogra flowers are also in full bloom in all directions, as though ready to lunge and tear asunder the hearts of lovelorn people... in such a spring Krishna is frolicking and dancing &c... [a pa 3-5]

माधविकापरिमलललिते नवमालिकजातिसुगन्धौ ।
मुनिमनसामपि मोहनकारिणि तरुणाकारणबन्धौ॥ अ प ३-६

पदच्छेद : माधविका परिमल ललिते नव मालिक जाति सुगन्धौ
मुनि मनसाम् अपि मोहन कारिणि तरुण अ कारण बन्धौ

a pa 3-6. maadhavikaa= of maadhavi flower plant Gaertnera racemosa; parimala= fragrance; lalite= in gentleness; nava maalika= double jasmine; jaati= jasmines, Jasminum grandiflorum; sugandhau= with pleasant fragrances; [or, as in other mms: nava maalika jaati sugandhau= double jasmines, jasmines', with the fragrances of ]; muni manasaam api= saints, hearts, even; mohana kaariNi = baffle, causers of [bafflers of]; taruNa= for youngsters of age;  a+ kaaraNa bandhau [iva] = without, reason [unexpected,] kinsman, [like.]

This springtime fragrant with the gentle fragrance of maadhavi flowers, doubled with the pleasant fragrance of double jasmine and jasmines can cause bafflement even to the hearts of saintly saints, not to say of youngsters, as such season is becoming an unseasonable guest for those youngsters, in such a season Krishna is frolicking and dancing &c... [a pa 3-6]

स्फुरदतिमुक्तलतापरिरम्भणमुकुलितपुलकितचूते ।
बृन्दावनविपिने परिसरपरिगतयमुनाजलपूते॥ अ प ३-७

पदच्छेद : स्फुरत् अतिमुक्त लता परि रंभण मुकुलित पुलकित चूते
बृंदावन विपिने परि सर परि गत यमुना जल पूते

a pa 3-7. [vasante= in spring season]; sphurat= vibrate, titillating; ati mukta lataa= maadhavi, tendrils; pari rambhaNa= by overarched, whorled; mukulita= having buds; pulakita = ticklish; chuute= mango trees; pari sara= around, surging; pari gata= around, going [flowing in an enwreathing and surging manner]; yamunaa jala puute= by River Yamuna, waters, sanctified; bR^indaavana vipine= in Brindavana, woodlands;

Or

bR^inda= group of yearners, yearning for love of god; avane= that which can alleviate, accord release, mokSha; vipine= ilderness, solitude.

In this spring season, where the titillating tendrils of maadhavi climbers whorl around budding mango trees in an overarching manner tickling those mango trees... where River yamuna is surging, enwreathing and sanctifying that place with her waters, where a group of yearners are yearning for the love of Krishna for final release, mokSha, is obtainable there... in such a secluded place called Brindavana, Krishna is frolicking and dancing &c... [a pa 3-7]

The climber plants are feminine and the mango trees are masculine. According to the saying vanita, kavita, lata, na aashrayam vinaa shobhate a maid, poetry, or a tendril cannot possibly outshine themselves, with not a leg to stand on. Thus, when sessile beings are thrilling and tickling in spring, how about other living beings.

श्रीजयदेवभणितमिदमुदयति हरिचरणस्मृतिसारम् ।
सरसवसन्तसमयवनवर्णनमनुगतमदनविकारम्॥ अ प ३-८
पदच्छेद : श्री जयदेव भणितम् इदम् उदयति हरि चरण स्मृति सारम्
सरस वसन्त समय वन वर्णनम् अनु गत मदन विकारम्



Gita-govinda song03 lalita-lavanga ललितलवङ्ग

NIDRA Malayalam Movie Song ~ Shalaba Mazha Peyyumi [SD] ~ Shreya Ghoshal - YouTube

प्रिये ! चारुशीले 

Language: Sanskrit, 
Raga: Vasanthi, 
Taal: Mishrachapu, 
Lyrics: Jayadeva, 
Music: OS Arun 
Singer : OS Arun 


प्रिये ! चारुशीले ! प्रिये ! चारुशीले ! मुंच मयि मानमनिदानम्
सपदि मदनानलो दहति मम मानसम् देहि मुखकमलमधुपानम्
प्रिये ! चारुशीले ! प्रिये ! चारुशीले ! 

सत्यमेवासि यदि सुदति मयि कोपिनी देहि खरनखशरघातम्।
घटय भुजबन्धनम् जनय रदखण्डनम् येन वा भवति सुखजातम्॥ 

त्वमसि मम भूषणम् त्वमसि मम जीवनम् त्वमसि भवजलधिरत्नम् ।
भवतु भवतीह मयि सततमनुरोधिनि तत्र मम हृदयमतियत्नम्॥ 

नीलनलिनाभमपितन्वितवलोचनम् धारयतिकोकनदरूपम्।
कुसुमशरबाणभावेनयदिरंजयति कृष्णमिदमेतदनुरूपम्॥ 

स्फुरतु कुचकुम्भयोरुपरि मणिमंजरी रंजयतु तव हृदयदेशम् ।
रसतु रशनापि तव घनजघनमण्डले घोषयतु मन्मथनिदेशम्॥ 

स्थलकमलगंजनम् ममहृदयरंजनम् जनितरतिरंगपरभागम् ।
भणमसृणवाणि करवाणि चरणद्वयम् सरसलसदलक्तकरागम्॥ 

स्मरगरलखण्डनम् मम शिरसिमण्डनम् देहि पदपल्लवमुदारम् ।
ज्वलतिमयिदारुणोमदनकद् अनानलो हरतुतदुपाहितविकारम्॥ 

प्रिये चारुशीले 
प्रिये चारुशीले

Gita-govinda song 19 Priye Charusheele प्रिये चारुशीले

Shri Lalita Trishati is a part of the "Lalitaopakhyanam" which occurs in the latter part of "Brahmanda Purana".

Lalitha Trishati

Nagumomu - Classical Carnatic Fusion

AYIGIRI NANDINI NANDITHA MEDINI -  GHAYATHRI DEVI AND SAINDHAVI

Rama charanam rama charanam
rama charanam maaku saranm
maaku chalunu mauni mastaka bhushanm sree rama charanam 2

ragai ee bratuku chedi rayaina velala rama charanam
moogayai endhuli padi mrodaina velala rama charanam
pranameeyaga
patima neeyaga
maku chalunu verayu maranam
raakapote
Rama charanam......

kothiyai ee manasu niklakda kolupothe rama charanam
sethuvai bhava jaladhi thaarana hetuvaithe rama charanam 2
edugada sri rama charanam
todupada sri rama charanam
maaku chalunu mukthi saudha karanam sri rama charanam

Rama charanam......
navalo thanundi mamu natteta nadipe rama charanam
trovalo karadavilo todtoda nadipe
navayaite
trovayaithe
maku chalu vikuntha mandira thoranam sree rama charanm
Rama charanam....

Daaruvunakunu rajya poorvaka darpamiche rama charanam
bheeruvunakunu arini deerche viramiche rama charanam 2
prabhuta nilipe
abhayamiche
maku chalu mahendra vaibhava karanam Singalong!

Rama charanam

jagadodharana - purandara dasa

AYIGIRI NANDINI NANDITHA MEDINI - GHAYATHRI DEVI AND SAINDHAVI

Suresh K