Dm for feat or collab [headphones give the best experience]

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Welcome,
I make music that you might like

*Reposted mixes are mine, from my other pages* 

- Resident DJ for MEDUSA (Manila, Philippines)
- Co-founder & DJ at OPODISCO (Manila, Philippines, w/ @plotubeats)
- Founder & DJ at MABU-PSY (Manila, Philippines)
- Psytrance & breaks alias: 'Jarret The Slap God' 
- Tech-house alias: 'Papasan'
- 1/2 of tech-house / psytrance / hard-groove production duo '8ERNIESANCHEZ' (along with Steve S., aka 'bbsteve')

I specialize primarily in psytrance, and additionally in breakbeat and tech-house / deep-tech... yet I also drop sets of drum'n'bass, techno, and various styles of house music.

Psytrance is my true love.
However, tech-house is a very close second, which I *sometimes* perform under the ‘Papasan’ alias.

A disc jockey for the past 23 years, I have a wide ranging background... from Bay Area mack rap and G-funk, to progressive and nuskool breakbeat, to techstep, jump-up, and neurofunk styles of drum'n'bass.
My roots are spinning vinyl records of nuskool breaks and drum'n'bass, yet for the past 16 years, I've stayed firmly planted in psychedelic trance music.

I've had the honor of dropping slaps for some of the USA's most renowned psytrance crews, namely Pulsar LA, PsyTribe USA, and Greensector, as well as dropping breakbeat and D&B for various rave crews in Los Angeles, and in addition, ardently pushing psytrance in the Philippines wherever and whenever I can, from MEDUSA (Makati) events, my own OPODISCO parties, Vulan Tribe's outdoor festivals, and arguably the most fun: private in-house (IH) ragers.

Expect to hear a wide range of trance... ranging from higher BPM, heavy, funky twilight blasters, to deep and rolling full-on, to earthy and chunky Japanese mid-groove, to driving, atmospheric prog-psy.

Past aliases include: Psykotik, Bling Theory, and Sardonyx (w/ DJ Symbiot... RIP Jason!)

DNB DJ/Producer

Jump up - Neurofunk

Instagram -https://www.instagram.com/djnoktis/
Tik Tok -https://www.tiktok.com/@djnoktis?lang=en

For bookings and general enquiries  - Gouki.dnb@gmail.com

Over the past couple of years Gouki has become a rising star in the drum and bass scene. This Birmingham based producer is known for his signature blend of sub genres. After a catalogue of self releases, he eventually caught the interest of major labels such as Gorilla warfare and Allstars Raw.

Gouki began his music career performing in multiple bands at an early age but quickly fell involve with electronic music. After Graduating with a bachelors in music production he began to produce a range of high quality music. After a few years of developing his sound, he settled on a combination of dnb styles. 

Gouki is typically known for his jump up sounds but tends not lean to heavy into any one sub genre. Usually combining Neurofunk drums with rolling heavy basses, He aims to hit multiple themes while staying true to his artistic vision. 

Anyone who’s followed Gouki’s career has noticed the recurring Japanese themes throughout his music. Wether it be through samples or artwork , he’s always kept a strong eastern vibe to his persona. Despite being a relatively new producer the dnb scene has welcomed his arrival with great enthusiasm of whats to come.

Siargao & Makati.
Supporting, promoting House and Techno music Industry.

Back in the day (we’re talking 2002), I genuinely thought I was that guy. I’d just discovered that DJing required two CDJs and a mixer—not just one lonely deck—and yet there I was, already telling anyone who’d listen that I was a DJ. Truth is, I didn’t have the faintest clue how to transition tracks or what “BPM” even stood for.

By 2005, I’d made the move to the Philippines. The attention? Addictive. Gave me a confidence boost I probably didn’t need, but it was a rush. I was dropping basslines like mic drops, whipping up chaos on the dancefloor, flying all over Asia for gigs. But it wasn’t all glitz—I’d be flying in, smashing the set, then dashing back out again to juggle a proper day job. Felt invincible. Spoiler alert: I wasn’t.

I was walking around like I’d invented music itself. Cocky? Probably. Out of control? Absolutely. The DJ lifestyle catches up with you fast. Luckily, I had solid mentors—Erwin Edralin, Reo, Patch, and Manster (and his magical twiddly fingers on the mixer knobs)—who kept me somewhat tethered during my resident DJ stint at HeyJude in Boracay from 2005 to 2010.

Then came the moment when it all came crashing down—feet off the ground, head in the clouds, ego inflating like a hot-air balloon. When the rhetorical shit hit the fan, Erwin sat me down and gave me the talk. You know the kind—the one that sticks with you for life. I sank like the Titanic. Lesson learned the hard way. Ego: 1. Me: 0.

Two decades on (yes, that’s 20+ years for those playing catch-up), I’ve earned the stripes. Some call me an OG, though I prefer “still learning.” This game has humbled me. Big time.

These days, I see DJing for what it truly is—an art form that boasts complete mastery of instinct, timing, and yeah… serious rhythm. One that slices through wanting to get laid, mainstream culture, and the sneaky ego. Sure, technique matters (and I’ve got a fair bit of that now), but it’s more than that. It’s about letting moments breathe, lighting fires when the time’s right, and knowing when to shut up and let the music do the talking.

I’m grateful I became a DJ before it was trendy to call yourself one on Instagram. DJing is storytelling: every track’s a journey, every mix a mood shift. That moment when two tracks melt into each other and no one even notices? That’s the magic. I don’t just play songs—I try to guide energy, read the room, and create a space where people can lose themselves (and maybe, just maybe, find something better).

Vibe check:The British sarcasm’s still sharp. The Filipino warmth keeps me grounded. And that fiery Spanish streak—thanks to eight years growing up in the south of Spain—adds a bit of flair to the mix with its song selection.

I’m pushing forward now we’re in 2025—more connections, more growth, transitions to practice, more stages around the world. But the goal now? Not just to be seen, but to make people feel something. And remember it.

Not here to impress. Still experimenting, still messing about with sound, especially genre jumping. You might love it, you might not. Either way, I’m curious to see where my unique  music and mixing style takes me… you coming along for the ride?


– SURFY (UK)

SURFY (uk) is following