Samples of our new upcoming compilation, Tessera II.
Artwork by Kerry Roper.

V/A - Tessera II

st hilR

ambient / chill (tracks)

FOLLOW MY CLOUD TO GAIN ACESS TO THIS SONG>

FREE DOWNLOAD SO BLESS YOUR HEARTS. 

7 YEAR OLD BOOTLEG ME AND BRIAN "HALO" VARGA DID. SHIT IS FIYAH SO REPOST IT AND SHOW LOVE.

BLESS,
S*

FOLLOW ON INSTAGRAM:
@TRIPPYSWAGGERT

Paul St. Hilaire "WHY" (Stephen Rigmaiden & Halo Remix)

Ocoeur - North

to be released on deep space media later this year...

sunshine feat. paul st. hilaire (version)

Ocoeur - Timeless

The "Reconnection" EP by @rhauder and Paul St. Hilaire will be released through @ornaments-music on July 25. More info: bit.ly/RhauLaire

Reconnection

Rhauder & Paul St. Hilaire - Molekule

J2_Paul St. Hilaire & Rhauder - Not Saying Much (Sushitech Records)

D1_Bluetrain - Read My Mind (Sushitech Records)

C1_Eric Miller - From A Distance (Sushitech Records)

B1_Steve O'Sullivan & Yossi Amoyal - Singularity (Sushitech Records)

A2_Paul St. Hilaire & Rhauder - Skank (Sushitech Records)

A1_Prelude (Sushitech Records)

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Sleeping Pills And Habits

Nicolas Jaar & Sasha Spielberg – Avalanche (Leonard Cohen Cover)
Just Friends project
Taken from Nicolas Jaar BBC Radio 1 Essential Mix

LYRICS:
Well I stepped into an avalanche,
It covered up my soul;
When I am not this hunchback that you see,
I sleep beneath the golden hill.
You who wish to conquer pain,
You must learn, learn to serve me well. 

When I am on a pedestal,
You did not raise me there.
Your laws do not compel me
To kneel grotesque and bare. 

I can feel you when you breathe.

Nicolas Jaar & Sasha Spielberg – Avalanche  //  (Leonard Cohen Cover) Just Friends project

Buriat Mix Germany
http://www.discogs.com/Rhythm-Sound-See-Mi-Yah-Remixes-2/release/648146

Rhythm & Sound - Free For All(Soundstream with Paul St Hilaire Remix)

A vinyl record label rooted in Berlin, committed to delving into the deeper dimensions of House and Techno. Established and led by Yossi Amoyal.