BΔSTILLE

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Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

Okt 2 2023: Lyric video for "No Authority" https://www.bitchute.com/video/eFf5LenvySG2/
Sept 22 2023: New dub (Scammers and Schemers) in preparation for the album  release ("Singing In Self Defence")Oct 27.  https://orcd.co/scammersanddubbers
Aug 2023 "Stop All Madness" official video: https://www.youtube.com/watch?v=R5CbOMdCLx8
July 19 2023: A lickle reasoning on meditation on Tommys Podcast https://rumble.com/v31053y-meditation-jonah-gold-tpc-1304.html

Having toured their eclectic sound with the likes of Deep Purple, Joe Bonamassa, The John Butler Trio and Status Quo; reached number 2 in the UK blues charts; played countless critically acclaimed sets at major music festivals; and been invited to perform at the London Olympics, Wille and the Bandits, without any label backing or injected hype, have built something special, a reputation built on word of mouth for delivering the goods time and time again. The DIY approach takes time, but with every passing day their fan base grows and so does the belief that they will be gracing Europe’s famous arenas very soon. 

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