A beautiful song, with rich guitar and great  vocals and backing vocals

Nadine de Macedo

"Backfire" is a song about false friends and wishing that their toxic shoots fire back at them. However, your wish stays a wish, because your pride and dignity keeps you from causing harm. 
Lemonbrew started the collaboration with a catchy and energetic rock progression. I rearranged the song and wrote lyrics and a vocal melody. Later, Flinn joined us to rock out the vocals. Thank you very much for collaborating, it's been a lot of fun!

Lemonbrew: composition, arrangement, synthesizer, programming, production
Nadine de Macedo: arrangement, lyrics
Flinn: vocals

Where to find us:
https://www.myownmusic.de/LEMONBREW/
https://soundcloud.com/nadinedemacedo
https://www.youtube.com/@Flinn_Edits

Cover Illustration by Salvatore / https://www.instagram.com/creative_salvatore13

==== LYRICS ====

You wasted my precious time
on spreading rumours and lies
Shooting me in  a drive-by
drawing me into riptide

I'll catch this ricochet
I gonna... misbehave and disobey,
I wanna... 

Watch how burn your fingers and...
build a castle on quicksand
or wade through wasted land
(Of course I wanna...)

Catch a ball and I fire it back to you!
Catch you out and I fire it back to you!
Catch hell and I fire it back 
And again and again and again 
That's what you make me do!

So I light up a light
To escape from the twilight
Not ready for the limelight
Not ready to start a fight

I'll catch this ricochet
I gonna... misbehave and disobey!

Catch a ball and I fire it back to you!
Catch you out and I fire it back to you!
Catch hell and I fire it back 
And again and again and again 
That's what you make me do!

That's what you make me do!

One day, I gonna be tough
give way for vengeance and grudge
I'll push you into the sludge
Where there is noone to judge

And I wanna... 

Catch a ball and I fire it back to you!
Catch you out and I fire it back to you!
Catch hell and I fire it back 
And again and again and again 
That's what you make me do!

That's what you made me do!

Backfire

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (collab)

Jellyfish Palace

Toca la Guitarra | Korima
Following “White Sail”, we continue to showcase Korima’s short songs. Hoping to leave you wanting more.
This is the next one: Toca la Guitarra
Korima's songs are written and performed by Suzanne Ledwith (Ireland) and Steve Pumphrey (England).

Toca La Guitarra

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Well this is another with Greg Willis from Wales on Sax , it's got a Northern Soul sort of sound , hope you like it ! On a similar theme , on the 5th of March me and Charlotte ( Charlie and the Fox ) have a 60s Wall of Sound song out , I tried to get the Spector sound , we'll see whether I succeeded or not ! Greg is on this one too , I can't seem to leave him alone Ha ! Renowned Lyricist Tony Harris ( from Alabama ) and I got together for a lovely song which is out on the 15th of March . After that a new one from me and Gaz Brownie . Thank you so much for giving us your time !

No Album

Different Melody ( feat. Greg Willis )

Different Melody ( Fox and Willis )

2025/6/30

Website

syuppan (出帆)

A few months back, anyone landing on this page was extended an invitation to….“come set for a spell in The Blue Room…..when nobody loves you.”  Well, took a while, but I reckon the word’s getting out amongst the broken hearted - this smoky little back-alley jazzabilly joint been seeing some semi-decent crowds lately.  Might have to add a couple more tables over there in that side area where we been storing the old feltless pool table.   

I dunno, maybe there really are a lot of lonely hearts out there, looking for companionship.  But my bet is that the real draw here is the new act on stage, as the house band is now joined by two long-time Atlanta musicians - Herb Avery and his Hammond organ, and Randy Hunter with his saxophone.   

For this version of the house theme song (aka The Blue Room), not only is my fumbly-finger organ solo replaced with Randy’s stellar saxophone, but I’ve put together a new intro, much more fitting for the new instrumentation.   And btw, brother Herbert not only plays his Hammond on the song, but that’s him you’ll hear playing the background lounge piano as the track opens.

So yeah, come set for a spell (whether you're loved or not), and let Randy & Herb show you their stuff.   

(Original version is here:) https://soundcloud.com/bruceavery/the-blue-room?si=36546f88f147427aba1593bf85a7ec1f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room - version 2 w/sax & B3

Give It Up - Music & Lyrics by REKHA - IYERN [Fe] | Music by TexMex Shaman | Bass by Jeff Roberts | Percussion by Ken Karasek of K2 & The Three | New Revamp 2025

Final Music & Vocals Mixed & Mastered by TexMex Shaman in the USA | Vocals/Sound Design Composed & Produced, Recorded & Performed, Initial Mixing by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Cover Art Design: Self Photo & Graphics by REKHA - IYERN [Fe] 

Give It Up - Music & Lyrics by REKHA a.k.a. REKHA - IYERN [Fe]

Intro:
Oo Yeah
Ahn Yeah
Hey Hey
Hey Hey

Give it up Baby
Don't ya say maybe
Cuz' you know
It makes me
Totally crazy
And

You want
To give me
All of your love
You know it's true
You do me so
You do me so good
Baby I need
Your love

Give it up, Baby
Never say maybe
Cuz' you know it
Makes me feel
Totally, crazy good-good
Oh, Yeah-Yeah

You know you want to
Give me, your love, love, love
It always, makes me feel
So good, good, good
You touch my woman

Oh, Eh
Hey, Hey
Hey-Hey
Hahn, Oh
Ho, Ho, Oh

Babe, I need
Your good love
Your man-man in my
Woman-hood
Oo-Oo-Yeah





GiveItup25-final

GIVE IT UP

Give It Up - Music & Lyrics by REKHA - IYERN [Fe] | Music by TexMex Shaman | New Revamp 2025

"Let's Try Again" - Edeltraud Trncik feat. Viktor Trncik

A song about second chances, originally written in 2010, 
now remastered and reimagined in 2025 with full orchestral arrangement.

When a singer-songwriter and an engineer-musician create together,
magic happens. This is our invitation: Let's Try Again.

🎹 Piano, Strings, Guitar, Bass, Drums
⏱️ 3:14
📍 Freiburg, Germany
💙 For everyone who believes in second chances

Lyrics:
How do I know that I've loved you all this time
Does it surprise you all that we turn around and smile
And I've been waiting for an invitation to your life
I've said what's now in this note that I leave on your pillow
So why don't we try again
Why don't we try again

And if they could see us
They might say what you said last year
And if we could change them
We'd be lovers again not friends
Well I've been waiting for an invitation to your love
I said in this note I left on your pillow
What now
Why don't we try again
Why don't we try again

Yes tonight I can hear you whisper
The words you would say if we were honest
Tonight I could feel it when you were next to me
And baby it's so clear to me that we can go back
And I've been waiting for an invitation to your life
So why don't we try again
Why don't we try again
Darling take my hand I promise you it won't be like before
But darling baby we can try again

And just pretend nothing happened
Let me look into your eyes
Then we'll kiss and take it slow
But I always knew that I love you

Let's Try Again

Song written, sung, produced and engineered by Chris Scheri.
Instrumentation by Chris, Mark, David, Brendan

COULD HAVE STOPPED THIS

(Intro. Instrumental theme )
Walking in the park on a hot Summer night.
Make the best of this - he wants to help.
Walking in the park on a hot Summer's night.
Make the best of this - and help yourself.

But you know
You could have stopped this
could have stopped this
could have stopped this (repeat chorus)

(repeat instrumental theme)
Walking in the park on a hot Summer night
Where's the rest of this? Where are you now?
I'm walking in the park on a hot Summer night
What's the best of this? I need to know the rest of this.
Because I know
I could have stopped this
could have stopped this
could have stopped this
I could have stopped this

Over and Over. It keeps me awake at night.
“Could have stopped this” (background vocals)

Guitar solo.

M8 Just when you think, “Everything's alright.”
Just when you think, “We're under control.”
You trip on a thought and slip into “If Only”
If only I'd known, I would have been there!

There – on a hot Summer night
Your thoughts are everywhere.
Can I still help you?
Walking in the park on a hot Summer night,
You're the best of this!
Oh can you tell me, is there anything
I can still do for YOU?

(Choruses repeat till the end, joined by lead guitar on the
third repeat)
YOU COULD HAVE STOPPED THIS

Could Have Stopped This

You Could Have Stopped This

This song was written at the same time as ‘Get Up’ which I posted a couple of months ago and is very much a partner piece to it. I’ve given it a more jazzy feel and upped the tempo from my first  version which I hope has given it a brighter and lighter feel. I’ve also multi-tracked the ‘Uh Oh’ vocal loop and added a few effects to make it a little more prominent in the mix - it is after all the title! I very much hope you enjoy this one and, if you have time, maybe leave a comment. The feedback I’ve had on the other songs has been really, really helpful ( and very encouraging too! ).

Original image from Wikilmages on Pixabay

Uh Oh!

Once again with my friend SuicideJ.
These acapellas can be found on www.looperman.com.
composition: suicideJ and me.
guitar, bass, drums, sfx, recording and production by me.
mastering: Mark Williams.
material used:
Shecter Diamon series guitar, Ibanez BTB bass, EZD 3 battery and Audient i22 sound card

The unknown Ft SuicideJ re release

Every Now & Then

Crawl out

Hoping you enjoy this latest song  , Gary has  added all  of the beautiful vocals , harmonies and lyrics too! 
Thank you for all of your kind plays reposts and  playlists!

Vocals  :- Gary Scott
Lyrics  :- Gary Scott
Music and arrangements : Annette Scott
(C) 2025



Cast Away (Ft Gary Scott)

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Listen to Korima songs at www.korima.net


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Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

Spring Solstice


Winter Solstice 
The Winter Solstice is an astronomical phenomenon that marks the shortest day and the longest night of the year. In the Northern Hemisphere, the Winter Solstice occurs on 21 or 22 December, when the sun shines directly over the tropic of Capricorn. At sunrise on the shortest day of the year, for 17 minutes, direct sunlight can enter the Newgrange monument, not through the doorway, but through the specially contrived small opening above the entrance known as the ‘roof box’, to illuminate the Chamber.

Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

October 

Night migration of birds.

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September

Barn swallows bury themselves in mud in lakes



August

Barn owls and birds of prey on the move
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-
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July

Watching bats emerge at dusk.

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June

walking in meadows




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May
The Dawn Chorus:  Ireland 5 am.
-
-
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April
First swallow of the year
Welcome, welcome
From out of mud in lakes
Were you resting there?



March

Unveils like a first thought
A whisper



February

"Nothing stands out yet", you said
As you looked over your shoulder
Broad and rounded, square and hunched
I thought I heard you say, "We are water
And over time we solidify"

Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

January
Snow white egret
among fields of greenandbrown
Are you lost in its vastness?
Bubulcus ibis.

DE-cem- ber
Silver EEL migration 
down river to the sea
on a moonless night

through
an obstcale 
of nets
Cutting blades
pollution
And 
Par -a -sites
White egret



December
Mild to touch, not yet winter
snow drop dropping still
daffodil 

November, can I surrender to your dying
Are you truly dying or surrendering



Is it not enough to be ALIVE, autumn 
As birds migrate thousands of miles, autumn
Of an inner stirring and outward knowing

Is BE-ING
to Our Mind
bor -ing

As summer turns, it turns
To autumn, autumn
The slugs and worms live at the root; 
The slugs eat the juice of carrot
Is it good for their EyEs too...?

I buried a 'th' in the soil
With vowels and nettles
And I, this eyE, aye, oh
This What...?
This sometimes
Known thing
Doesn't kNOW oh oh

Winter take, take these
Sor rows, lay them
Deep ee eep
To become worms
for the birds to eat


ever ever
Denied to

.
Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic design by Simon

Toca La Guitarra

SuZanne Ledwith

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