Magnifiques tensions musicales et vocales, great Song !

Really like the arrangement on this one. Plenty going on. Great vocal

Ce morceau est absolument superbe ! Epic Track <333

Listened again - what a great song and so well produced!!

Love the vocals and pruction. Nice track guys!

Beautiful piece...I'm loving this song immensely...beautiful vocal ornamentation Dear Suzanne XOXOXO

Another great song by @candyside-arcade that I have had the privilege to interpret and sing. 

Do listen to @candyside-arcade's fun, energetic and life-affirming songs.
https://soundcloud.com/candyside-arcade/hiding-in-plain-sight   One of my many favourites.
P-line:
℗ @ Candyside Arcade & SuZanne Ledwith
I, think much more today
About it is I stand to lose
More than what I could gain
When I kneel down to pray
About what it is that I must to choose
To keep the pain at bay

Open my mouth to say
About what seems the most confused
When it could be so plain
I think much more today
About what I stand to lose

What I stand to lose

When I kneel down to pray
About what it is I stand to lose
More than what I can gain
Open my mouth to say
About what it is that I must choose
To keep the pain at bay

I think much more today
About what seems the most confused 
When it could be so plain
And when I find a vein
I know what I stand to lose

What I stand to lose

What I Stand To Lose

Wheelwright: voice, vocal melody and harmony, lyrics @wheelwright

Jonathan: initial music, instruments, mix

Fictive Sisters is a transatlantic collaboration of Wheelwright and Beckenstein. Our album Immaculate Distraction is available at https://fictivesisters.bandcamp.com/album/immaculate-distraction

image by Lani Maynard

Crossing time-zones
Godforsaken deserts
Midnight in transit stations
The illusion of freedom
Written in blood written in stone

It's just an idea
It's just an idea

The twisted wreck
Of a helicopter gunship
A distant call to prayer
Sweet liquorice and bitter cigarettes

It's just an idea [...]

He carries her in his heart
She's all he had now all he has
White knuckles holding fast
His mother's photograph in a young man’s hands

Now everything is lost
Now everything is lost

They say half the future’s buried in the past
But the fallen will not weep for us
When it’s our time to choose

It's just an idea [...]

bandcamp

Sweet Licorice And Bitter Cigarettes (with Wheelwright)(Fictive Sisters)

https://www.youtube.com/watch?v=CnR1vugWdEk
Free download--> https://www.zabirski.art/library/tracks/224
Photograph pixabay-AngelaL_17

Zapałki/Matches

The first time I listened to BoxTox's music, about a year ago, I thought that I would really like to play with him. Lately, when I wrote this piece, I immediately thought maybe it was the right one for his clarinet .. I proposed it to him and ... voilà!
In the photo, from left to right: me, the sound engineer, Boxtox and Mrs. Soundcloud.
We hope you enjoy it!

For his classy, elegant jazz here: @user-247600493

Composition and all arrangements: Francesco Cartocci

Et voilà - with BoxTox

Tea plantations on the planet Athoek, the location of some intrigue in Ann Leckie's book, Ancillary Sword.
I took inspiration from the early work of Evangelos Odysseas Papathanassiou (Vangelis)RIP. I loved how he combined traditional Greek instruments with electronics on "Earth".  "Heaven and Hell"  remains a personal favourite. 



All rights reserved 2022

Plantation On Athoek

It was an honor and a pleasure to sing to the sound of a delightful composition by two wonderful artists such as Debra Buesking(@debra_buesking) on piano and David Dunham(@david-dunhamuser589535203) on guitar. Thanks for this priceless opportunity.
Below the Italian / English lyric

Dimmi dove sei
Torno a casa e non ti trovo più
Le tue calze sopra il letto
Sempre accesa la TV

Non dimentico 
Le tue promesse in bilico
e le domeniche
Sempre spese solo dove decidi tu
Forse ho il cuore troppo piccolo
Per lasciarti la tua libertà
casca il mondo 
quando te ne vai

Mille baci e poi
All’improvviso il vuoto fra di noi 
Non so perché rimango appeso qui
Il tuo canto mi ha ingannato 
e come Ulisse mi salverò
Ma poi ricadrò
nella tua tela ancora

Sei sparita ormai
irraggiungibile
ma è sicuro io ti troverò per dirti che
che non mi arrendo e voglio solo te
Puoi scommetterci
Vorrei sentire ancora i brividi
Mentre stringo la tua mano
 per non lasciarti più
………………..
Dimmi dove sei 


Tell me where you are
I come home and I can't find you anymore
Your socks over the bed
Still on the TV

I do not forget
Your promises in the balance
and Sundays
Always spending only where you decide
Maybe my heart is too small
To leave you your freedom
the world falls
when are you leaving

A thousand kisses and then
Suddenly the void between us
I don't know why I'm hanging here
Your singing deceived me
and like Ulysses I will save myself
But then I'll fall back
in your web again

You're gone now
unattainable
but it's sure I'll find you to tell you that
that I'm not giving up and I just want you
you can bet
I wish I could still feel the chills
As I hold your hand
  not to leave you anymore
……………… ..
Tell me where you are

"Easy to Please" Debra Buesking and David Dunham (vocal version)

Le regard qui fuit

L'appel de la nuit est un feu obscur et gris
chuinte des mots dimensions de l'esprit
gouffres de l'âme nos visages endoloris
humeurs et drames sont des jeux interdits

Vérités sur les hommes au dessous des visages
Postures debout combattre l'ennui
rides et cernes mornes et alanguies  
reflètent les sillons obscurcis par les âges

De tous ces miroirs, ne restent que l' envie
Ne rien écrire, de bons mots impolis
les fuites du temps dessous le vent
les yeux dans les poches le regard qui fuit

chorus

Mais un jour sur ses visages de vides et de peurs
renaitront les images réelles du bonheur
Dans le regard des hommes des ombres pleurent
A revivre sans bruit de belles choses ailleurs

Le Regard Qui Fuit

Theatre theme for the play Iphigenie auf Tauris by Goethe performed in Straubing in 2008

Iphigenie

(ever too late to shine )    



Now she lives among the stars
                                          
and the night is too dark without her
         
all the light from then till now
                                          
hasn’t found its way back to her

*



I had no heart to hear

all the bells that call on Sunday

just like a waterfall

they’ll stop falling someday

*


refrain:

       
Is it ever too late to shine

ever too late to shine
         
my love


     
Is it ever too late to shine
                      
ever too late to find
      
my love

*


I see her in a crowd 

I see her in the mirror

Her face is like a shroud

as my own grows dimmer 

*


If you find yourself a star

don't lose it in the wishin' 

you're still while it moves far

far beyond your vision

*


refrain

TASCAM DR-05

ever too late to shine (co-written with my friend)

Chris asked me to do a grunge version of this Beatles classic… fantastic idea!… he sang and played guitar… I played drums, percussion, bass guitar and added Lennon’s harmony.. Will mixed it phenomenally!… hope you enjoy an original version!

We Can Work It Out Cosmic Keanu/ K2 and the Three ( Mix by Hobocop) The Beatles Cover

Bright

“Into Your World" was played on BBC Introducing. Have a listen at. https://www.korima.net



Korima’s song “Root” from debut EP “Into Your World” aired on RTÉ 2XM- The  London Ear - 23rd September 2023
 
The London Ear | The London Ear - RTÉ 2XM (rte.ie)
 




Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

Spring Solstice


Winter Solstice 
The Winter Solstice is an astronomical phenomenon that marks the shortest day and the longest night of the year. In the Northern Hemisphere, the Winter Solstice occurs on 21 or 22 December, when the sun shines directly over the tropic of Capricorn. At sunrise on the shortest day of the year, for 17 minutes, direct sunlight can enter the Newgrange monument, not through the doorway, but through the specially contrived small opening above the entrance known as the ‘roof box’, to illuminate the Chamber.

Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

October 

Night migration of birds.

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September

Barn swallows bury themselves in mud in lakes



August

Barn owls and birds of prey on the move
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July

Watching bats emerge at dusk.

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June

walking in meadows




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May
The Dawn Chorus:  Ireland 5 am.
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April
First swallow of the year
Welcome, welcome
From out of mud in lakes
Were you resting there?



March

Unveils like a first thought
A whisper



February

"Nothing stands out yet", you said
As you looked over your shoulder
Broad and rounded, square and hunched
I thought I heard you say, "We are water
And over time we solidify"

Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

January
Snow white egret
among fields of greenandbrown
Are you lost in its vastness?
Bubulcus ibis.

DE-cem- ber
Silver EEL migration 
down river to the sea
on a moonless night

through
an obstcale 
of nets
Cutting blades
pollution
And 
Par -a -sites
White egret



December
Mild to touch, not yet winter
snow drop dropping still
daffodil 

November, can I surrender to your dying
Are you truly dying or surrendering



Is it not enough to be ALIVE, autumn 
As birds migrate thousands of miles, autumn
Of an inner stirring and outward knowing

Is BE-ING
to Our Mind
bor -ing

As summer turns, it turns
To autumn, autumn
The slugs and worms live at the root; 
The slugs eat the juice of carrot
Is it good for their EyEs too...?

I buried a 'th' in the soil
With vowels and nettles
And I, this eyE, aye, oh
This What...?
This sometimes
Known thing
Doesn't kNOW oh oh

Winter take, take these
Sor rows, lay them
Deep ee eep
To become worms
for the birds to eat


ever ever
Denied to

.
Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic design by Simon

What I Stand To Lose

SuZanne Ledwith

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