SBKT066: Prettybwoy - Tokyo Ice Age
Release date: 5th February 2025

Our first release for 2025 is ‘Tokyo Ice Age’, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Downstate and mastered by Raphael Valensi.

‘An ice age is a cycle of roughly 100,000 years that Earth has been undergoing for at least the past million years. I’ve been reflecting on these cycles and the way life resets or disappears over time. When my grandmother passed away, I found old photographs and handwritten documents—faded pieces of history that offered me a brief glimpse into my family’s past. Ways of living, even since my own birth, are changing rapidly, and many things are being lost or disappearing forever.

The term "Ice Age" also refers to Japan’s Employment Ice Age, a period between the mid-90s and early 2000s, following the collapse of the country's 'Bubble Economy.' During this time, many young graduates and displaced workers struggled to find stable employment. The generation impacted by this era, known as the "Lost Decades," is often referred to as the ‘Lost Generation’ or ‘Ice Age Generation.’ I belong to this generation.’

Artwork by Downstate
Mastered by Raphael Valensi

SBKT066: Prettybwoy - Tokyo Ice Age

SBKT068: Swimful - Diecast
Release date: 26th March 2025

The long awaited follow-up to 2022’s ‘Rushlight’, ‘Diecast’ is a new 4 track club EP from Swimful, with remixes from Iceboy Violet, Grandmixxer and DJ Narciso.

SBKT068: Swimful - Diecast

SBKT069: Nahash - Fleurs Mortes
Vinyl + digital: 15th May 2025

Nahash returns to SVBKVLT with Fleurs Mortes, a striking sophomore album that stands apart from fleeting trends and extravagant sound design. This record is an unfiltered reflection of Nahash's musical education —one shaped by the raw energy of ‘90s rave,  hip-hop and dancehall afterparties, and the deep crates of his parents' extensive jazz and Afrobeat collection, taking influence from the anarchic spirit of Spiral Tribe to Dillinja’s legendary remixes of Björk, infused with heavy doses of Wu-Tang, DJ Premier, John Coltrane, and Archie Shepp. 

Building on the themes of 2020's 'Flowers of the Revolution', this album envisions a future liberated from dystopia and oppression—a hopeful dream expressed through endless dub delays, ethereal reverbs, rave-infused drum hits, and, unexpectedly, live trumpet. 

This record was years in the making, finally taking shape during a whirlwind European tour with SVBKVLT labelmates—late-night conversations, cold drinks, and ice cream fueling its final form. 

The flowers may have withered, but a new season is on the horizon—one filled with love, renewal, and the scent of grilled lamb chops.

Photography: Tina Blakeney
Design: Amber Jean
Mastering: Raphael Valensi

SBKT069: Nahash - Fleurs Mortes

SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

----

estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?

SBKT073: ABADIR - Kitbashing
Release date: 15th October 2025

--
Conceived as part of an A/V show with visual artist Nicolò Cervello, ‘Kitbashing’ marks ABADIR’s third album for SVBKVLT.

A growing number of people spend an extensive amount of time watching, scrolling, liking, commenting on and sharing content, whilst at the same time feeding a constant stream of personal data to social media platforms. Social media can be fun and informative, or draining and dark. Either way, their algorithms are purposefully designed to lock users in a continuous state of scrolling. The more time spent online, the more desires, interests and emotions are fed into the algorithm for consumerist ends and reality is reduced to a timeline of curated aesthetics.

Using audio snippets from reels, suggested posts, and sponsored ads, sound objects are cut, micro-edited and meshed together into a collage. Tension is built gradually before falling into a release. Rhythms keep expanding and contracting, simulating the pace of random scrolling on mobile devices. ‘Kitbashing’ is an attempt to break the algorithm: subverting the dynamics by feeding on the algorithm instead of only feeding it.

--

Concept by Nicolò Cervello and Rami Abadir
Artwork by Nicolò Cervello
Mastered by Raphael Valensi

SBKT073: ABADIR - Kitbashing

Taken from SBKT049: Osheyack - Intimate Publics
Release date: 8th June 2022

Intimate Publics, Osheyack’s second album, is an homage to Shanghai, the city he has called home since 2012. Over the past ten years the producer has evolved from an avid club-goer to a key member of the vital soundscape that emerged from ALL Club and its predecessor, the now defunct club The Shelter. As hinted by the title, which draws on American social theorist Michael Warner’s work on publics and counterpublics, the album expresses a commitment to mining the utopian potential of club music, forging new worlds and generating future social relations, just as the artist bids farewell to the city at a moment of uncertain transition. While tracks like 'Edging' and 'Thrall' continue to present his signature collage of harder club music, the rest of the record reveals a shift to synthetic approximations of acoustic instruments. 'Still', the central track of the album, is a piece composed almost entirely of samples found on Vocaloid (a vocal synthesizer developed by Yamaha, commonly used to give voice to Japanese virtual idols). While echoing themes explored in previous projects, like the nature of realism and authenticity in a techno-mediated landscape, Intimate Publics is charged with an unexpected emotional candor and vulnerability, unveiling a personal side Osheyack is only beginning to explore.

Words by Alvin Li
Artwork by Xiaofei Qiu
Design by Luke Griffiths
Mastered by Raphael Valensi

Intimate Publics

Osheyack - Thrall

Taken from SBKT051: Swimful - Rushlight
Artwork: Luke Griffiths
Mastering: Raphael Valensi
Release Date: 14th September 2022

Returning for his 5th release on SVBKVLT, we are excited to present ‘Rushlight’, a 5 track EP by Swimful, with remixes from Hyperdub’s Ikonika and Nyege Nyege’s Phelimuncasi, and artwork by Luke Griffiths.

Rushlight

Swimful - Backwards

Taken from SBKT063: Osheyack & Nahash - Bait

Release date: 18th April 2024

'Bait’ is the second collaborative EP from Osheyack and Nahash, following 2021’s ‘Club Apathy. 4 club-ready tracks, with remixes from Florentino and Safety Trance.

Cover photo: Jedi Zhou
Design: Luke Griffiths
Creative Direction: Dre Romero
Mastering: Raphael Valensi

Bait

Osheyack & Nahash - Bait

Osheyack & Nahash - Dream, Shit, Dream (Safety Trance Remix)

Taken from SBKT064: sideproject - sourcepond
Release date: 30th May 2024

Following up from work on Björk´s 'Fossora', Icelandic trio 'sideproject' debut on SVBKVLT with their new full-length album 'sourcepond'. Taking influence from the fog-covered wetlands of their native island, sideproject transfigure influences from the low-end frequencies of grime and bass music, and reshape it into a haze of transient-smeared beats accompanied by breathy synths that grow ever wetter till they slip beneath the surface tensions of their harmonic stratum. Compared to previous output, 'sourcepond' opts for a more concise approach to their music, stacking up their influences of experimental electronic, Icelandic punk and contemporary club music, and builds a sound that oscillates between melodic hooks and experimental rhythms. Each track carves through the sensuous material, pulling the listener into the dank sourcepond as though magnetic forces were guiding a bird's beak towards misty horizons.

Artwork by sideproject
Mastered by Raphael Valensi

sourcepond

sideproject - weight

Taken from SBKT065: ABADIR & Nahash - Marchadair مرشدير
Release date: 25th September 2024

Over the past few years, Nahash and ABADIR have been sharing food recipes, the same sense of humour, and their love for 90's rave, Beth Gibbons, Sun Ra, and grilled lamb. They met last summer for the first time and enjoyed a B2B together during a label showcase in Fano, Italy. Their memories of and appreciation for 90’s and early 00’s Arabic pop music inspired their first collaboration on SVBKVLT. Marchadair is the distillation of the meaty club sound by both producers; ABADIR’s micro-edited audio sampling and surgical chopped percussions mixed with Nahash’s lavish dub techniques and hefty bass, all serving as the main ingredients for these 4 heavyweight tracks. To close the menu, the EP features remixes by Ehua and Toumba.

The track titles play on a symbolic link between both artists and their native languages, using French words that have morphed into Egyptian slang. This Franco-Egyptian mixture echoes the hybrid sound of the EP.

Artwork by Dave Gaskarth
Mastered by Raphael Valensi

Preorder

ABADIR & Nahash - Tenterlé تنترليه

ABADIR & Nahash - Alaga ألاجة

ABADIR & Nahash - Tenterlé (Ehua Remix) (تنترليه (ريمكس إيوا

Taken from SBKT067: 96 Back - tender, exit
Release date: 27th November 2024
Limited vinyl + digital

---

For his sixth 96 Back LP, Evan Majumdar-Swift found himself writing “a long form eulogy” to his years living in Manchester while preparing for an imminent move to London. Initially intended as a series of technical exercises, which saw the artist radically stripping back his established production setup, over the last two years tender, exit gradually took on the form of an emotional landscape, mapped in transit between two cities. “The overarching concept of the record is cycles, recognising them, loving them, and tearing yourself away from them,” he says. Heard together, the project takes on the pace and cadence of a passionate conversation with a loved one.

Full press release - https://svbkvlt.bandcamp.com/album/tender-exit

---

Photography: Ana Radtsenko
Design: Luke Griffiths
Mastering: Raphael Valensi

tender, exit

96 Back - Rubber Knife

Taken from SBKT066: Prettybwoy - Tokyo Ice Age
Release date: 5th February 2025

Our first release for 2025 is ‘Tokyo Ice Age’, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Downstate and mastered by Raphael Valensi.

‘An ice age is a cycle of roughly 100,000 years that Earth has been undergoing for at least the past million years. I’ve been reflecting on these cycles and the way life resets or disappears over time. When my grandmother passed away, I found old photographs and handwritten documents—faded pieces of history that offered me a brief glimpse into my family’s past. Ways of living, even since my own birth, are changing rapidly, and many things are being lost or disappearing forever.

The term "Ice Age" also refers to Japan’s Employment Ice Age, a period between the mid-90s and early 2000s, following the collapse of the country's 'Bubble Economy.' During this time, many young graduates and displaced workers struggled to find stable employment. The generation impacted by this era, known as the "Lost Decades," is often referred to as the ‘Lost Generation’ or ‘Ice Age Generation.’ I belong to this generation.’

Artwork by Downstate
Mastered by Raphael Valensi

Prettybwoy - Siamang Call

Prettybwoy - Puff

Prettybwoy - Tokyo Ice Age

Prettybwoy - Holocene

Prettybwoy - Tumult

Prettybwoy - Puff (Proc Fiskal Vapelung Remix)

Taken from SBKT068: Swimful - Diecast
Release date: 26th March 2025

The long awaited follow-up to 2022’s ‘Rushlight’, ‘Diecast’ is a new 4 track club EP from Swimful, with remixes from Iceboy Violet, Grandmixxer and DJ Narciso.

Swimful - Xipei

Swimful - Atlantis

Swimful - Pressure Valve II

Swimful - Limescale of the Mind

Swimful - Atlantis (Iceboy Violet Remix)

Swimful - Limescale of the Mind (DJ Narciso Remix)

Taken from SBKT069: Nahash - Fleurs Mortes
Vinyl + Digital: 15th May 2025

Nahash returns to SVBKVLT with Fleurs Mortes, a striking sophomore album that stands apart from fleeting trends and extravagant sound design. This record is an unfiltered reflection of Nahash's musical education —one shaped by the raw energy of ‘90s rave, hip-hop and dancehall afterparties, and the deep crates of his parents' extensive jazz and Afrobeat collection, taking influence from the anarchic spirit of Spiral Tribe to Dillinja’s legendary remixes of Björk, infused with heavy doses of Wu-Tang, DJ Premier, John Coltrane, and Archie Shepp.

Building on the themes of 2020's 'Flowers of the Revolution', this album envisions a future liberated from dystopia and oppression—a hopeful dream expressed through endless dub delays, ethereal reverbs, rave-infused drum hits, and, unexpectedly, live trumpet.

This record was years in the making, finally taking shape during a whirlwind European tour with SVBKVLT labelmates—late-night conversations, cold drinks, and ice cream fueling its final form.

The flowers may have withered, but a new season is on the horizon—one filled with love, renewal, and the scent of grilled lamb chops.

Photography: Tina Blakeney
Design: Amber Jean
Mastering: Raphael Valensi

Fleurs Mortes

Nahash - All the Flowers are Dead

Nahash - Dwindling

Nahash - Red and Blue (For Charles) ft. No Cosmos

Nahash - Hot Stepper

Nahash - Santa Maria De Guadalupe

Nahash - Them Bones

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

----

estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

estoc - Scorched Earth (ft. Mia Carucci & Exploited Body)

estoc -  Heretic (ft. DJ Haram)

estoc - The Weight (ft. AZADI.mp3)

estoc - Where Do We Go Now (ft. Military Scientist)

estoc - No Glory

estoc - The Poison of the Centre

Taken from SBKT073: ABADIR - Kitbashing
Release date: 15th October 2025

--
Conceived as part of an A/V show with visual artist Nicolò Cervello, ‘Kitbashing’ marks ABADIR’s third album for SVBKVLT.

A growing number of people spend an extensive amount of time watching, scrolling, liking, commenting on and sharing content, whilst at the same time feeding a constant stream of personal data to social media platforms. Social media can be fun and informative, or draining and dark. Either way, their algorithms are purposefully designed to lock users in a continuous state of scrolling. The more time spent online, the more desires, interests and emotions are fed into the algorithm for consumerist ends and reality is reduced to a timeline of curated aesthetics.

Using audio snippets from reels, suggested posts, and sponsored ads, sound objects are cut, micro-edited and meshed together into a collage. Tension is built gradually before falling into a release. Rhythms keep expanding and contracting, simulating the pace of random scrolling on mobile devices. ‘Kitbashing’ is an attempt to break the algorithm: subverting the dynamics by feeding on the algorithm instead of only feeding it.

--

Concept by Nicolò Cervello and Rami Abadir
Artwork by Nicolò Cervello
Mastered by Raphael Valensi

Kitbashing

ABADIR - Kicks and Clickbaits

ABADIR - Swipe, Skip, Repeat

ABADIR - Scroll Hole Syncopation

ABADIR - Kitbashed & Platformed

ABADIR - Malign Velocities

ABADIR - Chronoparalysis

ABADIR - One More Boundary Pusher

Empty Hell is the second EP from Osheyack for SVBKVLT, containing 3 original tracks plus remixes from KABLAM and Via App. The release was inspired by a text written by Jordan Tierney, and features artwork by Dre Romero. A limited edition, long sleeved shirt featuring the artwork and a back patch with the text will coincide with the release.

Empty Hell

Osheyack - Hidden Teeth

Taken from SBKT026: Various Artists - Cache 01

Release date: April 26th 2019

Mastered by Raphael Valensi
Artwork by Kim Laughton

Cache 01

Tzusing & Hodge - Electrolytes

Gabber Modus Operandi - Sangkakala II

Taken from SBKT032: Seven Orbits - EP0001
Release date: 20th March 2020
Format: Digital / 12" Vinyl
Artwork: Matteo Zamagni
Design: Luke Griffiths
Mastering: Raphael Valensi

EP0001 is the first audio release from Matteo Zamagni's Seven Orbits project. 5 original tracks including a collaboration with Nervous Horizon's TSVI, plus remixes from 33EMYBW, Gooooose and Zaliva-D.

Seven Orbits

Seven orbits is an audiovisual performance designed for immersive sensory experiences.

It plays with the senses through vibration, light and sound to induce potential altered states with an emphasis on the transcendental and animistic connection with the natural world and the divine as can be found in past and present rituals around the world.

The softwares used to create the experience communicate with each other so that the sound, played live on DAW, drive the real-time graphics as well as physical live elements; Further control of the experience is also achieved by using external physical interfaces;

Tracklist:

1. Ravevv101
2. Mantis
3. Ganglion
4. Submechanophobia feat. TSVI
5. SandGrainss
6. Ganglion (Gooooose Remix)
7. Mantis (Zaliva-D Remix)
8. Submechanophobia feat. TSVI (33EMYBW Remix)

EP0001

Seven Orbits - Mantis (Zaliva-D Remix)

Taken from SBKT038: Various Artist - Cache 02
Release date: 4th December
Artwork by Kim Laughton
Mastered by Raphael Valensi

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