Nice to hear something cool that doesn't sound like all the other stuff out there!

Tzusing Remixes Collabs Comps and Misc.

@speakermusic remix of an @axine-m track from "HAUNT3D BODY R3MIX3S" - a remix collection of tracks from @axine-m's 2020 release "ꔠ⍺Ⴎ𝜼τ𝟈ḋ ϦƠḋ𝙔 ³³³" to be self-released via Bandcamp on 05/05/21.

All proceeds will be donated to For the Gworls, a rent & medical fund for Black trans people. More info here: https://www.forthegworls.party/home

HAUNT3D BODY R3MIX3S

Pre-order

PREMIERE: Axine M - sᑦ⍺𝜼 (s⍺𝗩𝐢Ơ𝑟〕(Speaker Music Remix)

DOWNLOAD ALBUM

SLIKBACK X TZUSING - JAHAD

SLIKBACK X SHAPEDNOISE - TRIONSTRAPX

parhelic shell - Spath

V.A. - Dys Functional Electronic Music X 
Format: 2 x 12"/DGTL
Cat#: REPITCH02LP
Release Date: 10 November 2022
Pre-order: https://repitch.bandcamp.com/album/dys-functional-electronic-music-x

Back in 2011, the REPITCH label debuted with "REPITCH 000", a brief compilation that featured tracks from the three originators: Pasquale Ascione (Ascion), Davide Carbone (D. Carbone), Nino Pedone (Shapednoise). Since then, the imprint has been a key player on techno's experimental fringes, pushing music that joins the dots between industrial, noise, bass, and hard dance. In ten years, they've released music from artists like Sote, Zenker Brothers, AnD, Sleeparchive, Regis, and VTSS, and to celebrate their anniversary, REPITCH has fittingly assembled another forward-thinking selection of tracks following on from 2017's acclaimed "Dys Functional Electronic Music."

"Dys Functional Electronic Music X" is a state of the union from Ascione, Carbone, and Pedone that highlights not only their label's scope but its intentions for the future. Ten years in, the trio are just as motivated by broadening club music's horizons as they are filling dancefloors, and that's never more obvious than on opening track 'Mastice Riddim (VIP Mix)' from Shapednoise and Gabber Eleganza. The two producers meet at the exact intersection of their styles, with Pedone splitting Alberto Guerrini's fictile trance arpeggios using his patented hi- definition sound design and trunk-rattling drill rhythms.

TSVI and Randomer excavate a similar mid-point on 'Overbite,' following on from 2021's "Reflex" EP with a booming, mindboggling fusion of warehouse techno and cybernetic dancehall. Pasquale Ascione's contribution 'Plugged (Heavy- Rotation Mix)' is a disarming future-retro cut, distorting vintage breaks with psychedelic bleep techno synths, while Carbone's 'Hypnotic Experimental Dance' does precisely what it promises, blotting grinding hardstyle kicks into dissonant waves of psychedelic electronics. Los Angeles ravers Baseck and Aura T-09 throw shades over the Cali sunshine on 'Angelz', losing gabber rhythms in tweaked DSP fizz but never dropping the crucial momentum.

On the flip side, Italian mainstay DJ Plant Texture turns in a breakbeat slow- burner that sounds like Sheffield via Rotterdam but never dips into empty nostalgia. Russia's versatile Buttechno, meanwhile, brings a weightless sensibility to progressive minimal, layering cauterized harmonics over driving warehouse kicks and dreaming gently of the big room. The compilation switches gears at this point, centering a pair of rave-ready hard dance constructions from fwd-thinking Greek producers DJ Loser and MarcelDune, before grinding to a halt on sci-fi-tinged closer 'Digital Hoarder' from Low Income $quad's Strahinja Arbutina.

Gabber Eleganza & Shapednoise - Mastice Riddim (VIP Mix)

At the end, what will remain for them? Nothing, maybe. Violence, anger, debauchery most probably. Fear of others, an endless struggle to survive. No laws nor rules, For what purpose anyway? 
Will we at least be remembered? Worshipped or despised? And so what actually? You won't even be there to see, remember you are being chased.

'Songs for the Doom(ed) Generation' by Garguantuan Grief, to be published soon on Dawn records. More infos here:
https://dawnrecords.bandcamp.com/music

@gargantuang
@dawnrecords

℘ཞɛɱıɛཞɛ ≈ Gargantuan Grief - You Are Being Chased [Dawn Records]

i call it sad, you call it sexy urban

MNSXANDREAS

MNSXANDREAS - Tzusing - I DO NOT OWN THIS SONG

SBKT012: Yen Tech - Mobis (Deluxe Edition)

Re-release with exclusive bonus track + remixes from Tzusing and Sentinel.

Yen Tech returns with Mobis, a paranoid, sci-fi tinged rap album tailor made for our digital (non) reality. The air of dystopian unease and dread is no longer bubbling beneath the surface here: it’s blown wide open, with lyric references to exo-suits, drones, vapor-crews and futuristic stimulants permeating the album’s ten tracks. High-tech pop theatrics, bi-lingual neo-party music, or belligerent swaggering - on Mobis we are too busy going full throttle to tell the difference. Your Angel Unit is ready. 

This is Yen Tech’s debut full length. 

Includes bonus track 'Prototype', plus remixes from Tzusing and Sentinel

Tracks 1 - 11 written and produced by Nick Newlin, NYC, 2015 
Track 12 remixed by Tzusing, 2016 
Track 13 remixed by Sentinel, 2016

http://yentech.net

Mobis

Armored Core (Tzusing's 偶像 RMX)

Purchase: http://www.rushhour.nl/store_detailed.php?item=92190

Samo DJ & Tzusing - NBA (Snippet)

Artist: Hyph11e
Title: Vanishing Cinema
Label: SVBKVLT
Cat. No: SBKT017
Release Date: 10th November 2017
Artwork: Wang Newone
Mastering: Raphael Valensi
Format: Digital
Distribution: Cargo UK

In 2016, DJ, producer and member of Genome 6.66MBP Tess Sun, aka Hyph11e, began work on her debut EP.

Living a double life as a composer for TV by day, and DJing around Shanghai by night, the passing of time often stifled and spurred on her production process. After having a dream of a Vanishing Cinema, a place where memories disappear in front of your eyes through the passage of time, Hyph11e quit her day job to focus on her own music full-time. The result is four original, uncompromising tracks that owe as much to vintage noise and industrial music as they do to field recordings and contemporary club music.

On the remixes, Tzusing tweaks and tunes “Black Pepper”, driving it into idiosyncratically ominous territory; M.E.S.H. rebuilds “Unknown Number” from the ground up until it reaches the clouds; while Kid Antoine takes “Escapism”s warning sirens and cuts them into playful, bouncing cascades.

Track list:

01. Black Pepper 炎
02. Unknown Number 未知
03. Escapism 庇
04. Speak To Me 呓语 feat. Sharon Stewart
05. Black Pepper炎 (Tzusing Remix)
06. Unknown Number 未知 (M.E.S.H. Remix)
07. Escapism 庇 (Kid Antoine Remix)

Vanishing Cinema

Hyph11e - Black Pepper 炎 (Tzusing Remix)

The most fun I ever had making a track was this one with Samo. It came out almost 2 years ago on Public Possession. I recently stumbled on a remix online where a Aaron Richter threw the original Gwen Stefani vocals back into our version. I really dug it but didn't really like the singing bits as there was a bit of a key clash. So here is my take on it free 4 you all. A remix of a remix of a remix. Njoy!

Download: http://tzusing.com/music/Samo%20DJ%20and%20Tzusing%20-%20Hollahback%20Boi%20%28Tzusing%27s%20Vocal%20Remix%20of%20a%20Remix%20of%20a%20Remix%20Edit%29.aif

Samo DJ And Tzusing - Hollahback Boi (Tzusing's Vocal Remix Of A Remix Of A Remix Edit) Free DL ^_^

Meuko! Meuko! 
'鬼島 Ghost Island' EP (DN013)w/ remixes by Dutch E Germ & GIL
Format: digital / limited edition CD 
Release Date: 6 July 2018
@meukomeuko @gilschneider

Dreamscape:

The fog, snow, streets … everything had only altered slightly from my memory yet I perceived this world as one that might be a couple years, or even a few centuries, into the future. I was amongst a group of futuristically dressed children, school dropouts turned street dwellers, who had just run away from their homes, and I seemed to be one of them, wearing dark sailor clothes, with black hair just past my shoulders.

We had been hiding for quite a while in the white stairwell of a newly built building, uninhabited since its completion. The children set up a den in the stairwell, equipped with a TV and video games. I had somehow become their leader, directing the others where to safely spend their nights. These children were not afraid of the darkness in this world.

One young girl even managed to communicate with rabbits living in the snow. She often hid in a corner of the stairwell, listening to an old yellow cassette player. The girl believed the sound she heard was a gift from the ancestors – music had vanished in this world, you see. She would listen to recorded lectures and pray in the temple left by her predecessors.

Eventually the hideout was discovered by the building’s construction workers when the children were returning from their scavenging mission, so we were forced to leave and seek new shelter. Once again we retreated along the bustling streets, where neon lights were beaming everywhere, and creeping smog rendered peoples’ faces lost and helpless. Elder street vendors were selling every last bit of their wares, hawking outmoded objects of their forefathers. Finally we arranged some cardboard boxes in an alley, just for one night’s sojourn. We knew it was still a long road ahead. That night felt like a year.

Another morning we were driven out from previous night’s hideout, as we had become accustomed to, and while out scouring the streets for food the girl stumbled upon a forgotten temple. A dense fog hovered in the air, as if the place was high up in the clouds. The temple was too crammed with dark painted bronze figures of canine deities for her to even find a way in. She sensed from these figures, a time of strife and warfare harkening back thousands of years, a time when mankind destroyed the earthly body of Buddha and the Gods. These sacred bodies had subsequently been sold and dispersed throughout the world for thousands of years. This temple had become the haven for these anthropomorphized animal figures since then.

Realizing she had in fact lost consciousness, the girl awoke to find the temple floating among the clouds, an island in the sky. Only then did it dawn upon her that humanity will inevitably return to its primal state among the ancient forests, and that the temple suspended in the heavens contained the ghosts of humanity.

DN013 鬼島 Ghost Island

Meuko! Meuko! - 希卡公主 Princess Sika (GIL Remix)

For  the  final  release  of  2019,  SVBKVLT  are  excited  to  present  ‘Scissor’,an  EP  byMun  Sing,the  juddering  solo  project  of  Giant  Swan‘s  Harry  Wright.

Premiere: Mun Sing 'Balloon'

B1 Dad Is Destroying The World For My Sake

Feast 21

WULFFLUW XCIV - Digitized Roots

人生得意须尽欢，莫使金樽空对月
Stockholm syndrome Shanghai
Started @seacucumberlabel

upcoming dates:
Oct 13 NetherSphere @ Miscellania , Melbourne
October 14 @ mode festival , Sydney 
Oct 27, Berlin
Nov 4 Club 2 Club, Turin
Nov 11 Eel, Taipei 

Bookings:
EU: brandon@lb-agency.net
Asia: This Page Direct

Armored Core (Tzusing's 偶像 RMX)

SVBKVLT

Recent comments

syntrovert

TheSampleThief

Related tracks