my first ep
u better enjoy it motherfuckers
jk
all love
xx
Swordes

Nikkal

Iney - oqbqbo

Eartheater - Metalepsis - to be released on vinyl for the first time on 8/9/2019

Artist: Eartheater
Album: Metalepsis
Reissue Date: 8/9/19 (original release on cassette and CD on 2/24/2015)

pre-order and stream:
https://hausumountain.bandcamp.com/album/metalepsis

For more information, visit:
http://hausumountain.com/?page_id=4995

to visit Eartheater on the WWW:
www.eartheater.solar

Eartheater - Put a Head in a Head

Bange

@oklou93

VA - Boss Rush https://paradoxeclub.bandcamp.com/album/boss-rush

Mastered by Jeremy Cox
Artwork by Manuel Moreno Cortes & Octave Abaji

PRDX001 - www.paradoxeclub.fr

Boss Rush

Oklou - Haku

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

IRISIRI

Eartheater — Trespasses (PAN 86)

Toxic Femininity

Beauty is Like a Thing

Smerz on NTS - Sexy Vocal Mix 09.04.19

Nicoló - Gold Mist
༞
Absurd TRAX / [AT-017]
Releases: June 5 2020

༞
It's a hot day in the desert.
You're having hallucinations as your thirst intensifies.
A tribe of Tuareg gives you a mask on the way.
You put it on.
Hallucinations expand:
you see snakes everywhere,
harems, camels, people talking to you
while the music is playing.
A melody comes in handy. You whistle it until the end.

༞
Tracklist:
1. Eyes of Dakar
2. Gold Mist (polydipsia)
3. Prestige in Casablanca
4. Gold Mist (Nerve Remix)
5. Prestige in Casablanca (ava* Remix)

༞
Credits:
All music produced and mixed by Nicoló @nicolowiththeaccent
Remix by ava*@avaliliaa and Nerve @lo4nerve
Mastering by Tsui Honagi @djdirtykkkk
Artwork by Daiki & lyfegain

PRE-ORDER

Prestige In Casablanca (ava* Remix)

Carrier Bag Music is a new series of sonic fictions inspired by Ursula K. Le Guin’s Carrier Bag Theory of Fiction. Reimagining the mixtape as container, medicine bundle and chronometer telling the time on another world, artists and producers explore Le Guin's articulations of holding, gathering and caring. With Laurel Halo, Elysia Crampton, Jenna Sutela and Victoria Sin.

Week Three: Jenna Sutela
 
The third episode of Carrier Bag Music by Jenna Sutela is a mixed bag of sounds and music by humans and non-humans. A proposal for interspecies symbiosis, this otherworldly mix gathers collaborators including slime mould, space bacteria, artificial intelligence and yeast cells.
 
“Mine is a mixed bag, containing original material from Many-Headed Reading (2016), Nam-Gut (the microbial breakdown of language) (2017), Holobiont (2018), nimiia seance (2019) and nnother (2020), with Elvia Wilk, as well as some music from my desktop: Most Holy Redeemer by Ocarina Orchestra; Guts theme from Berserk by Susumu Hirasawa; Oração (Pense & Dance) by Lechuga Zafiro Ft. Linn da Quebrada; Finnish lullaby Nuku Nuku; Amniotic Life by Tomoko Sauvage; Exit by Bendik Giske; and Arca from @@@@@. Voices by Jessica Edwards, Clara Jo, Emily Jones, Ming Lin, Colin Self, and yeast cells sonified by Jim Gimzewski at 22, 26 and 30 Celsius.” — Jenna Sutela
 
“Go on, say I, wandering off towards the wild oats, with Oo Oo in the sling and little Oom carrying the basket.” — Ursula K. Le Guin
 
“I evolved as a vessel for others to proliferate. Bacteria, babies. Germs, parasites. Both organic and synthetic. Love and want. Not merely eye to eye, but eye to mouth, mouth to ear.” — Jenna Sutela and Elvia Wilk: nnother, 2020
 
Jenna Sutela works with words, sounds, and other living media, such as Bacillus subtilis nattō bacteria and the “many-headed” slime mold Physarum polycephalum. Her audiovisual pieces, sculptures, and performances seek to identify and react to precarious social and material moments, often in relation to technology. Sutela's work has been presented at museums and art contexts internationally, including Guggenheim Bilbao, Moderna Museet, and Serpentine Galleries. She is a Visiting Artist at The MIT Center for Art, Science & Technology (CAST) in 2019-20.

Curated by Ignota in partnership with Camden Art Centre and Haus Kulturen der Welt. Carrier Bag Music is part of Carrier Bag Fictions, a project by HKW and Ignota.

The Carrier Bag Theory of Fiction is published by Ignota with an Introduction by Donna Haraway and Images by Lee Bul https://ignota.org/blogs/news/carrier-bag-music

Carrier Bag Music: Jenna Sutela

All Clear

Terrorfist

i make human music for humans <3

genre: human
all production by Swordes

Nikkal

swordes .:｡ ◕‿-｡ﾟ‘ﾟ･

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Nikkal

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swordes .:｡ ◕‿-｡ﾟ‘ﾟ･