Bookings worldwide:
marco@futurism.agency
Management:
management@adriatique.ch

Paul Ritch’s productions and performances, characterised by his powerful and harmonic techno with a touch of pure emotive soul, represent his true signature sound – the one that has projected him to global recognition.

In 2007, Paul Ritch took the techno scene by storm both on stage and as a producer. Ever since, Paul has been defined by his passionate musical rhetoric, projected in releases for labels like Drumcode, SCI+TEC, Saved, Cocoon Recordings, Soma Records and Bpitch Control, among many others, and remixes to classic tracks such as Ondu, Positive Education,Tropical Melons, Remainings III, Magic K, The Test and I’m Burning Inside. References that have led him to be included among Resident Advisor’s all-time Top 100 charted artists.

In 2008, Paul brought to life his own imprint, Quartz Rec, conceived as a platform of artistic expression for showcasing cutting-edge techno sounds and a broad vision of electronic music. With its first release, “Split EP Part 1” (Paul Ritch, 2008), the label held a top 2 position on Beatport ́s Techno chart. And following hot on the heels of its fifth birthday, Quartz Rec has already published original tracks and remixes from Okain, Paco Osuna, Nic Fanciulli, Thomas Muller, Barem, Carlo Lio, Dubfire, 2000 and One, Onno, Cuartero and Anton Pieete.

Ritch’s musical delirium and his creativity on stage are two of his unique trademarks and these have been witnessed in his live performances on four continents including clubs such as Amnesia, Space and Pacha in Ibiza, Fabric and Egg Club in London, Womb and Circus in Tokyo, Berghain and Watergate in Berlin, Goa in Rome and Madrid, Rex Club in Paris, among many others.

He has also performed at festivals including Time Warp (Holland and Germany), Monegros (Spain), Awakenings, Voltt Open Air and ADE (Holland), SW4 (UK), Neo Pop Festival (Portugal), Hyte Park Festival (NYC), Amore Festival (Italy), BPM (Mexico) and WMC (Miami).
2014 was a year in which Paul continued to excel and reinvent himself with his very own musical mindset, and without a doubt, 2015 will be transcendental for Ritch as he looks to keep growing and achieve even greater goals.

DJ and producer raised in Napoli. Owner and director of @analytictrail-rec & @mkt-rec

Info & Bookings: antonio@segment-artists.com

Lover of “minimalism” as the expression of communication both musical and visual, the main theme which links unquestionably  his choices as far as music and design are concerned.
Professional graphic designer since 1997, he works on several projects (for famous agencies and on his own), but he cultivates at the same time a passion for electronic music that originated in the mid-80’s with groups like Depeche Mode and New Order, and that grew in the 90’s thanks to the sound of djs Paul Daley, Darren Emerson and the progressive-house music of the moment; a passion that matures under the influence of dj-producers Richie Hawtin, Luciano, Steve Bug, Ricardo Villalobos and Loco Dice.
As a dj, Vito succeeds in gaining little by little some space and respect into a hard setting such as the Neapolitan musical scene, crowded with legends, promising young artists and big bluffs: he manages in sharing the turntables  with guest stars as John Acquaviva, Davide Squillace, Gaetano Parisio, Andy Weatherall, Marc Henning, Sasha Dive, Format B, Wighnomy Brothers and becomes “resident” in two memorable underground clubs of Naples, the Velvet (whose console through the years has been occupied by giants as Luciano, Villalobos, Jeff Samuel etc.) & Rising South.
Lately, even the first gigs abroad have come! At the Underground(2006)and Sankeys (2014) in Ibiza, in 2007 and 2008 in Madrid and Toledo.
From 2009 is resident for Orbeat Regeneration Phunk and other important parties (Electrocasbah, Woo!, Auditors) sharing the turntables with artists like Richie Hawtin, Marco Carola, Marc Antona, Leon, Kabale und Liebe, Kaiserdisco, Danilo Vigorito, Onur Ozer, Cassy, Rhadoo & many others, and in the best italian clubs like Old River Park, Ciclope, Arenile, Duel, Ribbon etc..
In October 2010 creates (with some of his friends/djs) his own monthly party called "The hole of the Tigers" with the goal of putting music quality in the center of the club scene working on simply concepts: Music, Soundsystem, Club & People.. No more is required for a successful party and quickly "Tigers Parties" become the benchmark for naples underground movement. 
As far as his sound is concerned, he doesn’t like to place and label it, but if a tag is needed, he would define it minimal tech-house with gradients of techno and dub proposed and mixed each single time in different proportions according to the vibes felt on the spot.

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

Born and raised in Miami, GONZ seamlessly blends his Cuban roots with the diverse musical tapestry of the city, crafting a signature sound that transcends genres. As a DJ and producer, GONZ ignites dance floors with his infectious beats, drawing inspiration from Latin rhythms, urban vibes, and cutting-edge electronic sounds. Alongside his musical endeavors, GONZ is rapidly expanding his brand, Secret Oasis, curating private intimate events in the most unique and adventurous locations. With a passion for pushing boundaries and creating unforgettable experiences, GONZ invites listeners on a journey that celebrates Miami's cultural mosaic while forging new frontiers in the global music scene.

Techno ▲ Ambient
Music Producer • Creator • DJ Live Hybrid

Crafting journeys.
Moving energies.
Playing with tensions.
Connecting (with) people.

Disenthrall [ambient] • https://soundcloud.com/disenthrall_ofc
Runa [label] • https://soundcloud.com/runa-125627190

For requests: bookings@fabioflorido.com

Leo Mas was the protagonist and witness of the club scene phenomenon that was born in Ibiza he played at the Amnesia club (with Alfredo) during '85, '86, '87 and '88 (The Second Summer of Love) and '90 (without Alfredo which played at Pacha). 
Thanks to his unique sound and innovative set he was propelled as one of the pioneers of house music and balearic sound.
...

leo_mas@fastwebnet.it

http://www.discogs.com/artist/Leo+Mas

http://www.mixcloud.com/leo-mas/

After a lifetime of making music, Jon Gaiser is always leading from the front of his own world. With his signature sound, he has created a shift in the direction of underground electronic music, starting a movement of atmospheric bass-line driven techno that is entirely unique and unmistakable. It has come almost exclusively on Richie Hawtin’s Minus, and with that label he has been an influential part of the modern day techno landscape, both on stage and in the studio. From pioneering Minus projects like Contakt and CNTRL, to being a key resident of ENTER via his always inventive live sets and mind bending visual accompaniments, Gaiser has always harnessed the power of electronic music and nurtured its most evocative and cinematic possibilities. 
Coming up in Grand Rapids, Michigan, Gaiser’s musical life ranged from the formal, where he studied percussion with the symphony, to the informal, where he played drums in punk rock bands. Later experiencing the golden years of Detroit, it was the infinite possibilities and futuristic darkness of techno that really captured him, and since his early teens he has been on an endless mission to create sounds that have never been heard before. 
He has accomplished this on many occasions now, thanks to his exquisite sense of sound design. Pair that with his ability to evoke otherworldly feelings and knit drums together into the most compelling grooves, and you have something entirely immersive. Someone who is inspired by the odd and peculiar sound tools, from the latest digital technology to extremely rare analog pieces, what matters most to Gaiser is the end result. Across countless releases and nonstop touring around the world, he has proven that time and time again.
Further proof of his artistry comes on his four studio albums. From the abstract minimal of “Blank Fade” (2008) to the spaced out and industrial ambiance under the name VOID “No Sudden Movements” (2011) to the slick- and sci-fi percussions of “False Light“ (2014), Gaiser has very much explored techno’s outer edges in his own cerebral ways. 
2017 will see the light of Gaiser’s next studio album. “III” is an album of evocative and fluid techno that paints colourful pictures in your mind, while your pants are dancing on their own. Each track lives in its own unique world, and together create a dynamic storyline from start to finish. From dark grooves to choppy house, warm atmospheres to curious sci-fi landscapes, it is another complete experience and one that proves Gaiser is unafraid of experimentation, of pushing boundaries and searching out new paths.

Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem.
His track “Rave” has become an instant classic, a timeless piece of music gaining more than 100 million streams (becoming the most clicked Techno track ever).
Since 1996, a landmark year for him thanks to the worldwide success of his track “Zoe” produced as Paganini Traxx, Sam Paganini’s stylistic experimentations have gone from strength to strength, leading him to collaborate and release his music on several record labels like Plus8, Cocoon Recordings and Drumcode, reaching the highest spots on Beatport’s Techno Chart several times. His unique musical journey has achieved great success both on the underground circuit as well as on the mainstream channels.
In 2016 Sam founded his own record label JAM as a new platform to play out his vision of techno music. At first an outlet for his own productions releasing 3 albums and nowadays also a platform to discover new talented Artists.
Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances.
He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (USA). KAPPA Future Festival (Italy), Dour Festival (Belgium) and Monegros (Spain).

Isabel De Armas is following