Producer-Art-Guitar-videographer  Texmex Shamans
lyrics vocals- StonerJazz

check out The vldeo     youtu.be/vYRrSahKHng
'"Disclaimer"

"Any similarity to real or imagined events ls probably not a coincidence
No TOADS were injured or molested ln any way during the making of this song--

The headwaters of this song came from Stephens rendition of that Toad ln our New Mexico song's cover art-- We were discussing that toad and lt's significance  to the riders on the bus--as the conversation became more Hilarious We resolved to write a song about that toad and that ls what we did--😎- Huge respect and gratitude to Stephen for hls Production and art skills and of course his amazing guitar Play and his Excellent Friendship--- Welcome to those of you who find your way to this tune We hope you enjoy lt!!

THE TOAD
l was flying down state 95
just ten miles East of Blyth
Hot Rod Lincoln blaring on the radio
My ole pickup truck lt overheated
l had to stop and find some shade
underneath a Palo Verde tree
a blg ole Toad There he spoke to me
He sald "Why don't you give me just a little lick Right here, Right behind my ear

Now you may think lt's a little funny, but l can guarantee
You will thank me ln the end my Friend--

Not wanting to disappoint my new found friend
l took a little tiny lick
and washed lt down with a Beer
After Frothin at the mouth for a little blt
my Consciousness lt took a hit
and headed south ln a flood of light

There are no word that can describe what happened next-
but l can say for sure without a doubt, unequivocally
My brand new Paradigm got tangled up with my Epiphany!!

Shit kickin Toad lickin with TexMex Shaman

Drake VS Selena Gomez (Dramantic Remix)

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

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Strange shape - 16-4-2025

Stream on Spotify: https://open.spotify.com/intl-it/track/5UUgEOyyMkCNYso4zZj97J?si=f9b23e38387a48ae

Apple Music: https://music.apple.com/us/album/in-the-ocean-single/1705820941

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"In The Ocean" by Swift Beatz out on all digital platforms!

In The Ocean

Swing skirt - 1-4-2025

Italian Producer

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