Produced by @KAVARImusic
Composed by VAMPI & @antivairas
Written by @antivairas
Recorded by DJ Duke at Pamoja Studio (Dar Es Salaam)
Artwork by Maria Joranko
2022 @nyege-nyege-tapes

VAMPI, Anti Vairas - Kidogo (KAVARI Remix)

@personalbrand - How To Respond To Turmoil EP [OMB001]

experimental and apocalyptic club DJ and producer Personalbrand. Currently based in London after 3 years in the Taiwan scene, his productions mix up grime, garage and hardcore sounds into twisted new forms, exuding feelings of anthropocenal anxiety and post-future optimism.

How To Respond To Turmoil is personalbrand's attempt to use hard dance as a framework to deal with individual and global turbulence. It was created during a time of deteriorating mental health and following a scattershot binge of app-based ancient wisdom, Youtube motivational speakers, contradictory Quora advice, and self-care blogs. Over two tracks, personalbrand contemplates whether hard times require hard music. Can accelerated tempos and relentless drums sooth a sense of disorder, or just add to it?

On EMBRACE CHAOS, hints of optimism creep out of anarchic competing melodies, frantic snares, and polyrhythmic percussion elements.

PURSUE PAIN delves further into the idea of accepting life's difficulties. A disembodied digitised voice repeats a mantra-like phrase about internalised pain over pounding kicks and a hypnotic morphing synth.

All tracks produced and mixed by @personalbrand
Mastering by B E N N @bedoublensound
Artwork by Ray/ Xtrux www.instagram.com/xtrux_official/

releases April 1, 2022

How To Respond To Turmoil

personalbrand - PURSUE PAIN

slipknot refix

https://myen.bandcamp.com/track/spectertape

[515] MYEN HARD BAILE REFIX

French label @hyperlinkfr is kicking off the year with a stunning EP of remixes from the Milan-based Romanian DJ, producer, and blending activist @m1ssjay, following a contest launched on her own Discord server.

Read more about the EP and @real_tears' remix on CxC🔗 couvrexchefs.com/en/miss-jay-hyperlink-transcendence-real-tears-palpitations-flip

Article

PREMIERE: Miss Jay - Transcendence (Real Tears Palpitations Flip) (Hyperlink)

ESP: 

- “cr1s1s” es el punto de quiebre de nuestras inquietudes, una borradura de nuestros proyectos individuales (Practice-Loe, Tomás Urquieta e Imaabs) no hay un tú, un yo o alguna forma, es simplemente un punto singular en el cual nos propusimos inventar y jugar con el sonido hacia una perspectiva de lo que esperamos en cualquier club o rave.
 
Musicalmente, el estilo de “cr1s1s” es fácilmente identificable: Techno sin pretensiones en cuanto a complejidad rítmica o deambular en una suerte de abstracción ambient, pensamos que menos es más al respecto.

 - “El fin de un mundo en común” es el impasse actual del revival, que a nuestro criterio, es mantener momentos qué han sido cómodos para la industria y la cultura etnocentrista, donde se continúan perpetuando modos de entender y vivir la realidad, como una repetición infinita sin Balance, pero esto no implica el fin de lo posible, la tarea es crear y buscar fuera de las linealidades que nos enseñaron, la Génesis de mundos posibles, diferentes a este. 

ENG: 

- Musically, the style of cr1s1s is easily identifiable. In most of his works we can find a raw, dry and forceful techno. It's unpretentious techno in terms of complexity of rhythms, dreamlike or ambient abstraction, but sometimes less is more and in the case of cr1s1s it works perfectly. Rounds between House, Techno, Rave & Breakbeat, the only thing guaranteed: It will always burn the dancefloor.

- “El fin de un mundo en común” (The end of a common world) is the impasse about the revival, which is in our opinion shaped to maintain moments that have been comfortable for the industry and the ethnocentric culture, where the ways of understanding and living reality are perpetuated, as a repetition without Balance, but that does not imply the end of the possibilities... The task is to create and search for the Genesis of new realities, different from this.

Cr1s1s - Balance

Loran Cleric

[𝐒𝐖𝐈𝐍𝐄 𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄] ➜ @wulffluw94 raw track "Ajarah" inspired by harsh conditions in deep mountain villages of Adjara region in Georgia ●

@raghoulmusic is a Dutch-Morrocan non-hierarchal multi-disciplinary label focusing on bass-rooted cultures ●

Now, the label is making a big move with the first VA compilation. The 9-track EP is called【"Crocodile Tears in a Reptilian World"】which perfectly describes the raw-alien-fantasy mood of the project. 

Between artists: 3xOJ, Archidi, BLKM3TA, Ishtar, Kemperton, Makossiri, Noise Diva, OTAT and Qetsy we chose the track „Ajarah“ by one of our favorite producers WULFFLUW XCIV.

READ MORE in the article ➜ bit.ly/SwinePremiereRaghoul ◗
Artwork by ➜ https://www.instagram.com/misfit.virtual/  ◗

◟◞◟◞◟◞◟◞◟◞

Crocodile Tears In A Reptilian World

Ajarah

[Swine Premiere] WULFFLUW XCIV - Ajarah (raghoul)

we invited the excellent Sueuga (fka Sueuga Kamau) to perform an ultra-rhythmic dungeon-like remix.

Hedo Hydr8 - B (Sueuga Remix)

Critical Error

🌱

estoc & syn — Death In The Greenhouse

💦👅🌋
💦👅🌋
💦👅🌋
💦👅🌋
💦👅🌋

TСHECA

Tututu Tututu Tututu Tututu 
KRRRT KRKRKRKT KRRRT 
I love this track. 
I really like what I did on this one, my best edit so far (I feel like).
Fuck Capytempo,
Fuck Iason,
Love Capygang. 😘😘

FREE DOWNLOAD

Partyraiser - Hellboy IASON Edit v1.0

An independent blog and open platform dedicated to music and visual arts ▶ We are based in Slovakia + Czechia, Central Europe.

☗ "Swine Daily DJs" is a DJ collective consisting of Swine Daily editors (Krištof, Viktor, Natalie, Sasha & Jan) ☗

Our 2nd compilation SWINE WORLD is out now on Bandcamp!
♫ bit.ly/SwineWorld22 ♫

SWINE DAY FESTIVAL 2021 FOTO-REPORT
✦ bit.ly/SwineDayReport2021 ✦

[Swine Premiere] WULFFLUW XCIV - Ajarah (raghoul)

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