ACID :)

Jazz breaks//Breaks//Drum n Bass//IDM//Experimental//Dub

jazzy

sws045--robot for brains EP--out now

He Wanted to Read the Mind of God

Due out on vinyl and digital, June 2nd, on Riverette:

 http://www.juno.co.uk/labels/Riverette+Spain/

Riverette on Juno

Slow Mo Acid (Riverette)

11 track various artists compilation with the following artists - 

Telluric; Mrs Jynx/Kalavnik; Troy Masters; Meriline Avenue; Oxynucid; Idiron Soundtrack; David Dipre; Indulin; iON ghOST; Ragle Gumm, Pointsource and Oova Matique.

: )


sws050--SWISHCOtheque Volume: two--OUT NOW. sample track by Telluric

pre order : geni.us/Acidmonium
Artwork By h5.fr/
Courtesy of www.inagrm.com/ 
On tour : marathonfestival.eu/

BSR019 is the 1rst EP announcing a new album &of Arnaud Rebotini & Christian Zanési called “ FRONTIERES” .

An imaginary frontier separates Arnaud Rebotini and Christian Zanési. 
The former, born in 1970, found his place in the world of techno during the 1990s. The latter, born in 1952, is deputy manager and - above all - one of the official composers in the GRM (Groupe de Recherches Musicales - Musical Research Group), an important institution in the world of concrete and electroacoustic music.

No schools, no boundaries
These two styles of music - techno on one side and electroacoustic music on the other - are traditionally pitched against each other. However the two schools have a number of things in common, particularly the way they approach tone and the treatment of sound via electronics. Rebotini, who actually composed for the GRM, has often reaffirmed his admiration for composers like Bernard Parmegiani and Luc Ferrari. As for Zanési, after originally being in awe of Bartok and Stravinsky, he studied under Pierre Schaeffer in the1970s before discovering (rather late) the music of Kraftwerk and Cabaret Voltaire.
Sharing the same curiosity for classical, contemporary and electronic music (even noise), the two composers decided to bring together and confront their two styles of music in a shared project called Frontières, first on stage and then in the studio.
Over the course of their first live shows, the two musicians began to improvise, varying the intensity and length of the songs, whether playing in a club at 2am or in more traditional surroundings. Since the beginning they have been accompanied by video artist Zita Cochet who composes images to illustrate their tracks and serve as a backdrop to their concerts.

Digital vs. analogue
Playing some of the most revered analogue synthesisers ever manufactured, Rebotini brings to the project his taste for and mastery of arpeggios, layers of sound, percussion and sequences, all of which were behind the success of his classic albums Music Components (2008) and Someone Gave Me Religion (2011). As for Christian Zanési, he uses his laptop to deliver a host of electronic sounds - feather-light, thinned-down, unreal or a little rough - obtained by digitally altering natural and acoustics sounds.
And yet, it would be simplistic to describe the Frontières project as just a suite of techno tracks with added electro-acoustics.

A unique album, a unique collaboration between the worlds of techno and electro-acoustics, to be discovered during their autumn/winter tour of 2015-2016.

At first , Live création for Le centre Pompidou - Paris / Le centre des Arts D'Enghien-Les-Bains: www.centrepompidou.fr/ - www.cda95.fr/


Acidmonium - Arnaud Rebotini / Christian Zanési

This is the second drumnbass song I have done vocals for with my primary producer and music writer Sam Kehl (aka Samuelroy or Samnation). Drumnbass was the first electronic music that he started DJing in 98 when he was just 16, and he insisted that I get into it because he could tell it was in my spirit, and also that it might be making a come back outside of the niche scene that it's been pigeon-holed in for years. He wrote a few of the words as well, and encouraged me to do improvising vocals at one point layering over myself in harmony. Anyhow, Sam says that it was the most difficult track that he produced for me, and that I pulled together the most difficult rapping as well. If you liked our song 'Bleeding Dangerously' you'll love this.

Kallisto - Drip drop knock

Our latest, 'Urge to Purge' is available now on the bold new Enig'matik Records comp, Painting Pictures On Silence v2 - Compiled by Sun In Aquarius.

http://soundcloud.com/birdsofparadise is the collaborative project of Torin Goodnight (http://soundcloud.com/bird-of-prey) and Tyler Gibson (http://soundcloud.com/gibsonmusic) 



"A place to get lost in the details, to imagine a world that doesn't exist and to catapult your senses and imagination skyward, Enig'matik and its ever growing collective of artists constantly push boundaries with cutting edge digital technology, choosing to jack into a digital world where their fingertips create unfathomable expanses, exploring and ever reaching into a limitless world of sonic creation."

Painting Pictures On Silence v2 - Compiled by Sun In Aquarius

Birds of Paradise-Urge to Purge (Out now)

Here's the first track I've ever finished :) Had to force myself to not get over it ehehe It's reggae dub influence. Hope you enjoy!!! Would really appreciate some legitimate feedback as I am still learning!!! 

Green Mountain Dub *Original Mix*

Cops Cars And Taxis

Free

sws057--Resting Cell ‘Acid Bather’--OUT NOW

DSK Brass! The VST´s are free and working for me. 
http://www.dskmusic.com/dsk-brass/

This song is a combination of Dubstep and Jazz/Swing with an unusual beatrate.

If you like this kind of tune so try it out!

We need more b(r)ass ;-) 

Lokfield - Saints (JazzStep/SwingStep) DSK Brass test

Electronic music netlabel - experimental/braindance/acid.

**swishco has no direct website anymore - please do not visit any site claiming to be swishcotheque, it is not us**

thankyou

sws045--robot for brains EP--out now

Swish.Rec