Some of you have asked us when the Medallo Perreo Militia edit of 'Dónde están las gatas' was going to be released. Well, here it is, as a free download to thank you all for the support you gave us in 2021. 

We are already looking forward to those 2022 totes. 
__La buena 
____<3 
_____agradecidos con el DY + NJ

Medallo Perreo Militia — Las Gatas (DY+NJ Tribute VIP Mix) — TRA000

Multi-layered club experimentalist CRRDR joins in on fellow Colombian imprint Muakk's first V/A 'Muakk Besitos Bailables' with the latin footwork fusion of 'Sonale Los Bajos'.

Muakk brings together 20 artists from Latam and the world combining latincore bombs loaded with speed perreo, hardcore, guaracha, tuki, trance and club.

Pre-order the full V/A here:https://muakk.bandcamp.com/album/muakk-besitos-bailables

Muakk Besitos Bailables

PREMIERE: CRRDR - Sonale Los Bajos (MUAKK)

Since his first productions emerged back in 2010, Munchi has put his own spin on everything he's approached, bending moombahton into breakcore and creating moombahcore fusing skullstep and trap and making skulltrap, and curving bachata and merengue … . A voracious listener, he's been able to absorb sounds from across the diaspora - from reggeton and baile funk to Dutch bubbling and Chicago juke - and effortlessly engineer his own twist, creating tracks and mixes with a journalistic hunger for storytelling and contextual deconstruction. Blogger and musicologist Wayne Marshall even coined a separate genre for Munchi's diverse spread of genre-agnostic productions back in 2010: Munchiton. Since then, Munchi has worked with M.I.A. and Pharell Williams among others, and remixed everyone from Skrillex to Nguzunguzu, Noisia to Buraka.


 "I Love Mambo" was put together in 2010 for Dave Quam's notorious It's After The End Of The World blog. It was Munchi's first proper mixtape, and matched a handful of his original productions with his favorite tracks from the Dominican Mambo canon, that had evolved throughout the 2000’s after merengue ... even got more stripped down with live instruments replaced with digital sounds with the use of daws like fl studio. Munchi was fascinated by this music at the time, downloading everything he could get his hands on, scraping the internet's darkest corners for "the cheapest, cheesiest, dirtiest, most Fruityloops-ish" tracks. He laments that this era has come and gone, leaving "polished, pretentious and almost soulless" reggaeton to dominate the landscape. "At least when the rhythms were extremely raw you could feel the energy and spirit in it," he says. "It felt like it was alive and breathing." Listening now, the mix sounds as raw, fresh and vital as it did back then, brushing the dust off an often forgotten and certainly misunderstood moment in the history of Dominican music. At any moment the tracks sound so brittle they could collapse completely, only to be bolstered by a swift beat flip, vocal chop or cheeky bass drop. Over the course of an hour, Munchi accompanies us on a thrill ride through a genre that's left an indelible mark on dance music throughout the Caribbean and further afield. … "I Love Mambo" serves as a critical missing link. Munchi's "Detonao EP" is a collection of unreleased material recorded in Rotterdam between 2008 and 2010, and is among the most experimental, minimal and uptempo material Munchi has put his name to. Here he purposefully approximates the kind of jerky, plasticated speed dance that used to dominate the Dominican scene, offering his own spin on the mambo sound. Each track is unsettlingly clean, assembled from detuned toybox pianos, radio sting voices and cheap, groggy horns: opening track 'Damu Mambo' crashes into view thru hollow clunks, horror movie voices, pained air horns, glass smashes and rolling snares before ceding to looped vocals and "X-Files" whistles.In the wrong hands, this chaotic assemblage would be as playable as nails on a chalkboard, but Munchi's genius lies in his ability to massage almost anything into a coherent groove. There are even parallels to be drawn with Portugal's wiry batida sound, and Tanzania's hi-nrg singeli (just check those pacy percussive sounds on 'Comenzo El Party'). There's a sense that Munchi is aware of everything existing in the same continuum, shuffling through Dutch bubbling scrapes and bassline womps on 'Luis Esta Seguroski VIP', and mind-altering 'Percolator' trills on the hypnotic 'Ayoba Mambo'. A history lesson and wild-eyed cultural mashup that'll leave you breathless, "Detonao" is proof that Munchi is operating in a league of his own.

Luis Esta Seguroski VIP

Yapa Rayada vol.2 es nuestro segundo compilado de tracks originales. Reúne productores de todo el mundo en un álbum que aborda tanto los tools percusivos para destruir la pista, como el ambient, la murga estallada, el Gorge japonés y la música para las tribus del 2090. Todo con la cuota sagrada de experimentación y resonancia 100% volquete.

VOLQUETE es una plataforma con base en Buenos Aires que promueve la exploración de música resonante y percusiva. Apunta a ser un lente que amplifique aquellos sonidos que deforman y resignifican ritmos del sur del mundo en clave experimental y de club.

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Yapa Rayada vol.2 is our second V/A Album of original tracks. It gathers producers from all over the world in an album that tackles percussive tools to destroy the dancefloor, as well as ambient, murga burst, Japanese Gorge and music for the tribes of 2090. All with the sacred quota of experimentation and resonance 100% volquete.

VOLQUETE is a platform based in Buenos Aires that promotes the exploration of resonant and percussive music. Its quest is to be a lens to amplify those sounds that deform and resignify rhythms from the south of the world in an experimental and club key.
credits
releases September 27, 2024

Master en tracks 1, 3, 6, 8, 9, 10, 12 : Astrosuka, Sofja / Omu

Master en 13 y 14: Tomas Wolf y Franco Calluso
Mezcla y Master en track 2: Tomas Wolf y Franco Calluso
Mezcla y Master en track 7: 4ntu4ntu
Mezcla y Master en track 4: 逆流
Mezcla y Master en track 5: Remisería Temperley
Mezcla y Master en track 11: Cimarrón
Mezcla y Master en track 15: Sizigia

Artwork: Franco Calluso

Radeco Domar - Macavaca

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Tracklist:
FKA twigs - pamplemousse 
Bitter Babe & Nick León - Delirio
Ojosfinos - Uruguay
Lukrø & Cardozo - Sigue
Angels Gun Club & Cardozo - Bigroom B
DJ G2G - BREATHE MY SATISFACTION
Rico Nasty & Boys Noize - Arintintin
Bitter Babe & Nick León - Gøce 
Only Fire - PUTA 
DJ G2G - paleta x faint
Brenda & Maria Manuela - Dulce Mistery
Dj Rankng & Meca Riddim - Friki Friki
bastienGOAT - Ifyougotta 
Linn da Quebrada - Tomara (MikeQ Remix)
MJ Nebreda & Dj Babtr - Frida Kahlo
Fearz - Tormento
BADSISTA - COSMOVISION BASS
ELOI - jtm de ouf

Stream full SWITCH episode:
https://www.fbi.radio/programs/switch/episodes/switch-20th-december-2024

Adinda | SWITCH on fbi.radio

TNG - JamboAbi

S@ll@ns@ne

Cleaning up the cognitive messy distress.
This track explores the boundary between reality and simulation. When the prediction error is too high, the waveform collapses.
🎧 Headphones recommended.

THE BINARY COLLAPSE

free download:
https://drive.google.com/open?id=0B1-AVrY2hXnGSTg5RkxUb0doaUE

23/04/2016 T R R U E N O presenta:
ANDOR3 + PARCHE + ASTROSUKA b2b ANAKTA
@ EC Mi.Casa (Aguero 787) Bs.As.

@anakta @astrosuka
artwork: @yegresvoselok

MM X La Materialista - El Rope Que Vibra (Astrosuka X Anakta Edit)

'Nos' drops 16/10/20

Produced & Mixed by @lithetrax
Remixed by Fault Tolerance & Doubt

Artwork by Mistareez
Mastered by Doug Shearer

Lithe - Nos

chaotic + colourful club music! 8pm fridays on fbi.radio