55 (Anyone Can Play Harmonica)

schemes that offer us a sense of futurity (2021) - for amplified soprano voice, flute, clarinet, violin, and electronics

TAK Ensemble: Charlotte Mundy, voice; Laura Cocks, flutes; Madison Greenstone, clarinets; Marina Kifferstein, violin
Recorded at Baryshnikov Arts Center, NYC, April 25, 2021
--
more info + HQ audio here: juliozuniga.info/works/schemes_that_offer_us_a_sense_of_futurity.html

photo credit Emiliano Zúñiga

schemes that offer us a sense of futurity

A gigantic blowing machine or a pocket tin sandwich (2021)
for 5 retuned harmonicas and megaphones
performed at Rainy Days Festival (LU) by Ictus Ensemble
(Abigail Aleksander, Eva Reiter, Jean-Luc Fafchamps, MIchael Schmid, Tom Pauwels + Stellan Veloce)

A gigantic blowing machine or a pocket tin sandwich

Live recording of ensemble recherche at Harvard University, 21 May 2016.

Martin Fahlenbock, Shizuyo Oka, Barbara Maurer, Åsa Åkerberg, Melise Mellinger, Jaime González, Klaus Steffes-Holländer, Christian Dierstein
— ensemble recherche

Clara Iannotta, John Pax
— guest performers

James Bean
— audio engineer

Anthony DiBartolo
— recording engineer

http://chrisswithinbank.net/2016/05/union-haze/

union|haze

union|haze (ensemble recherche)

For Alto Flute, Viola and Steel-Stringed Guitar with 4 Radios and Music Box.
Performed by Musikfabrik.
Commissioned by the Arts Council of Great Britain, Ars Musica Brussels and Ensemble Q-02.
First performed 20 september 1997, De markten, Brussels, by Ensemble Q-02.

Rebecca Saunders: Quartet / Into The Blue / Molly's Song 3 - Shades Of Crimson / Dichroic Seventeen

Molly's Song 3 - Shades Of Crimson (1995-96)

For two percussionist and one musician on No Input Mixer.

Premiered June 22 in Knoxville, Tennessee, at the Nief-Norf Music Festival.
Winner of the Gaudeamus Award 2019.

Talk Circus (2018)for 2 percussionist and 1 musician on NiPM.

Live at Boston City Hall 2018

Please, use headphones or good loudspeakers.

Eclipse Plumage (2019), for amplified ensemble and electronics
Commissioned by Daniel Walden, for Ensemble Oerknal
World Première: 4 September 2019, Gaudeamus Festival (Utrecht, The Netherlands).

Daniel Walden, prepared piano
Chris Swithinbank, objects
Christian Smith, percussions
Jellantsje de Vries, violin
Raphaella Engelsberg, viola,
René van Munster, cello,
Daniel Boeke, bass clarinet, objects
Susanne Peters, flute, objects

Eclipse Plumage (2019), for amplified ensemble and electronics

Written for four spatialized performers (@yarn-wire) and quadrophonic audio for the @Columbia Composers 2018-2019 season

Inspired by la Toto Momposina

Recording of the premiere performance at the DiMenna Center for Classical Music on May 4, 2019
Recording Engineer: @lee-gilboa
Stereo Mixdown and Mastering: @murat-colak-1


---

All rights concerning the recordings used in this piece where La Toto's work is heard explicitly belong to their respective owners. I, Diana M. Rodriguez, do not claim any rights over them.

Talks to the moon, talks to the beach, has no fortune

AUGMENTED INSTRUMENTS

Ann Cleare - luna / lithe / lair (2014/2019)
for flute, oboe, clarinet, saxophone, percussion, piano, violin, viola, cello, conductor, and electronics

live-recording of the world-premiere on 23th of may 2019 at Kesselhaus Kulturbrauerei Berlin

AUGMENTED INSTRUMENTS

luna / lithe / lair (2014/2019)

Ann Cleare - luna / lithe / lair (2014/2019)

short demo for The Twins (new performance environment for electromechanically prepared banjos, antique radios, & music of the mountains)

flint hill special

One is too few, and two is only one possibility.

I write music and occasionally about music.

union|haze (ensemble recherche)

Chris Swithinbank

Recent comments

Zivile Opfer

Related tracks