Earth is a reservation we share, but it takes cooperation, not denigration.

Native reservation  Letra y música: Luis Días
Acoustic tribute:
https://www.youtube.com/watch?v=rz2HZX4tDFA

You been so bad with me
that I don't want it
to be your neighbor
or call you brother
You been so bad with me
that I don't want it
to walk your street
or drink your water

Native reservation we are
we are living in New York city
but you never wonder why
Looking for solutions we are
but you never listen to me
you are the one with the burro heart
but you never listen to the music

you've been so cynical
that I don't want it
to bend my knee
to pray no more
people is going crazy
but you don't care
you have your guns
your jails your orders

Native reservation we are
you're killing our fight for freedom everywhere
Looking for solutions we are
you're killing our fight for freedom everywhere
and I need to be alive. Oh!
but the sun someday will shine
but the sun someday will shine

Radio Macana

Native Reservation

Luis Días - Native Reservation

Originally composed in 1981 and performed by the Montréal String Quartet with a solo flute in 1982, this work is now presented in a fully remastered version. The piece consists of five movements for the string quartet and three interwoven movements for the flute, overlapping the quartet's movements. The composition is primarily based on the golden ratio from the Fibonacci series, with symmetrical proportions. This work, already available on SoundCloud for several years, now returns in enhanced audio quality. The accompanying image represents the structural blueprint of the work before the actual composition was written.
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Initialement composée en 1981 et interprétée par le quatuor à cordes de Montréal avec une flûte solo en 1982, cette œuvre est maintenant présentée dans une version entièrement remastérisée. Elle se compose de cinq mouvements pour le quatuor à cordes et de trois mouvements imbriqués pour la flûte, qui se superposent aux mouvements du quatuor. La composition repose principalement sur le nombre d’or de la série de Fibonacci, avec des proportions symétriques. Déjà disponible sur SoundCloud depuis plusieurs années, cette œuvre revient maintenant avec une qualité audio améliorée. L’image ci-jointe représente la structure de l’œuvre avant que la composition ne soit écrite.

Une Prière Pour Flûte Et Quatuor À Corde

Seminole Wind - John Anderson  (vocal cover) by  D B Keith

With huge respect to Freddie King & Magic Sam!
Hope you enjoy this!
Thanks for listening.

San-Ho-Zay (Freddie King cover) [for stereo]

All Instruments By Martin Reed,
Produced By Martin Reed.
https://youtu.be/eB4VgSr9WW4

Tokyo Jams

Marco Lucchi : piano
Wilfried Hanrath : electronics

a remix by Wilfried Hanrath of various piano patterns by Marco Lucchi

ottobre 2020

Marco Lucchi & Wilfried Hanrath - Interweaving patterns

..... little home recording & saxophone session ....
bass, drums, organ is vst; that sax is the real thing :-)) ... photo by Phil Hearing on unsplash - enjoy !

Way out

17/December/2020

Time For You

... finest backing by Morten Jeamland, https://soundcloud.com/orteneamland Thank You !.... beautiful photo by Arto Marttinen / unsplash ... and a little sax jam ... Enjoy !

Stereo Heaven / sax remix / on a backing by Morten Jeamland

I would like
float in the sea
of the pretty eyes,
Melt me in a tear.
Wrap me in a crunch.
I want to question
gently to water.
Imagine the curves of a fairy.
Disappear in your ears
I want to play in the deepest
of a human being.

Sleep in a truth

Empathize with calm lakes.

Raðulfr Maganhar

From the album “Short Stories”, released 22.01.21

Get a free copy of my album "Short Stories": 
http://bit.ly/robert_gray_mailinglist

Listen on Spotify: https://open.spotify.com/artist/1zf4ux62YMZ2Lry8qdEtTh?si=6oWM6uKJRQWhVsi78TUTxg

End My Days (album version)

Lliam Greguez is a macro ice photographer who captures freezing moments of a mountain stream and a creative arts therapist who, before C-19, used music to engage chronically ill children in five hospitals around New York City.

He also unlooses his experimental tendencies with five albums - a pair of Acoustic, a pair of Electric, and one Ambient. 

The acoustics are: Other People’s Children in English and La Yola in Spanish, the latter written by Dominican artist Luis Días. Each showcase uptempo acoustic music that could be labeled anti-pop with a unique essence accompanied by deliberative lyrics.

Then the two rock albums also contain one by Luis Días and one by the trio "Any of Several Weasels" reveling in the electric guitar sound. Luis' album is driven by Caribbean rhythms, while AoSW fuses punk and progressive.

Meanwhile, the "Look of Utter Disbelief" explores synth, sampling, and guitar improvisations.

Be sure to check out Lliam's website for a taste of his ice photography and stories from working with hospitalized children.

Luis Días - Native Reservation

Swivelable