Chapter Seven: Polyhedra {V - E + F = 2}  [ENTITY: ꓄ꋬꀎꍗꏂ (0ꂟꍗ)]
@taubedj

Insight. Now I’ve seen it all. I 🇰‌🇳‌🇴‌🇼‌… the truth is rarely pure and never simple.

1D-E

Bandcamp

[1D-E-007] Taube (0dB) - Captain Pulse

Simple Sound Library is a wholesome composition, inspired by a collaborative live electroacoustic performance with @mudaki from Phonon event at 2018. We streamed a signal from piano and changed sound in real time.
At first that sample had laid into the foundation of this release. I built upon it, improvising with various instruments, frequency manipulation, field recordings, synths and others. Eventually the addings became a whole composition in its own right, erasing the supportive purpose of the initial sample, which therefore was deleted.

Finding A Way

[Prog. Psytrance - A Light In The Dark - Mix 2022]

Wheelman Stress (Produced By Ace Ha)

another Deluge track, kind of triphop i think..

I've seen the end of time, baby
I know that every crime ends with me
And if you've seen the same, maybe
Then you can put the blame right on me

Eyes have seen you
Hands have touched you
Hoping to meet you
In another place
In another time
In another way
It's an uphill climb

I've seen the prophecies baby
I've seen a million eyes cry for me
All my words are whispered nothings
Listen close and you will come to see...

Hearts can't reach you
Hopes won't keep you
We're so small then
In another place
In another time
In another way
It's an uphill climb

I've seen the end of time, baby
I know that every crime ends with me
All my words are whispered nothings
Listen close and you will come to see...

Laughing and gladness
Crying and sadness
No one can know that
In another place
In another time
In another way
It's an uphill climb

Uphill Climb

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three

Growth Ring

Drip

163 - Beyond The Limits

[ENTITY: @taubedj]
[OBJECT: The Colors Are Gone]
[SWSVN020]

The [FOREST_CREATURE{plural}: BIRDS] are [ACTION: OBSERVING].
[SWSVN020]

Awake

Taube - Awake

[ENTITY: @olebrolin]
[OBJECT: Sepno1234]
[SWSVN025]

READ:OUT
44.1 KILOCYCLES:SECOND
DECODING:SUCCESSFUL

It was a [REDACTED] that guided the deluding self into its |then| true [TIME: FUTURE].
[ENTITY: IT] shaped a state of [TIME: NOW] that was |never| meant to stay |always| forever /-/-/-/. . 
It |now| ended up leaving to the [TIME: PAST] - through [NOW] - f o r e v e r 

ERROR:out

Going Up The Country

Sepno1234

Ole Brolin - Sepno1234 [SWSVN]

[OBJECT: LABEL]
[LOCATION: BERLIN]
[ENTITIES: @taube | @wyntmusic | @djjetski_wav]
[releasing electronic music 
and h̸͢͠͞͡o̸҉͘҉ś̴̡͞t͢͜͢͢͜i͟͡ǹ͢͠͞g̸̷̀͘͜ ͘͟p̸͡a̴̶̵̸͠r҉̧͢t̀͢͡i͏҉e͏̷͏̢̨s̨̛]]

[DEMOS & CONTACT: via soundcloud DM only] {pleaѕe ѕend prιvaтe ѕoυndcloυd lιnĸ, wιтн download acтιvaтed}
[DESIGN: https://y.at/🍥☠️🍥]

[1D-E-007] Taube (0dB) - Captain Pulse

sowasvon