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Ollie Kirk with Wigs - 20 May 2025

Ollie Kirk - 17 June 2025

Breakfast with Felix Joy - 11 August 2025

PBR Streetgang - 11 August 2025

Joe Koshin - 12 August 2025

Firenze Phoenix with Kahlil Wolf - 12 August 2025

Felix Joy - 14 August 2025

Ollie Kirk with Tramma - 19 August 2025

Ollie Kirk with Kitsta - 16 September 2025

Ollie Kirk with ADDSOUND - 05 November 2025

preorder: https://timedance.bandcamp.com/album/celebrate-the-last-30-years-of-human-ego

TIMEDANCE012

@GiantSwan

A. Celebrate The Last 30 Years Of Human Ego
B. IFTLOYL

two assaults of frenetic rhythm work outs, gully drops and punky vocals

Giant Swan - IFTLOYL

Artist: Aurum Miles
Title: Few Feets
Label: Blindetonation
Release: 2018 
Cat. No.: BLDN010

Blindetonation hits double figures with a suitably notable new EP from Aurum Miles. Pardon Moi, Il Est Vilaine and Thomass Jackson all serve up sizzling remixes to complete this interesting package. 

Miles hails from Lithuania and has grown up around shoegaze, rock and British indie, and was later touched by electronic sounds. A keys, drums and guitar player who mixes up all these influences with narcotic weirdness, he has released on this label before and always impresses. 

The excellently elastic ‘Few Feets’ is a sleazy, low slung machine made disco jam with skewed synths, punk hits and dirty bass. Exotic vocals and dark spoken words flesh out the wonky groove and the whole thing is hugely intoxicating. ‘Easy Come Easy Go’ is a menacing number with more filthy bass guitar riffs that snake along an urban sounding landscape. More dehumanised vocals bring an edgy feel and cosmic synths serve to trip you out. Last original ‘Mojo’ completes this brilliant disco freak show with off kilter synths and guttural guitar riffs that add up to dark cosmic excellence. 

First to remix is Berlin Based New Wave Duo Pardon Moi aka James Brook and Thomas Freudenthal. They flip ‘Few Feets’ into a surging track with shooting synths that reach to the skies. It’s a spine tingling cut with plenty of intergalactic energy.  Then come the duo of Il Est Vilaine, who make twisted electronic music and get their machines dancing on labels like Dialect. Their take on ‘Easy Come Easy Go’ is libidinous and dripping with a moody tension. Propped up by rugged bass and coloured with naughty chords, it’s a psyched-out and vital version.  Lastly, label regular and esteemed modern disco man Thomass Jackson works ‘Mojo’ in to a characterfully chugging, flipped out number with scale-riding melodies and percolating bass that takes you on a real trip. 

This is an inventive package of perfectly macho dark disco.

Aurum_Miles - Few Feets_MASTERED

Order the vinyl here: https://bit.ly/2l04PtY

Giant Swan are debuting on Mannequin Records through the Death of the Machines serie, the dancefloor/experimental oriented side of the label, dedicated to new artists.

Robin Stewart & Harry Wright team up to create an acerbic marriage of energised, aggressive dance music, quaking bass and hypnotic electronic noise. Across a table of machines and pedals, incorporating abused guitar and liberal vocal manipulation, Giant Swan create a cross-breed of hypnotic bass, industrial percussion and disorientating energy delivered with telepathic intricacy.

Tracklist

A1 The Rest Of His Voice
A2 Architectural Hangover
B1 High Waisted
B2 Palm

Mastering by Rude 66, Amsterdam 2018.
Graphic design by Alessandro Adriani, Berlin, 2018.

High Waisted

Giant Swan - The Rest Of His Voice

This is the sound of the summer and we want you all to sing along.

Es wäre hübsch gewesen, wenn du meinetwegen einen neunköpfigen Drachen getötet hättest.

wie nennt man jemanden, der nichts isst, was mit sound zu tun hat?

containerlove: DHL- TILL POLICE CAME *live

Live from Bristol
103.7FM + Rinse.fm 
https://rinse.fm/channels/swu/

Ollie Kirk with ADDSOUND - 05 November 2025

SWU.FM