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This is Domenico Torti official SoundCloud page, French producer, remixer and DJ.
Famous for his classic Daft Punk reworks, the robots loved his skills and asked him two times to put his magic hands on their music.
Domenico Torti also remixed the following artists: Lenny Kravitz, Osunlade, Christine and The Queens, Cassius, Justice, Stetsasonic, Dimitri From Paris, London Grammar, Flume and more…
From a young age, he is fascinated by the New York atmosphere of the 80's and its explosive artistic flow, the music of course as well as painting, graphic design and street art.
Disco, hip-hop, funk, electro and house are his major musical influences. This is reflected in his choice of collaborations as well as in his own compositions on which he is currently working.

Hate destroyer, harmony creator 

I´m The Rhythm Master

Second Official Mac Stanton Account:Follow the First Official Mac Stanton Account there: https://soundcloud.com/mac-stanton
Mac Stanton on Facebook:https://www.facebook.com/Mac-Stanton-241852169176153/?pnref=lhc
For Booking & Infos: contact@sofrenchrecords.com

Ten years ago, ‘We Are Your Friends’ reached our ears and pushed Justice to the front of the scene, a young French duo signed by Pedro Winter on the label he had just created: Ed Banger Records. The record that followed,✝, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like ‘D.A.N.C.E’, ‘Stress’ and ‘Phantom’, and its videos, allowed Justice to follow the 90’s French Touch and its filtered disco loop. 

Since the release of their debut album in 2007, Justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. Since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. The wall of vintage Marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of Justice totally revisited for the live shows. 


PRE-ORDER ‘RADICAL OPTIMISM’ NOW http://dualipa.lnk.to/radicaloptimism

RHYTHM COMPOSER

Motorbass then Superdiscount then tempovision then superdiscount 2 then Commercial eps then the cube then Superdiscount 3. 

Etienne de Crécy is a key figure of the international electronic scene.
Whether for his live shows, his recordings production or marketing around his projects, Etienne De Crecy has always been considered as a pioneer, thanks to his conceptualized, unique and innovative work.

For those too young to remember the 90s, Etienne de Crécy was the guiding hand behind the albums Super Discount (1997) and Super Discount 2 (2004), featuring contributions from Alex Gopher, Air, Cassius and DJ Mehdi. In that collective venture and in his solo work, Etienne de Crécy has always rejected the facile, remaining fiercely loyal to old-school house and choosing to extensively explore electronic music’s underground labyrinths rather than tread the beaten paths of commercial success.

During his 20-year rise to the summit, the French producer has cut some of the world’s most influential electronic albums: Pansoul (with Philipe Zdar under the name Motorbass), Super Discount, Tempovision and Super Discount 2.

After five years spent blitzing a string of venues with his legendary Beats N'Cubes show - a lavish installation and a live experience as visually brilliant as it was sonic, leaving clubbers and festival-goers dazed - Etienne de Crécy has revived his Super Discount project, ten years after the last, second opus.

contact (at) etiennedecrecy.fr

Gaspard Augé has always brilliantly created intense musical universes that are conducive to escape. He is best known for being half of Justice, the duo that synthesized rock and rave in the mid-2000s and whose stage exploits have marked a whole generation.

His first solo album, Escapades, was released this year, and established his reputation as a master of maximalism, as a composer of electronic music whose imaginative tracks take us away from reality. His melodies are dreamlike landscapes and sentimental blasts that evoke an atmosphere of pagan rituals in orbit or a spaghetti western on a space station. But let's be honest, the producer had no desire to write an introspective album. "I've always wanted to make music that wasn't a reflection of everyday life," he says. "Because it's more exciting." 

The last we heard from Augé, he was winning a 2019 Grammy with Justice and Xavier de Rosnay for their album Woman Worldwide, a sort of reworked anthology of their songs from the past decade. "The great thing about the Grammys is that you don't know in advance if you've won or not, so it was a real surprise," Augé says. The deserved recognition of a common work that contributed to change the game. "We just slapped our hands together and said, 'We must have done something right,'" Augé explains. "And we said, now we can close this chapter."

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