DJ | Detroit, USA
Electro / G-House / Tech-House
Accepting Bookings Works Wide
Bookings: greg@grtmgmt.com

Sonya Alvarez has been making a name for herself in her hometown of Detroit, MI. Alvarez uses techy house beats spun and cut in a hip-hop fashion to create a melodic, bouncy and exciting story for her audience to engage with. Her sound ranges when appropriate and includes genres like deep house, tech-house, bass-house, break-beats, & techno. She tests the crowd limits and challenges them to be as physically involved as she is, drawing attention to important builds and drops, and inspires the crowd with a good amount of footwork on her own. Sonya also has been known to play a fair bit of rap & hip-hop in her DJ sets.

Starting her journey in 2016, she has made her mark as an event curator / promoter and has focused on building up others in her community.
Sonya's skills are on par to have already shared the stage with some of her favorites including Shiba San, Boys Noize, Chris Lake, Pete Tong, MK, Destructo, Kill Frenzy, AC Slater, Roger Sanchez, Anna Lunoe, & Maala.

“A people’s DJ and a DJ’s DJ”, Sonya has traveled to places like New York, Philly, Chicago, Florida, Colorado, Canada, and other places in the midwest bringing her style right around to capture the hearts of friends and fans alike.

Sonya has lately started her own record label, Korner Kombo Records, with a bi-weekly mix series, live-streams, & productions.

Anyone who has seen Sonya spin live will tell you, she’s not messin’ around and she’s in it for the long haul. Sonya Alvarez was booked to play Movement Electronic Music Festival 2020 & is excited for the future! Be sure to keep an eye out for her name at the most respectable clubs and festivals state - and world - wide.

Codes continues to bring his own twist on house music. This man's DJ sets are just as funky as his tracks, both heavily influenced by jungle, hip hop, and the art of DJing. His releases on Holy Molé, Dirtybird, Night Bass, and Night Service Only are just a peek at what lies ahead for Codes. Recently taken on the role as record label owner/curator of Holy Molé Music. Feeling out each track for quality dopeness before peeling it back to feed the masses. The deliberate intention behind each drop on stage or in the studio, along with the masterful curation of his label are the perfect recipe for another record breaking year for Codes.

The King 
RIP Charles Elias Ingalls 
11/25/96 - 12/10/21



@h-wk

Field Recordings Vol. 1: https://sellfy.com/p/amh6/

Snapchat: louisthechild
Tour:  louisthechild.lnk.to/tour

MGMT - @joeythefather : 
joey [at] keel.la

Booking:
North America, South America, Australia, and Asia 
Jay Moss - Jmoss@paradigmagency.com

ROW: CODA
Nick Matthews - Nick@codaagency.com
Michael Harvey-Bray - Michael.harvey-bray@codaagency.com

Publicity Inquires 
Rebecca Marlis - Rebecca.Marlis@umusic.com

Weiss is most innovative when he’s untethered from the conventions and trends of Dance Music production. Although he embodies the spirit of classic House Music forms like old school Jackin and 90’s era Chicago House, his underlying philosophy is quite simple - construct a beat that taps into the primal and speaks to the universal love of dance shared around the world. Growing up in the UK, Weiss accumulated a diverse range of musical tastes and influences, from Metallica to Motown and Phil Collins to Disco. An apprentice to Massive Attack’s Musical Engineer James Day early in his career, Weiss was able to draw from that deep well of inspiration and expert technical training to produce what would become a trove of instantly recognizable classics and unique, chunky, club rollers. 
Weiss’ initial success as a producer was immediate and profound. His hit single “My Sister”, released in 2013, hit the top of the Beatport Charts and stayed there for four months. Assisted by a generous amount of support from BBC Radio 1, his sounds caught the attention of industry heavyweights like Annie Mac, Groove Armada, Green Velvet, Loco Dice, and Kenny Dope. After several years of successive hit radio singles like his 2016 “You’re Sunshine”, which premiered on Danny Howard’s BBC Radio 1 show and netted a spot at the top of the Beatport charts, Weiss’ profile continued to expand. It wasn’t long before his musical contributions and electrifying performances began to transform the modern House Music landscape. 
Overwhelming support poured in from artists including Gorgon City, Eats Everything, Jax Jones, Duke Dumont, MK and Claude Vonstroke, and through a wildly successful career punctuated by remixes for Kylie Minogue, Robyn, Calvin Harris and Claptone, Weiss has found himself amongst House Music’s elite sharing stages with legends including Todd Terry, Armand Van Helden and Pete Tong. His 2018 single “Feel My Needs”, netted an immense amount of critical acclaim, earned the #1 spot on 5 international music charts, as well as a spot on the Radio 1 A-List and was voted DJ Magazine’s “Best of British Winner” for best single of 2018. 
Weiss is gearing up for an eventful 2019. Following lucrative bookings at Fabric  London and BPM Festival Mexico, he has confirmed over one hundred shows through 2019, including Creamfields, Electric Zoo and key showcases in Ibiza, Miami Music Week, and ADE.

Filipino American DJ and Producer, Dillon Nathaniel is the consummate house music connoisseur, a true technician, and a passionate dance music champion. Coded into his musical DNA are the history of house music and the memories of bygone dancefloors. Memories passed on from his Filipino family, who hoped to impress upon him the enchanting magic of dance music. His thick sweltering basslines and slippery hypnotic grooves have made him a favorite of lauded dance floor greats like Solardo, Chris Lake, Lee Foss, John Summit (co-collaborator on Esa Boca), Green Velvet, Fisher, Mau P and MK. The iconic MK personally tagged Nathaniel to join him on tour twice and has become a trusted collaborator in the studio.
Even his early releases on Confession and Night Bass carried a refinement that only comes with years of experience. His ability to work multiple subgenres flawlessly, Dillon Nathaniel's versatile productions have made him a regular on Sola, Repopulate Mars, Solotoko, Big Beat, Incorrect, Sweat It Out, Nervous, Techne, Insomniac, and now his artist focussed label, Obsessions.
The former audio engineer and gear junkie found his footing in music early as a vocalist and guitar player. And while he tried to avoid house music, the draw of the dancefloor was too great. A crash course in DJing and mashups on equipment tossed aside by his father sparked his interest. But his family taking him to his first EDC at 16 was the true catalyst. The transformational moment provided the ultimate inspiration to pursue a career in dance music.
He's just as much of a technician on stage as he is behind the boards, and that trademark command of the groove has led him to bless the stages of CRSSD, Lollapolooza, Global Dance, Splash House, Coachella, Ultra Music Festival and of course, taking him full circle to EDC Vegas, with his family standing beside him.

North/South America and Asia:
lhughes@teamwass.com
dhoffman@teamwass.com

Australia:
paul@posterchild.com.au

MANAGEMENT:
walkerandroyce@jet-mgmt.com

For Sam Walker and Gavin Royce, the question is the fundamental test of their studio output. Simple as it may sound, for this perfectionist pair it’s anything but. Their innate dance floor intuition, combined with years of experience behind the decks, drives them to create music that isn’t just playable — it’s irresistible.

First introduced by way of New York City's early-aughts dance music scene, Sam Walker and Gavin Royce first teamed up for a remix in 2011. The duo found early success on tastemaker labels like Crosstown Rebels, OFF Recordings, and Moda Black, scoring an Essential New Tune nod from Pete Tong with 2014’s “Sister.”  The indie dance and deep house sounds that informed Walker & Royce’s earliest work soon gave way to something different. Quirky accents and bouncy synths, previously deeper in the mix, leapt to the forefront, backed by a propulsive new energy. The success of their November 2015 “Bright Lights” remix was a clear indication that they were onto something.

In October 2017, Walker & Royce released their debut album Self Help on Dirtybird, which both showcased and expanded upon their now-signature sound. The guys enlisted numerous vocalists, including Green Velvet, Dances With White Girls, and Sophiegrophy, to make Self Help feel like a packed house party – while leaving no doubt about who was hosting.  Self Help was followed by further experimentation and growth. Sam and Gavin have collaborated with Claude Vonstroke, Ardalan, Chris Lake and VNSSA just to name a few as well as remixed Channel Tres, LP Giobbi, The Knocks, Justin Jay, Gorgon City, Mindchatter; and put out music on Relief, Black Book, HotBOi Records and more. Their Rave Grave EP was the inaugural release on Diplo’s house-focused imprint Higher Ground.  Continuing to push boundaries, they have launched their own label Rules Don’t Apply Records, with the ethos just as the name states…No Rules, just good music.

Walker & Royce have spent years honing in on their one-of-a-kind style, meticulously crafting the sounds they want their fans to hear in clubs, at festivals and in their headphones. The result is a cohesive, career-defining body of work that firmly places the duo at the forefront of dance music's future.

|   V N S S A    |
| MGMT | max.necus@redlightmanagement.com 
| Booking| lhughes@teamwass.com and dhoffman@teamwass.com

VNSSA has always had a passion for music even as a child. The Newport Beach native now calls Los Angeles home and has fully immersed herself in the local electronic scene. Although Santa never gave her the turntables she wanted at a young age, she soon found herself drumming in local rock and indie rock bands. From there she learned to DJ, and started performing at local clubs and house parties.

Her debut single was released in early 2018 and she has since released multiple singles and EPs on labels such as Dirtybird Records, Higher Ground, Techne, Rules Don't Apply, Sweat It Out, Realm, and Trippy Ass Technologies, including a Beatport #1 with “Word” a single in collaboration with Walker & Royce on Black Book Records/HotBoi. Catching the platform's attention, she was later named a Beatport “Next” artist, and received further support from tastemaker platforms like This Song Is Sick and Data Transmission.

Her live sets cover the length and breadth of house, breaks, and techno, although don't be surprised to hear some classic disco as well. VNSSA performs regularly at well-known venues all over the world. In addition to playing her own shows, she has performed with numerous prominent acts such as Chris Lake, Claptone, Destructo, Claude VonStroke, Justin Martin, Nora En Pure, Dombresky, Walker & Royce, Cassian, Fisher, AC Slater, and many more. 

Most recently, she released murky tech house number “In The Dark” on the first-ever Femme House compilation on Insomniac Records. The eleven-track package is built around the ethos focused on equality and empowerment.  

Looking ahead, VNSSA is set to drop an EP on Diplo's esteemed Higher Ground imprint, a milestone release for this fast-rising talent. She will also perform at some of the biggest festivals in North America in the coming months, including Outside Lands, Imagine Festival, Nocturnal Wonderland, Seismic Dance Event, not to mention her first ever headline tour.

VNSSA does not exist in the world of music because it is her choice, she exists in it because it is her calling.

GL&M Doll 
House head
 www.soundcloud.com/golfclapdet first lady


Sya Doll is following