Name: Save Your Words by Syante
Duration: 4 min
Description: Live recording of my single called Save Your Words!

Great songwriting and piano play. Keep it up

Sweet sound and Nice vibe on this for sure

Piano is such beautiful instrument. With the right vocals you can make great music. You have succeeded

"Tea with Debussy & Pärt in Casablanca" is a musical dream that bloomed during my vacation in Havana, Cuba. Inspired by classical masterpieces from Arvo Pärt and Claude Debussy, I envisioned an imaginary encounter with these esteemed composers in Casablanca, over Moroccan tea.

This piece is not an imitation of their styles but rather a heartfelt conversation between us. It embodies the essence of typical conversations in Morocco, where we all speak at the same time, meandering from topic to topic, and experiencing numerous changes of atmospheres, tempi, textures, and fragments of thematic material.

It begins with minimalist touches, a nod to Pärt's recent works, where the piano introduces serene arpeggios, intertwining with heartfelt viola melodies. As we delve into our tea time, I incorporate some of Debussy's harmonic vocabulary. 

Throughout our harmonious dialogue, the piece mirrors the dynamic nature of conversations in Morocco. We experience moments of collective excitement, where the music swells with vibrant textures and lively tempi, as if everyone is speaking at once. Themes and motifs emerge and intertwine, mirroring the meandering nature of our discussion as we navigate from one topic to another.

As our musical journey unfolds, our collaboration celebrates cultural fusion, weaving together Pärt, Debussy, and my artistic zest. Each voice contributes to the narrative, inviting moments of wonder and contemplation through our shared inspirations.

Tea with Debussy and Pärt in Casablanca for Clarinet in A and Piano Virtual Pre-Release Version

Live recording of my single called Save Your Words!

Save Your Words

Treetop

Neutrino offers an immersive 3:19 minute auditory experience, inviting listeners on an ethereal journey through space. The track unfolds with captivating arpeggios set against a backdrop of slow, harmonic chord progressions, complemented by a unique, rhythmically arpeggiated texture that mimics the vastness of the cosmos. Swelling pads enhance the track's minimalistic ambiance, embodying the serene expanse of space. Mid-track, semi-arpeggiated bell tones emerge, adding timbral depth with melodies that evoke the wonder of interstellar exploration. Its engaging yet tranquil rhythm makes it an ideal backdrop for space-themed content, syncing beautifully with visuals or providing a soothing atmosphere for voice-overs.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Neutrino

Beneath the Surface" offers a 5:03 journey into the depths of a dark, ambient soundscape, characterized by its minimalist yet profound approach. Anchored in deep bass undercurrents and enveloped in slow-moving synth textures, this track masterfully conveys a sense of menace and unease. Designed for filmmakers, video game developers, and podcast producers, it serves as the perfect backdrop to scenes brimming with tension, mystery, or psychological drama. The composition's hypnotic bassline, resonant bass synths, ethereal pads, and subtle arpeggiated textures create a spacious and immersive auditory experience. Delicate piano notes and haunting Rhodes accents, coupled with atmospheric pads' rattles and swells, contribute to the soundscape's richly layered tension. Ideal for narratives exploring suspense, drama, and introspection, "Beneath the Surface" invites listeners into an engaging, unsettling ambiance without overwhelming the tranquil void it creates.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Beneath the Surface

Beneath The Surface

Henrik Nybo: Akk.guitar/el.guitar/main vocal/composer
Mir Bredberg Weber: Rhodes/flute/strings/backing vocal/composer
Palle Hjort: Piano/Hammond/accordian
Jeppe Gram: Drums
Jakob Falgren: Bas
Dave Hennessy: Classic guitar/elguitar

This Song

Dive into the soul-stirring echoes of 'A Hero's Last Stand,' where every chord whispers tales of valor and every beat thunders like the heart of the earth. 

This track weaves a rich tapestry of sounds: the deep embrace of strings, the clarion call of horns, the harmonious plea of choirs, and the primal roar of drums. It's an odyssey in melody, capturing the essence of a lone warrior's resolve against the impossible. 

As you listen, let your imagination roam free across landscapes where heroes are forged and destinies are shaped. 'A Hero's Last Stand' is more than music; it's a key to worlds unseen, an invitation to journey beyond the horizon of your thoughts. Let this symphony guide your spirit to the epicenter of adventure and awe.

A Heroes Last Stand

Translation above

CQFD
(chanson à récapitulation)

Pourquoi faut travailler ?
C’est la faute au pêcher
Qui s’ prend pour un pommier !
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais pour tout démêler
Il suffit de penser
C’est la faute au verger !
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais Dieu, incorruptible,
Dit : « c’est inadmissible,
C’est la faute à la Bible ! »
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

La Bible manuscrite
Sous l’encore qui s’agite
Dit : c’est la faute au scribe !
Si y avait pas eu de scribe / Y aurait pas eu de Bible
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais l’encre sans crier
Maudit le parolier
Et sans un parolier
Y aurait pas eu d’chanson / Y aurait pas eu d’chanson (3 X)
Chanson qui tourne en rond / Chanson qui tourne en rond (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, le 14 mars 2024

CQFD = Ce Qu’il Fallait Démontrer

CQFD
(recap song)

Why do we have to work?
Blame it on the peach tree
Who thinks he's an apple tree!
If there hadn't been an apple tree / There wouldn't have been a snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But to untangle it all
Just think
It's the orchard's fault!
If there hadn't been an orchard / There wouldn't have been an apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But God, incorruptible,
Says: "It's inadmissible,
It's the Bible's fault!"
If there had been no Bible / There wouldn't have been an orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

The handwritten Bible
Under the agitated still
Says: it's the scribe's fault!
If there had been no scribe / There would have been no Bible
If there'd been no Bible / There'd have been no orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But ink without shouting
Curses the lyricist
And without a lyricist
There wouldn't have been a song / There wouldn't have been a song (3 X)
A song that goes round and round / Song that goes round and round (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, March 14, 2024

CQFD = Ce Qu'il Fallait Démontrer = What had to be demonstrated

CQFD

Hybrid classical piece written using Logic Pro.
BBC Symphony Orchestra from Spitfire. Vienna Synchron for certain strings. Albion One for CS Longs.

Farewell Horizon

Mir Bredberg Weber: Main vocal/composer
Henrik Nybo: Akk.guitar/el.guitar
Palle Hjort: Piano/Hammond/accordian
Jeppe Gram: Drums
Jakob Falgren: Bas
Carsten Sindvald:  alto saxophone
Finn Henriksen: saxophone/baritone/tenor
Kaj Schmidt-Boisen: Trumpet
Dave Hennessy: Classic guitar

Live Out Loud

Spoken For

Translation above

Sur un texte de Christian Portet https://soundcloud.com/christian-portet

En dessous du toit

En dessous du toit
Y a toi et moi
Et on vit là
Depuis des mois
En dessous du toit
Y a un piano
Qu’est fait pour tes doigts
Qui joue jamais faux

Refrain :
En dessous du toit
Y a toi et moi
Et c’est si bon
D’oublier les saisons

En dessous du toit
Sur ce piano
Qui a vu d’autres doigts
Pleurer leurs émois
En dessous du toit
Y a toi qui joue
Moi qui t’écoute
Jusqu’au bout
 (refrain)

En dessous du toit
Y a un pauvre hère
Qui est comme moi
Qui n’sait rien faire
En dessous du toit
Quand ça va pas
On regarde en dessous
Tous les autres fous

Refrain :
En dessous du toit
Y a toi et moi
Et c’est si bon
D’oublier les saisons
Et c’est si bon 
D’oublier les saisons

Paroles de Christian Portet
Musique de Myckaël Marcovic, 30 mars 2024


With text by Christian Portet https://www.facebook.com/christian.portetmapage

Under the roof

Under the roof
There's you and me
And we've been living there
For months now
Under the roof
There's a piano
Made for your fingers
That never plays out of tune

Refrain :
En dessous du toit
There's you and me
And it's so good
To forget the seasons

Under the roof
On this piano
That has seen other fingers
Cry out their emotions
Under the roof
There's you playing
I listen to you
Till the end
 (refrain)

Under the roof
There's a poor wretch
Who's like me
Can't do a thing
Under the roof
When the going gets tough
We look underneath
All the other fools

Refrain :
Under the roof
There's you and me
And it's so good
To forget the seasons
And it's so good 
To forget the seasons

Words by Christian Portet
Music by Myckaël Marcovic, March 30, 2024

En dessous du toit (Christian Portet / Myckaël Marcovic)

A singer-songwriter, actively composing and writing songs for around two years now. My sound pulls from pop influences, both contemporary and retro, tied together by a signature style of songwriting.

Save Your Words

Syante

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