great work on this soundtrack the brass is really good

I'm a bass guitarist and I'm thrilled to welcome you to my channel, where the soothing magic of the bass guitar comes to life.
Join me in exploring a world of unique and relaxing music, all crafted using only the bass guitar's deep and resonant tones.

Here at 4 Strings Vibration, I'm on a mission to redefine relaxation through my musical creations. From tranquil melodies to mesmerizing grooves, each composition is a testament to the endless possibilities of this incredible instrument.

If you're seeking a sonic escape, a moment of serenity, or just something extraordinary, hit that subscribe button and let's journey into the realm of bass-infused tranquility together. Stay tuned for a new kind of musical experience – this is BassGroove Oasis, and I can't wait to share it with you.

First Snow

The Flight Of The Chicks

A collaboration between me and the incredibly talented guitarist SeaShea(https://soundcloud.com/chris-oshea-3), that I'm thrilled to share, a captivating fusion of piano and guitar that breathes new life into my original composition, an Elegie for Piano in G minor. 
SeaShea, moved by the original piano track, has woven his strings in such a way that the piece now dances between the realms of poignant reflection and uplifting harmony, further enriching the total soundscape. 
A heartfelt thanks to him for doing me this honour, and I hope that every listener will be moved in the same way as I was.

Elegie for Piano and Guitar, G minor (featuring SeaShea)

A celebration of the Ostara, aka the Spring Equinox, the first in a series of eight pieces to celebrate the eight Druidic festivals of the Windmill of the Year, more about which here: https://anniedieuleveut.com/2024/02/01/the-windmill-of-the-year/

By Annie Dieu-Le-Veut and APi_ZZ (@api_zz)


Words and vocals by Annie Dieu-Le-Veut.
© Annie Dieu-Le-Veut, February 2024 

Music and Cover Art by APi_ZZ 
© APi_ZZ (Andreas Pirner) February 2024

Words:

Fire serpents and dragons are stirring 
Deep down in the hard, cold iron of Earth. 

Slithering land wights are waking, 
And wriggling and stretching, 
Woken from their sleep by the return 
Of the song of the Sun, 
Its melody singing all dreamers awake,
To light the cauldrons and fasts to break. 

Lady Slipper yawns and opens her petals 
To a bold west wind ruffling her labellum.
Thunderclouds above ominously threaten. 

An ash in full livery, its leaves right on time,  
Stands next to the winter-nude of an oak. 
So the old wives mutter in iambic rhyme,
“Ash before oak, we’re in for a soak.” 

Great Spotted Woodpecker drills Mars’s drum 
In a military tattoo, to marshall the bugs,
The soldier beetles and bark-gnawing weevils, 

Now Luna turns russet red in Earth’s umbra, 
A covenant of balmier days without number. 

Wyrm moon, Cold moon, Sap Moon
Pulling on the tides, rising 
And not just in the flooded rhynes, but 
Coursing up the loins of men too, 
Their reveries of love fine-tuned 
To Jack in the Green’s reciting 
To the tremolo thrill of Pan’s piping

Labyrinth Spider stands guard on the dell, 
While Salamanders ring the bluebells 
To peal out harsh winter’s fare-thee-well. 

Pixie-cup lichen arrives in the Vale, 
And elves riding turkeys with blue ruffled tails
Then ... Amanita Muscaria sings her aria, 
And Cuckoo tells us Spring is finally here.

Ostara

Neutrino offers an immersive 3:19 minute auditory experience, inviting listeners on an ethereal journey through space. The track unfolds with captivating arpeggios set against a backdrop of slow, harmonic chord progressions, complemented by a unique, rhythmically arpeggiated texture that mimics the vastness of the cosmos. Swelling pads enhance the track's minimalistic ambiance, embodying the serene expanse of space. Mid-track, semi-arpeggiated bell tones emerge, adding timbral depth with melodies that evoke the wonder of interstellar exploration. Its engaging yet tranquil rhythm makes it an ideal backdrop for space-themed content, syncing beautifully with visuals or providing a soothing atmosphere for voice-overs.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Neutrino

Beneath the Surface" offers a 5:03 journey into the depths of a dark, ambient soundscape, characterized by its minimalist yet profound approach. Anchored in deep bass undercurrents and enveloped in slow-moving synth textures, this track masterfully conveys a sense of menace and unease. Designed for filmmakers, video game developers, and podcast producers, it serves as the perfect backdrop to scenes brimming with tension, mystery, or psychological drama. The composition's hypnotic bassline, resonant bass synths, ethereal pads, and subtle arpeggiated textures create a spacious and immersive auditory experience. Delicate piano notes and haunting Rhodes accents, coupled with atmospheric pads' rattles and swells, contribute to the soundscape's richly layered tension. Ideal for narratives exploring suspense, drama, and introspection, "Beneath the Surface" invites listeners into an engaging, unsettling ambiance without overwhelming the tranquil void it creates.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Beneath the Surface

Beneath The Surface

This track was inspired by the stream of news scenes about war and destruction, early 2024. Tried to capture the peculiar mix of darkness, resignation, persistence, watchfulness, rational assessment, hurt, helplessness, sadness, drifting away, and anger triggered by these images. The result is a modular trip to Symbolica base after the attack. You map the extent of destruction from a drone's view gliding across the main road down the former space colony. Peace to you all, the Shaman.

Destruction at Symbolica Base

Translation above

CQFD
(chanson à récapitulation)

Pourquoi faut travailler ?
C’est la faute au pêcher
Qui s’ prend pour un pommier !
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais pour tout démêler
Il suffit de penser
C’est la faute au verger !
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais Dieu, incorruptible,
Dit : « c’est inadmissible,
C’est la faute à la Bible ! »
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

La Bible manuscrite
Sous l’encore qui s’agite
Dit : c’est la faute au scribe !
Si y avait pas eu de scribe / Y aurait pas eu de Bible
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais l’encre sans crier
Maudit le parolier
Et sans un parolier
Y aurait pas eu d’chanson / Y aurait pas eu d’chanson (3 X)
Chanson qui tourne en rond / Chanson qui tourne en rond (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, le 14 mars 2024

CQFD = Ce Qu’il Fallait Démontrer

CQFD
(recap song)

Why do we have to work?
Blame it on the peach tree
Who thinks he's an apple tree!
If there hadn't been an apple tree / There wouldn't have been a snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But to untangle it all
Just think
It's the orchard's fault!
If there hadn't been an orchard / There wouldn't have been an apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But God, incorruptible,
Says: "It's inadmissible,
It's the Bible's fault!"
If there had been no Bible / There wouldn't have been an orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

The handwritten Bible
Under the agitated still
Says: it's the scribe's fault!
If there had been no scribe / There would have been no Bible
If there'd been no Bible / There'd have been no orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But ink without shouting
Curses the lyricist
And without a lyricist
There wouldn't have been a song / There wouldn't have been a song (3 X)
A song that goes round and round / Song that goes round and round (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, March 14, 2024

CQFD = Ce Qu'il Fallait Démontrer = What had to be demonstrated

CQFD

Some Help

Hybrid classical piece written using Logic Pro.
BBC Symphony Orchestra from Spitfire. Vienna Synchron for certain strings. Albion One for CS Longs.

Farewell Horizon

Composed and produced by Kristian Marcussen.

Violin: Josefin Lykken

Farewell Horizon

James Mark

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