You've met with a terrible fate, haven't you?

https://linktr.ee/ctrlzora
CTRLZORA is a music curator, black femme event and artist collective co-founder, DJ, musician, and dance music equitist from Chicago. They aim to contribute to keeping the electronica dance scene alive and soulful through house, techno, world music, and more. Paying homage to the history and liberation of music within communities of color across genres is their central focus, alongside perpetuating the tradition of house music in its originator, Chicago, and black and queer culture. They've spearheaded activism efforts to preserve historical venues of Chicago like The Post and The Warehouse, pushing to keep the integrity and history of the music's roots alive. Mentored by the very architects of soulful house and techno, CTRLZORA carries a sound that cannot be confused for anything short of authentic and raw, spanning from the furthest corners of Midwestern dance music all the way to the expansive sounds of the African diaspora and beyond, often collaborating with the creator of the original Warehouse and Music Box Chicago, Robert Williams. Zora has frequently played and spoken at venues and on platforms such as Smartbar, The Lot Radio, the Silverroom Block Party, The Frankie Knuckles Festival, Chicago Cultural Center, Chicago House Music Festival, Art Basel, Movement Detroit Weekend, Nowadays Brooklyn, Public Records, The Post Chicago, The Chicago Museum of Contemporary Art, and various venues and radio stations throughout the city and beyond. Zora has also had the honor of playing and collaborating alongside greats such as Lil Louis, Juan Atkins, Gene Hunt, Timmy Regisford, Duane Powell, Celeste Alexandar, and Ron Trent. Infusing their own spiritual associations with music, Zora aims to create an energy that brings somatic healing not only to themselves but also to their listeners. Quick to draw from the archives while blending with modern reiterations, Zora shares their open love letters to music and mutual sonic communion with every crowd.

Farwest Emo duo from the Inland Empire in Southern California.

BMG is the founder of cult label Interdimensional Transmissions, a central figure in Ectomorph, a Detroit based DJ that also performs live with modular gear. 

to book live or DJ: michelle@thebunkerny.com

For bookings and inquiries, contact: buzzicontact000@gmail.com

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Jay Denham is the second generation Detroit techno pioneer - musician, dj artist and producer from Kalamazoo, Michigan - city right in the middle between Chicago and Detroit. His style is a unique blend of these two worlds - Chicago house and Detroit techno, with a Kalamazoo touch. He stays true to the underground, makes the music for the art of it and always remembers where he comes from.

Denham's solid musical background takes its roots in 70s, when little Jay opted for a four-string bass guitar over a six-string electric. By age 17, Jay has been playing high school party gigs with his rock band. During these teenage years, he developed a taste for punk and New Wave, though still influenced by funk acts like Rick James, Parliament, Cameo, Zapp, and later Prince and The Time, as well as by electronic music of Kraftwerk.

With the arrival of the 80s, Jay Denham moved on to the early detroit techno and further on to the chicago house, when he came across "Chicago Hot Mix" tapes and the revolutionary Farley Jackmaster Funk and the deep Frankie Knuckles. Immediately blown away by these new sounds, Jay started his pilgrimages to the Cradle of House music in search of records, religiously tape-recording the local radio shows he couldn't receive in his home town, Kalamazoo. A chance encounter with the legendary early House producer, Chip E inspired Jay to try to make this new music himself, and eventually to create his own sound.

The next significant encounter marked another step in Jay's career. At the Western Michigan University he befriended a certain Anthony Shakir, aka DJ Shake, who now runs Frictional records. Shake had a keyboard, Jay had a drum machine and it wasn't long before they were jamming together. Finally a breakthrough - full dedication, hard working and sacrifices paid off - Denham's early works captured the attention of Derrick May and Kevin Saunderson who released Jay's first EPs on Transmat off shoot label, Fragile and KMS label. The track "Rituals" which Jay released as Vice on the Techno 2 Next Generation album was quickly followed by the classic track, "Insync" released as Fade II Black.

The fruitful collaboration came to an end when growing stack of tracks eventually hit against the labels' limitations on releasing and Jay decided to go back home to his roots in Kalamazoo, where he worked with local producers and DJs, and continued to develop his unique sound.

In 1992, Jay Denham struck out on his own. He founded Black Nation Records and launched it with his seminal "Birth of a Nation" E.P. (allusion to the infamous and subversive Ku Klux Klan propaganda film of the same title), featuring tracks by Denham himself and as well as his colleagues - Fanon Flowers, Tony Ollie, Brett Dancer, and Chance McDermott. Black Nation's philosophy: driving underground grooves for the funk-conscious record buyer.

With the success of Black Nation relentless releases of pure Detroit techno, Jay was able to refine his sound to what he describes as the funky techno sound.

After a while Jay decided to set up shop in Munich, Germany, where he worked with a local label Disko B. The label gave him carte blanche to express his creativity beyond the sound he was know for at the time, which gave the world the classic album "Synthesized Society", #2 album of the year 2000 according to the Groove Magazine.

Moving on to the European scene Jay expanded his style (instead of "continued to develop his sound") as a DJ. With more than 35 years of career, Jay is also well known for his dj skills, rocking 3 decks back in the day, performing at the Movement Detroit, Awakenings NL, Time Wrap music festivals, as well as at Tresor Berlin, Rote Sonne Munich, Lost London, Sonar, Time warp, Nature one, and many other clubs around the world with his brand of hot mixing.



Sydfalls occupies a liminal circuitry rooted in matters of the heart. Footwork, techno, and diasporic bass traditions serve as a touchstone in their sonic signature. Born and based in Chicago, they oscillate between producer, hybrid performer, and DJ - ranging from a breakneck pulse to moments of serenity 𖥔⋅*ੈ

 send me your music!

 say hi! sydfallsconnect@gmail.com

@silkissmooth

If u cant find a track dm me and I'll send you the link :p

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