Rencontre avec l'ombre. "La Cathédrale" de Nicolas de Stael en ferait une belle illustration. Merci pour ces quelques minutes.

Can you hear the music? (Cover)

Wirbelwind

ENIF AL (COLONNA SONORA ORIGINALE)
© 2024 ALESSANDRO SPECIALE
All Rights Reserved

Original Score From The Short Movie ENIF AL, written and directed by Daniele Ciprí

🎥 FULL VIDEO ON YOUTUBE: https://youtu.be/EP141IO01P8

► CREDITS

Music, orchestration, MIDI programming, mixing and mastering: Alessandro Speciale


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Mirrors

Sometimes you just have to move on . inspired by a conversation with a good friend.

Music composed by JBF,  4/16/24

Time To Close The Book

Rexatiøn

I am not quite sure I am done with this one - so.. there may be updates. I'm 50/50 on adding some piano.

Dark Skies

Darkened Skies

Second Movement of my Piano Concerto No.2 (Andante)

Piano Concerto No.2, mvmnt II (Andante)

Arpegiate

For cello and piano. Concert recording. Violoncelle : Pierre Derycz, piano : Philippe Hattat 
To order the score : https://www.fortin-armiane.fr/violoncelle-et-piano-22/rencontre-pour-violoncelle-et-piano-841.html

Rencontre

Erik Satie
Gymnopédie No. 1
For 5/6 Cellos, Arr. David Johnstone
Minor edits in the arrangement by Schrello Classic

Live performance
Schrello Classic

Gymnopédie No. 1 has always been echoing in the background during my childhood, so it was wonderful performing it again and I hope you enjoyed this more unusal version without piano. This gymnopédie is a composition that everyone unanimously agrees on that one has heard at least onec. But did you know that Satie actually wrote three gymnopedies? Only the first one made it to this level of fame unfortunatley. Later in Saties career Debussy also started gain fame which also begun to overshadow Satie in a way. 

This  6 cellos version was trickier to create than I imagined. To achieve the right ambience is vital for the composition and I hope Erik Satie would not mind to much that it was performed like this.

Gymnopédie No. 1 - Live, arr. cello sextet

One Enduring Ember...

Film score, concert music, jazz, songs…
Shop : https://www.sylviafilus.com/category/all-products
Website : www.sylviafilus.com
Composer, born in Poland and established in Paris (France), Sylvia Filus is graduated in Film Music Composition and in Orchestration (First Prize). 

She has composed music for several movies, chamber music ensembles, symphonic orchestra and big band. In 2008, at the request of the Pomeranian Society Musica Sacra and the Chamber Orchestra of Gdynia, Sinfonietta Nordica, she wrote the Cycle of 3 melodies for mezzo-soprano, barytone, and orchestra, which was performed during the festival The Music of Words in Gdynia (Poland). 

In 2010 she was commissioned by the Polish Strauss Society to commemorate Chopin’s 200 Anniversary and wrote Fantasia in "Salt" Minor performed by the orchestra Obligato at the Symphonic Chopin concert in the Salt Mine of Wieliczka (near Cracow). During the same year, Sylvia Filus was honored with the Trophy of Women‘s Success by the Association France-Euro-Méditerranée and became finaliste of the competition International Music Prize for Excellence in Composition awarded by the National Academy of Music.

In 2011 Sylvia Filus composed for her first feature film Le Bout du monde (The End of the World) by the marocan filmmaker Hakim Noury and for the documentary « Avec toi sans toi » by Francesca Ragusa. Commissioned by Lobster Films and SACEM for the european film collection on line Europa Film Treasures she wrote music for two silent movies: “Danseur de jazz” (feature) and “Troppo Bello!” (short). 

In 2012 Sylvia composed for the full length documentary « Fishermen » by Viktoria Marinov and in 2013 she has been awarded in the International Composition Competition "Artistes en herbe" in Luxembourg. 

In 2014 she took part of the B.O. Concert, 25 french composers film music concert in Paris and in the Spring Concert in Padua (Italy), where her piece "The Cobweb" was premiered by the orchestra I Solisti Veneti conducted by Claudio Scimone. 

In 2020, Sylvia Filus composed music for the movie « Quand je serai grande » (When I grow up) by Yves Levy, which received the Sacem grant for original music and in 2021, to the the poetry « Les plaisir de la porte » (The pleasures of the door) by Francis Ponge as well as the poetry by Jolanda Podejma-Eloyanne. 

On 2023 she writes music for the short movie « À Fleur de peau » by Kathie Kriegel and takes part of the program Crescendo and the residency TRIO from Maison du Film and Sacem.

FEATURES:

« Le Bout du monde » (The End of the World) by Hakim Noury - 2011
« Le Danseur de jazz » by Benito Perojo (1927) - 2011

DOCUMENTARIES: 

« Avec toi sans toi » by Francesca Ragusa - 2011
« Fishermen » by Viktoria Marinov - 2012
« Floris » by Jacqueline Kalimunda - 2014

SHORT MOVIES:

« Personal Best » - fiction by Viktoria Marinov - 2004
« Undo » – experimental documentary by Jean-Gabriel Périot - 2005
« Onchocercose » – animation by Christophe Gautry - 2005
« Réconciliation » – fiction by Alain Gilot (France) - Émergences 2006
« Accord parfait » (The Perfect Tune) – animation by Izabela Bartosik - 2006
« Les Saisons du souvenir » (Seasons of Souvenir) – fiction by Nicolas Rogez - 2007
« This Emotion » – experimental by Viktoria Marinov - 2008
« Samare » – animation by Nicolai Troshinsky - 2008
« La Main » (The Hand) – fiction by Rémy Ginestet - 2009
« Troppo bello! » - silent by André Deed (1909) - 2011
« La Cravate Bleue » - fiction by Niels Michon Fisher - 2012
« Confession » - experimental fiction-documentary by Kamil Krolak - 2013
« Quand je serai grande » - 45’ fiction by Yves Levy - 2020
« À Fleur de peau » short fiction by Kathie Kriegel - 2023

PARTICIPATION AS ARRANGER AND/OR MUSIC SUPERVISOR:

« Bis repetita » - feature by Emilie Noblet - 2024
« Sukrit’s Sundays » – short fiction by Vasant Nath - 2009
« Réveries d’antant » – short fiction by Christopher Poulain - 2009

Rencontre

Sylvia Filus

Recent comments

Sylvia Filus

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Der Himmel über Lyon

Keith Kramer

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