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COMPOSITORAS | Nacidas enAmérica Latina  | Lista de reproducción realizada por Melissa Vargas

COMPOSITORAS | Nacidas en América Latina  | Lista de reproducción realizada por Melissa Vargas

Eclectic Electronic Soundscapes -
Not just noise but a playlist of experimentation and creativity with noise(s) and loudness in different forms.
Artists are Nene Hatun, Lucy Cliche, Nina Kardec, Puce Mary, SHE/MACHINE, A'Bear, MsSpknsS and Karen Gwyer ( Doom Squad Remix).

Feminatronic #115 - Loud Expressions #3

Eclectic Electronic Soundscapes -
International Womens Day 2018 pt1 .....
The idea - to just try and demonstarate just how much electronic music of all genres is being created by artists who just happen to identify as female.
As always, this is in no way an exhaustive list. I'm always just skimming the surface of creativity and as ever it's just a starting point...it really is the tip of the iceberg of some of the music I've listened to this past few weeks and brace yourselves, there are two other lists like this one for IWD2018.
I just wanted to see for myself how many artists are out there creating a huge range of sounds and I've deliberately not put them in any order to underline how eclectic they are -
Artists on the list in no particular order or preference....
Una Lee, Lesley Romano, Sarah Peebles, Anne Guthrie,Yara Mekawei,Brona Martin, Ivonne Paredes, Deutsche Wertarbeit, Carlotta Jacobi, Orphan Ann, Lola de la Mata, Sonae, Shelley Parker, tay_ploops, Daina Dieva, K.M Ende, Suzanne Doucet, Fetter, nosnetrom, Matzumi, Madoka, Nina Kardec, Jane Weaver, Chloe March, Xsara Dion, Immaculate Degenerate, Klara Lewis, flor.con.venas, Lyndsie Alguire, RYO, Jingg Yu, Alyssa Moxley, Georgina Canifru, Caterina Barbieri, Morita, Jayne Dent, Silvia Kastel, Michele Abondano, Gail Priest,  Jelena Glazova, Lyn Goeringer, Heidrun Schramm, Carolina Eyck, Norah Lorway, NKISI, Donna Maya, Marlene Claudine Radice, Felicia Lush, Kaitlyn Aurelia Smith and Suzanne Ciani, Margaret Noble, Ekin Fil, Christine Ott, pinnel, LauraNetzAnaKravanja, dibuk, Ikonika, Alisu, Aylu, Zoe McPherson and Shams Asma.

Feminatronic #127 - IWD2018 - Tip of the Iceberg #1

ORIGAMI

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COMPOSITORAS ⊙◉○◌◍◎●| Womencomposers | Lista de reproducción realizada por Melissa Vargas

ross daly | hatif

tabutta röveşata - bab-ı esrar

Balmorhea - Bowsprit

Fantasmagoria is part of a compilation of Paredes’ electroacoustic duets and trios called Electroacústica Dinámica.

Live performance at PARMA Music Festival in Portsmouth, New Hampshire on August 14, 2015.

Annabelle Cazes, Glockenspiel
Matthew Gantt, Electronics
Ivonne Paredes, Auxiliary Percussion



Fantasmagoria - Live at PARMA Festival

The Exquisite Corpse Game
by VARIOUS ARTISTS

Fold 1: Khyam Allami
Fold 2: Karda Estra
Fold 3: JG Thirlwell
Fold 4: Kavus Torabi
Fold 5: British Theatre
Fold 6: Bob Drake
Fold 7: Weasel Walter
Fold 8: Dominique Leone
Fold 9: Appleblim
Fold 10: Katharine Blake
Fold 11: Max Tundra
Fold 12: Mikrokosmos
Fold 13: Craig Fortnam

Exquisite corpse is a method by which a collection of images is collectively assembled. Each collaborator adds to a composition in sequence until finally the whole completed picture is revealed.
This technique invented by the Surrealists is similar to the old parlour game, Consequences, in which players write in turn on a sheet of paper, fold it to conceal part of the writing, and then pass it to the next player for a further contribution.


The Exquisite Corpse Game is a unique musical collaboration based on these rules, featuring Khyam Allami, Karda Estra, JG Thirlwell (Foetus/ Manorexia/ Steroid Maximus etc) Kavus Torabi (Knifeworld/ Cardiacs/ Guapo), British Theatre (Oceansize/ Biffy Clyro), Bob Drake (Thinking Plague/ 5uu's/ The Science Group etc) Weasel Walter (The Flying Luttenbachers/ Behold The Arctopus) Dominique Leone, Appleblim, Katharine Blake (Mediaeval Baebes/ Miranda Sex Garden) Max Tundra, Mikrokosmos (Levitation/ Dark Star/ Cardiacs) Craig Fortnam (North Sea Radio Orchestra/ Arch Garrison)

Once the first 'fold' was recorded each artist was given only the last 20 seconds of the previous composition and had to continue by recording instrumental music in any way they saw fit.
Whether they chose to develop themes or take an obtuse 90 degree turn was entirely up to them.

Each 'fold' had to be a response to the 20 seconds they were given and be between one and four minutes long.

None of the contributors heard the entire piece until the final 'fold' had been completed

Taken individually, The Exquisite Corpse Game represents thirteen brand new, original compositions by thirteen innovative musical artists but taken as a whole the entire album has a kaleidoscopic, dream-like yet homogenous quality. Themes and ideas seem to repeat and reoccur throughout in a way that could not have been known to the contributors. There is an ebb and flow throughout that sounds both pre-concieved and deliberate.

Fold 1: Khyam Allami

2016

Extract from Les Constellations - Une Théorie, devised opera on a libretto by Antoine Thiollier, conceived in collaboration with the theatre company L'Éventuel Hérisson Bleu, produced by Miroirs Étendus and co-produced by Lille Opera.

Performed by Marianne Croux (soprano), Josephine Stephenson (electric guitar), Fiona Monbet (violin), Antoine Cambruzzi (clarinet), Romain Louveau (piano), Marion Bordessoulles (voiceover)


Watch the live video teaser of this extract: https://vimeo.com/191270350

Les Constellations - Une Théorie: Je voudrais dormir

... remix of the haunting "Translúcida" by Michele Abondano, featuring double bass recorder ...

Michele Abondano - Translúcida - Remix By Sylvia Hinz

Astray Between Veils

You and Me Now

If I Could Look Out Your Eyes, I Would

Senderos

Piece for accordion solist. Based on Lady of Cao (Leader of the Mochica empire). 
Performed by Eva Zöllner (Germany)
Recording August 2017
"Señora de Cao" by Ysabel Ledesma

Cie-quich Cao ich (La señora de Cao)

Endless Coast 220118

Track 10 from "108: Walking Through Tokyo at the turn of the century" by Sarah Peebles (2001). Audio album: www.sarahpeebles.net/tokyo.htm.
Video installation (Sarah Peebles & Christie Pearson) details: www.sarahpeebles.net/tokyo_new.htm  
View full video: https://www.thewire.co.uk/video/watch-108-walking-through-tokyo-by-sarah-peebles-christie-pearson

108: Walking Through Tokyo at the turn of the century

3 For ¥500 (merchants At Ameyoko)

Exploration of vocal processing using Ableton Live

Lament

Live Recording, 18 de Abril 2018. Conservatorio UNAL, Bogotá.

Hara Alonso: Piano cotidiano / Carmen Morales Moreno

Obra comisionada por la Cátedra Arturo Márquez 2017 UNAM
OJUEM
Dir. Massimo Quarta 
Sala Nezahualcóyotl
Marzo 2018
(Live take)

Cleptinae

The second track from a free, download only, two-track EP.

Recorded and Mixed by Crawford Blair at Angell Sound Studios, London, 22 July and 13 Aug 2010. 
1- The Sound of Disquiet 
2- What if I asked you what is the question?

http://www.khyamallami.com 
http://www.andreapiccioni.net

What if I asked you what is the question? w/Andrea Piccioni

MOKITA 

Creative Sources 2018

Cecilia Quinteros - cello
Christoph Gallio - saxos
Alex Elgier - piano
Marcelo von Schultz - batería

Grabado el 12 de mayo del 2017 en Estudio Libres, Bs As
Grabado y mezclado por Sam Nacht. Masterizado por Will-Y Strehler 
Diseño gráfico por Anne Hoffman. Foto de portada por Claudio Moser. Toda la música por Mokita. Producción ejecutiva por Ernesto Rodriguez.

MOKITA

Prosopis Ferox (MOKITA)

Concierto de Cierre de las VIII Micro-Jornadas de Composición y Música Contemporánea 2018 a cargo de la Orquesta Sinfónica de la Universidad Nacional de Córdoba [OSUNC]
Director artístico: M° Daniel Mazza.

Programa:

Estreno de la obra ganadora del 3er Concurso nacional en el marco de la VII edición de las Micro-Jornadas de Composición y Música Contemporánea 2018:
• Las Abejas de Manuel Esteban - 2018
-------------------------------------------------------

• Luxfonía - Concierto para clarinete en si b y orquesta (Ceferino García) - 2018
Solista: Eduardo Spinelli.

• Suelo Incierto Cielo - para orquesta sinfónica (Natalia Solomonoff) - 2018
Obra encargada por las microjornadas y la OSUNC. 

Lugar: Sala de las Américas del Pabellón Argentina (UNC)
8 de noviembre de 2018

Suelo Incierto Cielo - para orquesta sinfónica (Natalia Solomonoff) - 2018

Composición: Canela Palacios
Intérpretes: Orquesta Experimental de Instrumentos Nativos

La Permanencia

El humano es un animal simbólico. 
Mi obra representa un acto simbólico sobre una travesía al inframundo. 
Para los mayas clásicos, es el mundo subterráneo, el lado nocturno del mundo, donde predomina la oscuridad. 
Cuando no hay luz, ni orden, es necesario morir para volver a nacer.

Rito Funerario A La Muerte Del Sol

"Espejos" (obra realizada con el apoyo del Fondo Nacional de las Artes)

(Eva García Fernández -2020-)

para flauta, clarinete bajo, piano, guitarra eléctrica, violín, cello, vibráfono y batería.

Concierto - Entre Huellas Sonoras - Radio CASo (Noviembre 2020)

Ensamble Tropi

Flauta: Sebastián Tellado
Clarinete bajo: Constancia Moroni
Piano: Malena Levin
Guitarra Eléctrica: Manuel Moreno
Violín: Florencia Ciaffone
Cello: Alejandro Becerra
Vibráfono y batería: Juan Denari

Dirección: Haydée Schvartz

Si la obra quiere ser espejo del texto, entonces la presencia del texto en la música no puede sino tener la estructura de una ausencia.

Espejos aborda el vínculo entre texto y música incluyendo dentro de su construcción estructural el concepto central de dos poesías concretas de Octavio Armand, concepto que está íntimamente ligado al funcionamiento del lenguaje; este concepto es el de presencia-ausencia. Para dar cuenta de este concepto la obra utiliza una metodología que se basa fundamentalmente en la ausencia de la materialidad del texto, lo cual da lugar a la presencia de un nuevo material (sonido) que funciona como suplemento; de esta manera la obra devuelve una re-presentación sonora de la estructura formal de las poesías, pero despojada de su materialidad textual original.

Espejos

Espejos - para ensamble pierrot, guitarra eléctrica, vibráfono y batería - (2020)

praised for her equally fierce and bold dramatic performance style, Sylvia Hinz is one of the leading recorder players worldwide, specialised in contemporary music and improvisation.
... studied recorder at the University of Arts Berlin with Gerd Luenenbuerger, experimental music with Dieter Schnebel, chamber music with Nigel North and ensemble leading / conducting at the BAK Trossingen ...

... plays solo recitals and concerts with ensembles and orchestras, holds special interest in contemporary music and improvisation, also unusual instrumental combinations and cooperations with other arts ...

... in addition to the intense sound research for the instrument recorder, the exploration of new ways with the liaison of sound, electronics, and video art through the industrial project Catenation / remixes & drones / live performances with Catenation @ SET Festival Tehran & Dampfzentrale Bern & Sound & Vision @ interfilm Berlin ...

... founding member of: XelmYa, Catenation, the bewitched project, UMBRATONO, gLOWs ...

... works with many international composers, e.g.:
Mathias Spahlinger (DE), Makiko Nishikaze (JP), Jeanne Artemis Strieder (DE), Javier Torres Maldonado (MX), Helga Arias Parra (ES), Hideki Kozakura (JP), Jieun Jun (KR), Dorone Paris (IL), Katia Tchemberdji (RU), Eckart Beinke (DE), David Lesser (UK), Violeta Dinescu (RO), Miguel Farías Vasquez (CL), Matthias Kaul (DE), Annette Schluenz (DE), Gunnar Karel Másson (IS), Clio Montrey (CA), Idin Samimi Mofakham (IR), Paulo Dantas (BR), Tina M. Pearson (CA), Golfam Khayam (IR), Diana Ortiz (CO), Andrew L. Hooker (UK), Maria Eduarda Mendes Martins (BR/CA), Elizabeth A. Baker (US), Sarah Angliss (UK), Guadalupe Perales (MX), Peter O'Doherty (UK), ...

Michele Abondano - Translúcida - Remix By Sylvia Hinz

sylvia hinz