⪢ 𝘥𝘪𝘨𝘪𝘵𝘢𝘭 𝘴𝘢𝘭𝘷𝘢𝘵𝘪𝘰𝘯 𝘪𝘴 𝘢𝘵 𝘩𝘢𝘯𝘥 
⪢ 𝘸𝘩𝘢𝘵 𝘢𝘳𝘦 𝘺𝘰𝘶 𝘸𝘪𝘭𝘭𝘪𝘯𝘨 𝘵𝘰 𝘴𝘢𝘤𝘳𝘪𝘧𝘪𝘤𝘦 𝘵𝘰 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘦𝘵𝘦𝘳𝘯𝘢𝘭 𝘤𝘶𝘳𝘦?

Inquiries: jeff@essenger.net

Since first breaking onto the alt-pop scene in 2007, Owl City has built a global following on the strength of his heart-on-sleeve songwriting and endlessly inventive sound. Along with earning a monumental hit with the diamond-certified “Fireflies”—a 2009 release that reached No. 1 in 26 countries—the Minnesota-bred artist otherwise known as Adam Young has made waves with smash singles like the double-platinum “Good Time” feat. Carly Rae Jepsen and brought his exuberant live set to sold-out shows around the world. With total album sales of over three million and single sales surpassing 20 million globally, Owl City has now delivered the highly anticipated new album Coco Moon: a wildly imaginative body of work revealing his deepened devotion to the strange magic of creativity.

Self-produced British composer and recording artist for 25 years, Imogen Heap has released five solo albums, another as one half of Frou Frou and collaborated with countless and varied artists including Taylor Swift, Nitin Sawhney, Deadmau5, Eric Whitacre, Jeff Beck and Jon Hopkins. Her compositions and songs pop up in blockbuster and indie films as well as countless TV shows, are featured in underground rap and dance music and covered by the likes of Ariana Grande. As composer and arranger for one of the biggest hits in theatrical history, Harry Potter and The Cursed Child, Imogen won the Drama Desk Outstanding Music in a Play award. As a sought-after speaker and performer, Heap hosted 2020’s Grammys Premiere Ceremony. Heap’s collaborative and multi-dimensional workflow attracts companies for commissioned works, leading to songs such as Tiny Human, the first song to distribute payments via a Smart Contract, and The Happy Song, a highly successful song for children in their early-years. Heap, recognised as an artist's artist, has won two Grammys and an Ivor Novello award. In recognition of her pioneering work at the intersection of music and tech, Heap has a hat trick of three honorary doctorates for the gestural music-ware 'MI.MU gloves' system and recently for ’The Creative Passport’, an integrated digital ID solution, empowering music makers to be the change toward a fair and flourishing music ecosystem. Between projects a constant for the past year is every Thursday afternoon, Imogen Q&A chats with her fans via The Listening Chair with those who subscribe to Imogenheap.app to collaborate together on Augmented Imogen, Imogen's in dev AI.

From the start, Son Lux has operated as something akin to a sonic test kitchen. The Academy Award® and BAFTA-nominated band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. 

Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux scored A24’s Best Picture winner Everything Everywhere All at Once for which they were nominated for two Academy Awards and a BAFTA. The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others.

my new album blómi out April 28th

https://susannesundfor.lnk.to/blomi

Musically, the multiplatinum GRAMMY® Award-nominated trio of Southern California sisters Este, Danielle, and Alana Haim trace a winding path through genres and musical eras—similar to how Ventura Boulevard paves its way through a myriad of Los Angeles suburbs and neighborhoods. Since 2012, the group have made a mark on their own terms with eclectic songcraft in the studio and electrifying performances on stages worldwide. With five career GRAMMY® nominations to date, they became the first all-female band nominated for “Best Rock Album” with 2025’s I quit, and previously made history as the first all-female rock group nominated for “Album of the Year” for 2020’s critically acclaimed Women In Music Pt. III. Prior, they released the gold-certified Days Are Gone [2013] and Something To Tell You [2017]. Over the course of a decade, they have also notched two #1 debuts on the UK Albums Chart and two Top 10 entries on the Billboard 200. Haim’s highly anticipated fourth studio album, I quit, was released in June 2025. The deluxe version of the album features three new songs, including “Tie you down” with Bon Iver.

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