Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

No egos. Just good music.
Since 2018.

Label / Events / Podcast
based in Faro, Portugal 

Residents:
Badoga & Figueira

Sub Labels:
Subsequence / Perspectiva / Untitled Musica
-
Upcoming Events: 

08.11 - Label Night @ Art Haus

For info, promos, events or general enquiries:
hellountitledpt@gmail.com

Itsu creates complex, forward-thinking drum and bass with a foundation in detailed, multi-layered sound design and a distinct science-fiction vibe. Spanning deep and moody halftime to metal-influenced, all out, neurofunk head-bangers, Itsu's music transcends the traditional borders of drum and bass. 

After cutting his teeth on a range of lower tempo bass music genres over the course of five EP’s released between 2012 and 2015 on labels such as Merkaba Music and Hopskotch Records, Itsu has returned to the genre that brought him to electronic music production in the first place, and has earned a reputation as something of a sound design and production pundit, as well as a consummate performer. With a steadfast refusal to conform to the DnB norm of “build, drop, rewind, build, double-drop” Dj sets that feature only a couple of original tracks, Itsu takes audiences on a journey through the flavours of drum and bass using live performance techniques and controllerism, and has a track record for setting dance floors on fire with a constantly evolving live show that never plays out the same way twice.

After four years of live performances on Australian festival circuit and countless club shows across the east coast, Itsu embarked on his first North American tour in 2015, with seven shows across five weeks, in three states. Since returning to Australia, Itsu has been locked in the studio exploring the worlds of modular synthesisers and DSP programming in the Kyma environment, and preparing his next body of work, with two DnB releases and one experimental, cinematic IDM release due in late 2016 and early 2017.

Follow my more recent music here: 

http://www.soundcloud.com/dreamarcademusic



Poseidon is Adrian Zuanic’s psytrance project. Based in Sydney, Australia, he creates music with an eclectic mix of feelings and styles.
The techno side of the project smoothly integrates inspiration from the progressive side of psytrance into the deeper, rumbling tribal hypnosis of minimal techno with swampy, slowly building atmospheric imagery that carries the listener on a journey into a tropical fantasy land. His psytrance integrates melodic morning psy with a progressive layering of sounds, broken beat interludes and darker biomechanical textures into a spine twisting, foot stomping explosion of funk, psychological tweakery and emotive, spacey melodies.
Classically trained on the violin from the age of 5, he draws inspiration from those roots and flourishes it with the sonic alchemy of modern electronic synthesis and sampling. In 2008 he began producing psytrance and has since released tracks on compilations and an EP for UP Records and Kinematic Records.

Syncretism is following