Julian Wolpe & Christina Coronel
Music/Band members

DJ / Producer / Musician / Remixer

London based DJ and producer Jimmy Hickmott aka Polar Bears Can Dance has amassed over 2 million plays online with his mixes, remixes and original tracks, as well as a number of impressive festival appearances under his belt, including Secret Garden Party, Shambala, Beat-Herder and is a regular mainstay year on year providing the soundtrack to hundreds of thousands of revellers at Hyde Park Winter Wonderland.

Making a name for himself playing Funk, Soul, Disco, and Afro plus everything in between, the DJ and producer’s eclectic approach has earned him critical validation from iDJ Magazine, Tatler and fellow DJs Greg Wilson, Shaka Loves You, Mr Switch, Dope Ammo and Mr Benn.

With a career spanning almost 2 decades, beginning at Student Unions and taking a bag of records to every student party going, he broke through by winning the Vestax National Student DJ of the year award in 2004. Since then he has developed his turntablism skills whilst maintaining spot on selections and always keeping the party rolling. Playing sets all over the UK, including securing residencies and gigs in some of London’s hottest night spots. 

A big fan of open format, through the decades, eclectic party sets - quick fire mixing The Cure with Beyonce into Justice, Blur then back to David Bowie mixed with Disclosure - finding a thread and weaving it together without making it feel disjointed. Jimmy really understands how to read the room, work the crowd and feel the vibe.

Ever evolving to move with the times, Jimmy is now incorporating live visuals whilst maintaining the essence of old school DJing, using vinyl decks and turntablism trickery, earning himself the reputation as provider of “awesome sounds and fun party vibes” - British Vogue.


“Great eclectic set.” iDJ Magazine
“Really nice selection.” Greg Wilson
“Been rocking the dancefloor for years.” Tatler
“Wicked party vibes love the selection 💯😎👊🏽” Dope Ammo
“DJ you can trust with skills to match.” London Life Magazine

"Contagiously danceable pop with hot summer vibes!” Indie Pop-Ups
“Very fresh and danceable music, wonderful pop.” AOWleblog 
“Super cute branding and summer-inspired beats.” SalaciousSound

Digging through records I am able to rediscover the roots of my music and what it means to me 

Welcome to our Soundcloud page!

We're very proud of our new EP - it's already had multiple radio plays and the single Invictus has been played at Anfield (LFC) in front of 40,000 fans twice. Not only that but is also currently a semi-finalist in the prestigious and ongoing UK Songwriting Contest for the Rock and Indie song of the year (2016)! Exciting times! So fingers and toes crossed, and watch this space!

http://www.songwritingcontest.co.uk

The EP features four songs, Invictus, The Champion, The Space Between Us and The Truth of the Lie and as mentioned has already gained airplay on both Radio Merseyside (Dave Monks BBC Introducing) and Wirral FM (Chris Currie Local Bands Show), and possibly a lot of others by the time you read this!

And  if you like the songs please show a bit of support by sharing them and spreading the love - remember what goes around comes around! 

Thanks.

Karmer

SyncSquirrel the definitive source for high quality pre-cleared music for sync.

SyncSquirrel offers you a selection of pre-cleared, ready to license, commercial music from a vast range of established and up and coming artists, labels and publishers to suit all budgets. Our user-friendly website offers an intuitive search facility that enables you to quickly find the perfect piece for your project, making us a high quality one-stop shop for all your music sync needs.

SyncSquirrel is not just another music library site; we are passionate about the music we represent and are proud to bring you an unparallelled source of truly global music - new and old, contemporary and classic

Edinburgh based noisemonger making various forms of electronic music.

Transfers of rare vintage finds on cassette

Album Notes by The Olde Wee Plinth
What did you think happened?  That Jason Lee Dunkley had disappeared off the face of music?  That his muse had escaped whilst he tended to other matters?  Or simply that he was now a listener, no longer a creator of terrific pop?
Either way, all talk has been laid to rest with this, his debut solo offering, which should be an opportune moment for us to finally hear just JLD and his trusted acoustic guitar, together as they were always meant to be, right?
Wrong, friend.
Under the guise of Jump Look Drop these five tracks are unencumbered with the weight of JLD’s previous outings.  Everything’s new.  The songs are different; musically oddball, more textural, lyrically more dynamic, interesting flickers in the production.  
His songs have come of age, becoming more rewarding with each listen, more interesting, using a wider palette of colours and shapes.
And then there’s the voice.
Previously a dark, northern, often mournful sounding vehicle, here he has found something he wasn’t even looking for.  More confidence, brave harmonies, lilting falsettos, more soul. 
Listen to the softly beating She Chose You, for example.  Backed by simple drums and electric piano, there’s nowhere for the vocals to hide, so they flaunt themselves instead and he makes the vocal performance of his life so far on what could easily be the greatest song he has ever written. Yet.
That song demonstrates a less-is-more approach that you can also hear in the pattering electronica of I’ve Seen You Naked.  Like what Prince might sounds like if he hired Kid A-era Radiohead as his backing band; like stacking a few hundred JLD’s into a tight room to sing their heads off; certainly like nothing you’ve heard before.  JLD’s previously unheard falsetto dominates proceedings and what a falsetto!
But let’s go right back to the start.  It’s the slow-burning Tokyo that introduces this set and listeners may notice there’s not a guitar to be heard, drum machines, bleeps, strings and JLD’s song of hope and defiance.  Turn your stereo up, but not too much.  The song builds and some surprises lie in store within its six minutes.
The hardest thing to write is a song of happiness without it dissolving into a mawkish soup.  JLD has succeeded; the beauty of All For You is in its simple joy - a catchy melody, a warm heart and a mini pop classic.  In the background, simmering synths and a drum kit with no cymbals drive things along behind the singer who sounds at once joyous and effortless.
What would it sound like if you combined Off The Wall-era Michael Jackson with Elbow and a healthy dose of gospel?  My First Breath may have the answer.  It was the track with the longest gestation; numerous different arrangements, chord sequences and takes were stripped back to the only two chords that matter, another great vocal performance and a take off at the end.
At the end, you’re left wondering where it all came from. And where you’ve just gone. And where you’re going to now.
One things for sure; everything’s going forward so you may as well face the right direction.


All tracks are available for license - contact via www.christopherjamesharvey.com

Christopher James Harvey is a UK based music industry composer & producer with 20+ years experience.
He provides broadcast quality music scores and composes for a wide variety of projects including UK & Worldwide TV Adverts, UK No1 singles, games, trailers and award winning Feature Films and Animation.

Chris also works as a session keyboard player and producer for many successful artists on the UK music scene, in addition to releasing production music and solo albums which are in constant license worldwide.

Corporate Clients:
Channel 4/E4/More 4, Picturehouse Cinemas, Netflix, M&C Saatchi, BBC, Syco/X Factor, Biffco, Olay, Mini, Swatch, SKY, Bang & Olufsen, G2, Young Guns, Golden Square, Wafer Audio, Pesky, Canadian Government, The O2 Arena, London 2012 Olympics, Nine Network Australia, The English Shakespeare Company, Discover Science U.S., EMI Records UK/Sweden, Haynes, Centre Parcs, Jacobs Coffee, Edinburgh Fringe Festival, Brighton Fringe Festival

Artist Clients: 
Kylie, Will Young, Terry Callier/Massive Attack, Kevin Rowland/Dexys, Jason Donovan, Elida Zulu, Hot Chocolate, Ultravox/Warren Cann, Metropolis, Klaus Schulze, Advision, Tommy Boy Records, Mr.Bongo

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