This track is sooooo amazing :) Thanks for putting this on vinyl!

last saturday nite in Amsterdam Rush Hour Music invited 
Traxx to Doka playing from start to end for 8 hours 
{150 person capacity/maximum vibes}

the demonstration for Doka was the 3rd exclusive 
edition of dirtyblends entitled: ⚙️🎛 TecHnique ⚙️🎛 
further showcasing musical blueprints of all rare chicago 
tracks both old and new, plus many NEW tracks unheard 
from dirtyblends along with raw disco, funk and edits all 
over and in between like the days of old in chicago diving 
deep into the ghosts of Ron Hardy at the Music Box, 
Liaisons Dangereuses at the Hacienda, NEW music 
from Nation and Kode plus INSANE unreleased treasures 
from Prince come together to raise the room’s musical 
temperature and awareness that was a self-evident 
spiritual experience, illumination, truth, emotional depth 
and suspension of time.

this demonstration has lots of new music to come from several 
releases we won’t announce just yet but what has been provided 
in this document is hours upon hours that is literally all over the 
rhythm 🎵 scales ⚖️

this was an intimate connection to the dance floor..

TASCAM DR-40

The Jak Presents DirtybLends Demonstration III: Technique

https://soundcloud.com/volta-cab
Artwork: https://soundcloud.com/greta-motif
🔊 https://youtu.be/J05j8vznZFc

Rambal Cochet is a fresh alias of Krasnodar based Konstantyn Isaev aka Volta Cab with releases on Space Lab, Griffe, Where We Met, Soil, Dark Leader. As Rambal Cochet Konstantyn prefers a strange hypnotic soundings in his own productions with a taste of oldskool goa, early/late 90s progressive house/trance, new age electronics and new wave of forward thinking music.

Play on YouTube

LAYER #315 | Rambal Cochet

https://soundcloud.com/orchidsmantissa returns to Playground Records to deliver the Secret Potion number 28, a voodoo ritual, a journey through the thick jungle of the dark arts, a visit to the other side.

Secret Potions

Orchid - Mayak (Original Mix)

FREE DOWNLOAD

Secret Potions #028: Orchid - Mayak (Original Mix) [Playground Records] FREE DOWNLOAD

I-F @ HEAT x Intergalactic FM 11.02

Gost Zvuk invites Andrey Ramonov, a well-known vinyl digger and music enthusiast based in Moscow, to prepare a mixtape dedicated to the Russian intelligent electronic scene of the nineties.

Solar x – Miro (art-tek) 1994
Alexandroid – ssSession (art-tek) 2001
Block four – Тридевятое (snc records) 1996
Introtom – voyage (solaris) 1999
Cf – track3 (unreleased) ?
New Composers – Sputnik Of Life (ark) 1990
Alex-Under – Connected To My Mind (citadel) 1998
Cool front – Let’s Go Back In Time (general records) 1993
The Fantom – Planet Caladan (air fish) 1993
Борис деарт – No More… (ZeKo Records) 1995
Chuk & Gek – In Jazz only Robots (unreleased) ?
Moscow Grooves Institute – Mountain Wedding (citadel) 2004
Los Chikatilos – You Can Dance At The Realm  (exotica) 2001
Мегафон – лицо 7 (DanJet Records) 2000
Cold Hand Of Moscow – Cool Head (Purple Legion) 1997
Arrival – Disturbance (general records) 1994
Block Four – Кто С Тобой Работает (Job Mix) (air fish) 1993

GOST ZVUK x Dublab: guest show with Andrey Ramonov

After three years of deep work, Stas Karpenkov's debut album is released on Gost Zvuk in the form of an abstract, free-form study. The album is saturated with the Black Sea breeze and the natural beauty of the peninsula, a land associated with the life of the author. It’s a musical representation of its surrounding reliefs, an ode to the cyclicity of the waves, and a journey through soundscapes. These manifestations of maritime romance also include the experience of co-producing with Terrence Dixon and Kuzma Palkin on a couple of tracks that play an important role in the idea of the record.

GOST019 Stas Karpenkov "EvpaTrans"

Side 1

A1: EvpaTrans+
A2: Reefs Flower
A3: ET+
A4: Background Data feat. @terrencedixon
A5: 1.1

Side 2

B1: SA-1-rp-5
B2: Telpher
B3: Jet Ski Max feat. Kuzma Palkin
B4: Last Wave
B5: New Keyboard

Music — Stas Karpenkov
Mastering — Flaty
Cover — Stas Karpenkov
Executive producer — Ildar Zaynetdinov

12" LP full-color sleeve.
March 24, 2023

© «ГОСТ ЗВУК»

Juno Buy

GOST019: Стас Карпенков "Евпатранс"

Malmo Traxx is back with a 8 tracker LP from Up North waters. Electro beat excursions, downtempo, trippy ambient cuts and experimental 303 hypnotic rhythms. Scandinavian waves from Up North captured on a limited edition vinyl, 300 copies!

Exclusive Distribution by Clone

Water Movers LP

Dip Shim-Water Movers LP (Snippets)

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

for the 3rd chapter from the definitive days 
of house music, as the previous 2 chapters 
is education that a lot of alleged "House" 
DJs and Producers are obviously lacking.

Traxx plays again from the early 80s, 90s and today 
from vintage and out of print record labels: 
polar, trojan, dirtyblends, westwood, smack trax, 
slip n slide, trax records, to productions from: 
boyd jarvis, urban soul, blaze, virgo, prince, 
romanthony, colonel abrams, leron carson,
tyree, MBD, marcus mixx, ron morelli, nature boy, 
delroy edwards, turtle bugg, cliff solomon and also 
a new joint from Deep Concentration bridging and 
building blocks of the early dance music scene culture 
with selections of today and yesterday incorporating 
musical blueprints of Chicago and New York’s timeless 
heroes we admire, honor and inspired by their education.

we hope this will give people the chance to listen to music many 
may have never heard on this side of sound that provides a 
provocative and thoughtful musical workout in your mind..

this musical timeline is literally all over the rhythm scales ⚖️ 
with vinyl turntables, a vintage mix console…effects box and cd players.
****more chapters to come in due time****

(trAxx) presents: The Definitive Articles Of House Music Chapter 3

a1 Dance with drunk teens
a2 Eaah - Flaw [Synkronized rework]
b1 Psycho
b2 Witchcraft

[DF001] Synkronized - Flaw of a teenage witchcraft EP

synkronized

Recent comments

Mr-SH101

What's on the plate?

MEURVOR SYKER ERWAN

𝖗𝖔𝖉j𝖊𝖙

Related tracks