I'm Nothing But Trouble For You

Out of the Box August 2022
Just hiding...

Bush

Dedicated to Chicago Great Ramsey Lewis.
All Music written, recorded, and produced by Jeffrey Lasky 2023;
All rights reserved to Jeffrey Lasky

Ramsey's Mood

This is my second collaboration with @cerulean_ascent ... the other one being his response to my open collab last month. Similar to our last collaboration he kind of deconstructed parts of my original stems and put them back together in a new way. The final product contains melodic and drum elements from both of us, I think it results in a really cool fusion of our styles!

Gravity Well [Cerulean Ascent Vs Tea R. Sea]

Before new album going, please listen a new dance track.

This is collaboration with Computart. https://on.soundcloud.com/WaAiS
He made the basic rhythm and sequence.
I added on so many arrangement tracks.
The following is his original track..https://soundcloud.com/computart/gold-planet-1?si=f76b968fc715413085b55d6a74d0753e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
"Let's get together" on the Gold Planet.

Featured on the my new album 'Code Share' on.soundcloud.com/v4P9a

'Gold Planet' Computart=Synline

This is a song that Computart came up with and passed on to me. It was just some ambient synth and a very simple beat when I got a hold of it, but it did have a really cool feel. I took it, and added five string fretless bass, electric guitar, piano, and organ. I then asked Tez (Llanpsych) to work his mix magic on it, which he did very expertly, as always. We hope you like it.

The Shining (with Computart [Phill Chris] and Llanpsych)

This is a song that began with me laying down some bass, organ, piano, synth, and slide over a looped, heavily delayed guitar riff. I asked Ken to put some drums on it, which he did to perfection, as well as added some acoustic guitar. I then sent it to Tez, and asked him to come up with a lead part for it. He also delivered exactly what I wanted to hear. We dropped the initial looped guitar that was the whole basis for the song to begin with, which I think is pretty cool. Tez mixed and produced this, and what a fine job he did, too, as always. these two guys are wonderful collaborators--so talented and so easy to work with. What I told them was that I wanted to make sober people feel high when they listen to this. I hope it has that effect on you!

A Separate Reality (with Llanpsych and K2 and the Three)

This is the second in the Departure series of experimental soundscapes that are inspired by a set of 13 poems (or 'cantos') written by Jo Richter a.k.a. Sonic Structures and Silent Stretches @sonic-structures. I was honored thatJo invited me to collaborate with him on this project, it has really helped to push me in some new creative directions.

This second track in the series, features field recordings from Zuunzug. He offers them up for download on this page: @zuunzug-field-recording under the Creative Commons license (CC BY 3.0) ... The ones I used are Save Beograd, Novi Sad, and Waves Over Seashells.  I think they add a lot of great atmospheric texture!

The poetry is copyright Jo Richter. I have only extracted a small sample of the original poem, so please read the full text below if you are interested in the original context for the spoken word, also read by Jo Richter.

And you can follow along with this project here. This playlist so far includes one other song (2 different versions) from me and Stonerjazz, based on Canto VI, but we intend to add more in the coming months:
https://soundcloud.com/sonic-textures/sets/departure-a-long-poem-in?si=670a7a3afd304067a20ddf0801653bd7&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Here is the full text of Departure - Canto II, the inspiration for this track:
(Copyright Jo Richter)

To allow for rest, you need to make sure
that you do not fall asleep right in
harm‘s way. You need to put your trust
in crude projections of the path and thrust
of entities and processes that do not cease
activity when your awareness takes its leave.
There are no guardian spirits to protect
you when consciousness bows out.

When – as a growing child who learns to use
his wits to regulate the forces that en-
compass him – he had to learn to abdicate
his mental skills, his reason and his
social prowess, just to give in to sleep,
he felt the force of dread that did
not hesitate to bring forth monsters from
the cracks that rooms and psyches offer.

Out foraging for all the goods that people,
parks and pastures proffer, he‘d often felt
assailed by sudden drowsiness that swept him
from the inside out into the open street
and very nearly drowned him in the gutter.
The force that urged him cannily to sidestep
reason, did not protect him from approaching cars,
as though it were an arbitrary arbiter of life.

It had been then, in dire need of shelter,
that he had stepped into the cool, comforting
splendour of the spire that reached into
what lays beyond. To master words, he
had been warned, will never do,
if you aspire to tame the threat of
letting go. I‘m here, he‘d said, to enter
a frame of mind, a larger self, a sphere of

actuality that never passes out, even in the
deepest state of slumber, trance or trauma,
even when the archetypes invade
my daily reasoning with brutal presence, as
they do. To master words, his muse replied
with her bemused DaVinci-grin, is quite
amusing, once you find the time to ponder
and to muse about the situation you are in.

Splendor Of The Spire (Departure Mix 2): inspired by Jo Richter's Canto II poem - full text in desc.

"Feeling Good" is a Melodic House track filled with uplifting energy and contagious grooves. With warm synths, smooth beats, and a radiant vibe, Adam Rosso delivers a feel-good atmosphere that invites everyone to dance with a smile. A song made for lighthearted moments, celebration, and connection—on the dancefloor or wherever you are.

Feeling Good

Cobra ( remix by Vecna )

Written by Tansing
Ramshackle My Disco
This piece has been carefully tested in front of numerous videos of the Soul Train Disco Line on Youtube.
Good use of the strobe is necessary to support this discoid release.
Enjoy !

Transient Disco Pulse (Instrumental)

Transient Disco Pulse II (Instrumental)

I NEVER USE ANYTHING LIKE SUNO AI.
EVERY SUNDAY UPLOAD THE  LATEST TRACK
Composition and Sampling collage by Synline
Instant theatrical music tweets everyweek. 
”The song that is born today can only be born today.” That's why I keep writing it down in the computer every day like a diary.
Music is a kind of feeling I can not express in words. I will write that feelings with Synthesizers. 
I am glad I can share it with you.

I think, as Ryuichi Sakamoto said, AI should be used not for composing music but for solving global issues such as weather forecasting and population problems.