Revamp of an old instrumental track. No idea what genre this falls into lol!

Free download if you like it.

Thank you for listening 💛

Mirror, Mirror

The music I dream of is a work that expresses a landscape where all kinds of music are mixed together. I think the day will come when I can make one. I looped a funky bass and it looked good with a Japanese flute, so I finished it all at once. At the end, I do a little improvisation on the saxophone.

East Meets Funky(288)

Cover
Original by Leonard Cohen (1984)
(I got help with the guitar backing)

Hallelujah   (Cover)

F- Minor

A Solitude Of Dee Jay

Algorithm

#electro #world #frenchtouch #bandlab #beats

|-AnCesTrAL-|

Marc M : paroles et musique
Marc M : voix, guitares et programmation

JEANNE

Auriez -vous croisé 
Jeanne choisissant des souliers
Sans trouver 
Chaussure à son pied ?

Vous êtes-vous alangui
 Sur son joli balcon
Qui cache une araignée
 Au plafond 

Moi, J'suis le gars qui passe
Quoi qu'il fasse
On  ne le remarque pas
Une  transparence tenace
Qui colle à sa peau et  à ses pas


Quelle que soit la saison,
Jeanne n'a pas froid aux yeux
Elle réchauffe
Le cœur des ombrageux

Ses doigts de fée
Affolent et flattent tous ses amis
Qui s'enfuient
Dès que le soleil luit 

Mais moi, J'suis le gars qui passe
Celui qui regarde
Ne s'prononce  pas
Une  transparence tenace
Qui colle à sa peau et  à ses pas

Jeanne (new edit)

mistermark-- @user-432503709 --Mark-- horns and shakers

TexMex Shaman– @texmex-shaman –Stephen– guitar, production, and mix

J.J. Terrell-- @j-j-terrell—JJ—organ/ keys

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, vocals, composition, and mix

Llanpsych– @llanpsych –Tez– guitar leads

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass 

     This song was written by Ken and a dearly departed friend and former bandmate named Chris Bennett about the latter's divorce that he was going through at the time when their band was also breaking up. Ken had a good demo of the two of them fleshing it out, which the Eclectic Collective used as a template for the song. 
    Josh was first to add his unique slide bass line to the song. Next up was Tez, who added the fiery solo you hear at the end, and solo spot! Stephen came in not too long after with the rhythm guitar, complete with the intricate fills you hear throughout. Around the same time, Mark added some really innovative, genre-bending horns and shakers to it. JJ added some sublime organ and piano! Ken then completed the song with his stellar vocals. 
  Of course, every great song needs a great producer, so Ken turned it over to Stephen for an objective mix, although Ken was still heavily involved in the process, too. This is the first time Ken has sung lead for an EC song, and we were all very impressed with his skills on this one. We hope you enjoy listening to it as much as we enjoyed making it.

Original lyrics by Chris Bennett:

I once believed in happy ever after
Now I’m convinced by tears instead of laughter
There’s not much good inside that’s left to do the things for my survival

If I relied on you to make it better
I’d die a 1000 times, before we get together
All that is bad inside will rise back to the top
With your arrival

Burn down the doorway
Run down the hall
Scream out my name
But I may never hear you, never hear you
Drive down the highway
Until you’re gone
I may never hear you call

I still believe that someone’s always watching
Each time I turn around, I never hear them talking
All that is bad inside will never fade away with your arrival

Burn down the doorway
Run down the hall
Scream out my name, but I may never hear you
Never hear you
Drive down the highway
Until you’re gone
I may never hear you call

Na Na Na  Na Na, Na Na Na Na Na Na

Happy Ever After-Eclectic Collective

Truth Is Stranger Than Non-Fiction

Busting Through Criminal Cases

make believe.

I NEVER USE ANYTHING LIKE SUNO AI.
EVERY SUNDAY UPLOAD THE  LATEST TRACK
Composition and Sampling collage by Synline
Instant theatrical music tweets everyweek. 
”The song that is born today can only be born today.” That's why I keep writing it down in the computer every day like a diary.
Music is a kind of feeling I can not express in words. I will write that feelings with Synthesizers. 
I am glad I can share it with you.

I think, as Ryuichi Sakamoto said, AI should be used not for composing music but for solving global issues such as weather forecasting and population problems.