Syntalk

SynTalk thinks about the provocative questions of spectres, spirits, & ghosts, as themselves and as signifiers, while constantly wondering if they are an unnecessary residue. Can we think of the repressed voices in places of violence and ruin, using ideas of ghosts and haunting? What is the thing that haunts? What is the big deal about the ghosts? The concepts are derived off / from Plutarch, Ludwig Lavater, Thomas Lodge, Shakespeare, Nicholas Rowe, Heidegger, Freud, Weber, Adorno, Levinas, Tagore, Amos Tutuola, Derrida, Kurosawa, Arjun Appadurai, Stephen Greenblatt, Jean-Michel Rabaté, & Avery F. Gordon, among others. How the juxtaposition of the familiar with the unfamiliar creates the uncanny? Would something entirely unfamiliar be uncanny or just plain strange? Can the spectral be defined at all? How hauntology potentially challenges ontology? Do ghosts represent a world order where things are not arbitrary, and where actions have repercussions? How Shakespeare added a sense of wonder and mystery to the figure of the ghost, & made it substantial. Is Shakespeare’s Hamlet a Protestant with a Roman Catholic father? Should Hamlet have followed what the Ghost said? Are ghosts almost always ethically haunting figures? How the Derridean ghost is a bodyless body, and not a spirit without a body? Is every sense of our Being always haunted (with Nothingness)? How time is ‘out of joint’ with the ghostly. Does the uncertainty of the future always unsettle the past? Does modernity render the unexplainable superfluous, & what then are the ghosts of modernity? Is the cinematic consciousness ultimately a very spectral consciousness? What has been the life of ghosts in (say) Indian, Japanese, & South East Asian cinema? Why do Shakespeare’s tragic protagonists always see more than the others? Can a hyper rational mind experience the spectral? The links between Ur-Hamlet, 49, temporal twist, Macbeth, trauma, Hiroshima, turning table, purgatory, Madhumati, goblin, witches, The Babadook, spectral housing in Mumbai, magic, white noise, & Bhooter Bhobishyot. How the ghost expresses the yearning to grasp the mystery of history. Can we get hold of the Levinasian ‘trace’? Are there cultures without ghosts? Would our (otherwise sterile) lives need the pollution or infection of other worldliness in the future? Is it almost impossible to live without ghosts? ‘Can we speak of ghosts, without transforming the whole world and ourselves, too, into phantoms’? ‘Even if they are no longer, even if they are not yet…’. The SynTalkrs are: Prof. Shormishtha Panja (Shakespeare studies, literature, University of Delhi, New Delhi), & Dr. Suvadip Sinha (philosophy, cultural studies, University of Minnesota, Twin Cities).

#TGAP (The Ghosts And Poltergeists) --- SynTalk

Is babble the beginning? Are languages pure, or were they originally mixed? Was Shakespeare writing in English? Are languages negotiated like in a bazaar, & where then does the power lie? Are there areas & languages where mixing is flaunted, & some where it is not? Do you communicate in a mixed language (Hinglish?)? Does the label of language operate in a retrospective manner? What does it mean to have a first language? What does it mean to loan and borrow words? Do you pun? Do words travel more easily than syntax; why? Do scripts mix? Is it possible to legislate languages? Is the French of French Canada ‘purer’ than of France? Why aren’t other languages not completely incomprehensible? Is everything translatable? What might be the impact on languages of the disembodied global marketplace or the digital? Is it likely that the standardized language (of literature) in the future would (again) be poly-genealogical, & something that we would not recognize today? Can media or political spaces possibly be pluri-lingual? Can a totally artificial language be created? Do languages need custodians? Aapko space chahiye? SynTalk thinks about these & more questions using concepts from linguistics (Prof. Probal Dasgupta, ISI, Kolkata), English literature (Prof. Jonathan Gil Harris, Ashoka University, Delhi), & translation and cultural studies (Prof. Rita Kothari, IIT Gandhinagar, Gandhinagar). Listen in....

#TMOL (The Medley Of Languages) --- SynTalk

How does rate of change change? Is equilibrium balance, & what happens when there is no balance? Is equilibrium attained when fast processes have done their job, and the slow processes have not started? Do all systems tend towards equilibrium? How are biological, physical, and economic systems different in this context? What would happen inside a closed box of Hydrogen atoms in (say) a billion years? Is equilibrium scale and time dependent? Is stability desirable? Is daily temperature stable on an average? Is graphite more stable than diamond? Is it possible to have stability far from equilibrium, & can equilibrium be unstable? Can prices be chaotic, & how does market achieve equilibrium? Can stability be thought of as, among others, constancy, persistence and resilience? Can ‘only’ one sub-market (or species) be out of equilibrium in a market (or an ecosystem)? What is the role of credit in creating (dis)equilibrium? Do predator-prey population sizes fluctuate naturally? Are buildings in local stable equilibrium? Will the world notice if all the human beings were to die? Is the ‘balance of nature’ strong or fragile or neither? Are there only local equilibria and ‘no’ singular global equilibrium? SynTalk thinks about these & more questions using concepts from biology & ecology (Dr. Sutirth Dey, IISER, Pune), physics (Prof. Deepak Dhar, TIFR, Mumbai), & economics (Prof. Anjan Mukherji, JNU, New Delhi). Listen in....

#TIOE (The Instability Of Equilibria) --- SynTalk

Are there happy poets? Can one write poetry without having suffered (some) exile? Why has there been deep pessimism about poets, & might poets cause wars and genocide? How is deeply personal poetry dangerous? Does poetry represent perfect, universal and eternal truth? How is a poet different from a philosopher? Does poetry find its foothold in a good society, when philosophical truth is understood as a process, & not a product? How might limitless (anarchic) emotions be expressed given the limits of language? Can one ‘suggest’ that which cannot be written? How do ‘word’ and ‘meaning’ come together in poetry? What is the relationship between form and content? Is poetry a very personal use of language for the poet (and the reader)? What is the link between the ethical and the aesthetic? How might bhava become rasa? What happens the moment you come in contact with yourself? Is poem something whose essence cannot be removed from it? How & when do poems get exhausted? Should poetry be history? How did the ‘first’ poetry come to be? Is an exile always asked for? Might an exile be a voyage? Will ‘mistakes of intellect’ continue to happen? SynTalk thinks about these & more questions using concepts from political theory & poetry (Prof. Ashwani Kumar, TISS, Mumbai), literature (Udayan Vajpeyi, Bhopal), & literary theory and philosophy (Prof. Sitanshu Yashaschandra, ex-M.S. University, Vadodara). Listen in....

#TEOP (The Exile Of Poets) --- SynTalk

Is Colin McKenzie for real? What cannot be faked? Are fakes lies? Can copies be more valuable than the original? What is the test of something being original? Is originality a fact? Is it culturally determined? What are the ethics and aesthetics of fakes? How and at what point do we know when an experience is not real? What about reality that cannot be experienced? Is seeing believing, or is believing seeing? Is ‘seeing’ always ‘seeing-as’? Why do some of us prefer artificial flowers over fresh flowers? Does the idea of the original always imply its opposite? What kind of objects can (cannot) have copies (originals)? Can there be fake words? Or chairs? Is the copy of a copy the copy of the same original? Can there be a fake documentary film? Are there false images for astronomers? How does science ‘handle’ reality? What are the (dis)similarities between archaeology, astronomy and film-making? Is most of reality constructed, and do we really know what reality is? Does reality always depend on the technology available? Do we ‘need’ reality? Can we live (largely) with hyperreal simulacra, & will reality be dispensed with in the long run? SynTalk thinks about these & more questions using concepts from philosophy (Prof. Sharad Deshpande, ex-University of Pune, Pune), film-making (Nilita Vachani, Tisch School of the Arts (NYU), New York), & astronomy & archaeology (Prof. Mayank Vahia, TIFR, Mumbai). Listen in....

#TROTO (The Reality Of The Original) --- SynTalk

Do kids understand adults? Does foetus feel pain and pleasure? What does the world look like from the crib? Is the new born infant alert, aware & awake, & not confused? What are kids pre-wired for, & is pre-wiring largely genetic? Do we learn fear? Do new-borns get bored? How do children learn, and (what) do they need to be taught? How is grammar learnt? When do kids start becoming autonomous? Have you experienced the Terrible Twos? When does a child stop being a child? Is the concept of late childhood a product of modernity? Must adolescence be a ‘productive’ period? Do children have rights? What exactly is childhood ‘innocence’, & must childhood be valourized? Can some kids be unusually cruel? Is parenthood naturally anxiety inducing? Might the absence of disclosure of love for the child be a problem? What might indiscriminate ‘limit setting’ by parents lead to? Is it hard, however, to always be a calm carefree parent? How different and similar are kids from each other, & is it alright to compare them? What is the long term future of childhood? Should kids be free? Would the basis of innateness be established in the long term? Would such a world be dystopian? SynTalk thinks about these & more questions using concepts from psychology (Prof. Malavika Kapur, NIAS, Bangalore), sociology (Dr. Shilpa Phadke, TISS, Mumbai), & developmental paediatrics (Dr. Koyeli Sengupta, Ummeed, Mumbai). Listen in…


#TTAGU (The Things About Growing Up) --- SynTalk

f(q) = Is soil a definitive sign of life? (#TCAFG)

SynTalk is a freewheeling interdisciplinary talk show with a philosophical approach to understanding the world from a long term perspective.