Running on water

Talk 2 Me

Beat Concrète

Big in Japan (Cover)

Project RESIDUE (Mouse traps on the Moon)

BAD Boys Don't Play Nice Party Pumping Bitch IS Going Down 
Live Studio Sunday Sessions mix 020
This one’s for the true House Trance Techno Fans😜
Feel the rush. Feel the energy.
Pure rave – raw, real, and unfiltered.
Sounds to unwind too, let your soul drift deep into an uplifting state of mind that Echoes from the underground.
Follow the #Reflections💫 
THE SOUNDS OF THE UNDERGROUND LIVE sessions #020
https://www.facebook.com/share/1FDFVW2Vbd/
House of Oldies Rare Records. 
HG1Studio Thailand. 
Share the Love 😘
If you Love it❤️ then bloody Share it ✔️😉 
Please make this Mix too hot to handle ✨
HG1Studio Thailand making Music Real 🎧
Many thanks to all the New & Old followers

BAD Boys Don't Play Nice Party Pumping Bitch IS Going Down

“Odes Project” is a captivating fusion of electronic ambience and rock energy, a sonic landscape where shimmering synths and roaring guitars coexist in perfect tension. Produced in Cubase 14 Pro, the track finds its foundation in the lush tonal world of the Roland Galaxias sound palette and the atmospheric depth of Native Instruments’ Odes VST.

The synth pads drift like distant galaxies, wrapping around the driving pulse of rock drums, while soaring electric guitar riffs — performed on a Fender American Ultra II Meteora — cut through the mix with precision and emotion. Every guitar tone is sculpted through the Fender Tone Master effects, delivering a blend of clarity, warmth, and vintage edge that perfectly complements the song’s electronic core.

Odes Project transcends genres, merging the expansive textures of electronic music with the raw spirit of rock to create something immersive, cinematic, and alive.

It’s a journey through sound and emotion — where analog soul meets digital imagination.

Odes Project

ANARS ! Les sons de la rue

LOVE ME

(Clubbing  Version) LOVE ME - BOUKHA Paris

Tu amor

Introducing "Synth S": A Journey from Classical Keys to Electronic Innovation

Since first touching the piano keys in 1988, "Synth S" has been on a relentless journey of musical exploration. Beginning with a classical foundation, He soon became captivated by the emerging world of electronic music, embracing iconic synthesizers of the late '80s such as the Yamaha DX7, Roland D-50 and Jupiter-8, and Korg M1. His innovative approach to sound design and composition quickly set him apart, blending intricate melodies with cutting-edge textures that pushed the boundaries of electronic music.

Never content with standing still, "Synth S" expanded his artistry further by picking up the guitar in 2001, adding a new dimension to his sonic repertoire. This fusion of electronic synthesis and expressive guitar work has defined his signature style—one that bridges eras, genres, and musical technologies with a visionary spirit.

From analog warmth to digital precision, "Synth S" continues to break new ground, proving that true artistry knows no limits.

