"The Peaks" Sound Bank: 128 lush, well designed patches for Novation Peak and Summit, for fans of Boards of Canada, Tycho, Tame Impala etc.

Melodic, living sounds ideal for ambient, downtempo, vaporwave or leftfield. Leads, pads, ARPs and textures - see the video or listen to the soundcloud clips at synth-patches.com/peak-summit/

The Peaks - Novation Peak And Summit Patch - 003.WAV

Electric Moods 141

Bottled Up

Patch example with LFO1 set to use alternative waveform in free mode.

super 6 lfo1 + alt. waveform + free-running

Oceania is an ambient soundset exploring the mysterious world beneath the waves, based on the Noise Engineering oscillators in the Minifreak.

The soundset works with both the Minifreak V (software plugin) and the hardware synthesizer.

https://www.plughugger.com/minifreak-oceania.html

Oceania - Example - Dreaming Now (for Arturia Minifreak)

Oceania for Arturia Minifreak - Short Demo #1

Drone (All Sounds from Novation Summit)

Tried to go for something spacey and melodic this time, with some interesting chord progressions.
Synth sounds from Udo Super 6. The guitar is a telecaster. Drums are samples.

Orbit

Performing a live relaxing, meditative ambient drone music sound scape on Access Virus B synthesizer.

Utilizing 2 oscillators, reverb, noise, resonance, LFO, filter and envelope adjustments.

Performed live, no external processing. Excerpt from a longer session.

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Desolation - Ambient chillout meditation drone music soundscape (Access Virus B synthesizer)

Live ambient electronica, space music, synth jams and demos for synthesizer lovers worldwide. Headphones recommended. :)

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BIO
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While I appreciate music in many genres, I’ve always had a love for electronica… especially ambient, chillout and IDM, likely due to artistic influences in my youth (see “Influences” here: http://synth4ever.com/about-synthever/influences ).

It all started around age 6 when I first heard works done by a Japanese synthesist/composer named Isao Tomita. My parents had bought 3 of his records (Kosmos, The Planets, and The Bermuda Triangle) at a garage sale because the cover artwork “looked cool”.

Little did I know (at the time) that he was a major pioneer in the electronic & analogue synth music scene. When listening to his material, I often dream of soundscapes, distant planets and other such far-away places, and I think my early exposure to his music influenced me for the rest of my life towards a “space ambient” style.

I took piano lessons at a young age for a brief time, but then focused on drumming from age 12. Still, over the years my interest and love for electronic music grew until the point of finally purchasing my first synthesizer in January 2012. Since then I have developed a voracious appetite for all things synth.


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DEMOS & MUSIC
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When it comes to my synth demos,  I try to showcase what I’ve learnt about the synths I own thus far, and to share with others my love for these synths. I prefer the spontaneity of live performance and hands-on, real-time tweaking of the synth itself.

I like to play music in a more “space ambient” style comprised of long sustained pads, arpeggiators, resonance, reverbs and delay. I find this style allows me great freedom to tweak a synth’s various parameters, play with effects to create new sounds, and create emotional soundscapes that are pleasing to my ear and which take me (and hopefully, the listener) on an emotional journey through electronic music.