The music & design of this vinyl is a masterpiece <3

Inmenso Alberto como de costumbre una joya... <3 

After 1 year in the making the 1st part the Archaic Future Sounds compilation trilogy is finally finished! 
Selected with <3 by Johnny ¥en it features 6 new club hits from Kid Machine, Endrik Schroeder, Emile Strunz, Furor Exótica, Doctr and Honored Matres. 
Enjoy this trip! ツ

Kid Machine
Soundcloud: https://soundcloud.com/kidmachinemusic
Facebook: https://www.facebook.com/kidmachinemusica

ARCHAIC FUTURE SOUNDS
Soundcloud: https://soundcloud.com/disco-frisco
Facebook: https://www.facebook.com/archaicfuturesoundsdiscofrisco

PREMIERE: Kid Machine - Nation (ARCHAIC FUTURE SOUNDS)

Enter a sonic metropolis with Syntakt – the 12 track drum computer and synthesizer that fuses digital and analog synthesis together in one music megabox. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too, giving you a musical melting pot with dozens of machines at your disposal. Experience epic sounds from the past, while pulling others into existence from the future.

Affect the sound of each machine with the intuitive and playful graphics. Add analog distortion and filtering to your mix or separate tracks, using the FX block. Run wild and free with the four expressive modifiers. Access a variety of different scales via the keyboard mode. And create dynamic soundscapes with its phenomenal sequencer.

The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds. Adore now. Explore forever: https://bit.ly/384dF5S

Dualmoon

Razen is the collective consciousness of core members Brecht Ameel and Kim Delcour, who since 2010 have realized themselves through virtuoistic and highly expressive improvisations with lesser-heard instruments. Experimenting with repetition of tones through controlled breathing and phrasing, Razen arrive at a synesthetic playground of auditory textures and colorful imagery.

The ensemble is carefully orchestrated for every occasion with the intent and desire to escape to environments unbeknownst to them, taking shelter in the fleeting ego-dissolving moments that arise, whether divine or disturbing.
While the formula of instrumentation and like-minded peers may appear mundane on paper, it’s Brecht and Kim’s outlook and imagination beyond musical references that’s the immeasurable catalyst to their peculiar pursuits. Conversations about paintings, books, or films ultimately manifest themselves into live performances or album recordings - with the philosophy of embracing playfulness and exploration through the lens of a child’s eye.

Only six collaborators have been invited to their inner circle to date. This is mainly attributed to the rarity of finding spiritual counterparts that are seeking freedom outside the confines of written musical scores. Trading notes and rhythms for strokes and color, the band embodies emotive and meditative drones that demand a deep listening state. Joined by Will Guthrie and Paul Garriau, Razen venture into their vision of Arcadia through Regression, proudly presented by Marionette. On this album, Brecht Ameel turns to his trusty prepared harmonium and celesta, while Kim Delcour controls air and breath on various wind and reed instruments. Featuring Will Guthrie on tuned and melodic percussion (timpani, glockenspiel, marimba, vibraphone), the recordings have a distinct flow and fluid movement when compared to some of Razen’s previous works where rhythm is taking a backseat. Hurdy-gurdy specialist, Paul Garriau, plays accompanying melodies and drones on Moon, Aether and Nebula.

The album's earthly elements deal with survival, timelessness, and simplicity; such as the life affirming rewards of finding refuge and the wonders of observing the interstellar. The unearthly elements pitch this narrative into the realm of mythology and superstition, in the hopes of trying to understand our primeval universe and thrive in the unknown. Regression also addresses Razen’s fascination with inhospitable places and how to adapt to the sorrows that come with this sort of brutalism. The resulting destination is a mind and time bending zone - one that can be reached by riding sound waves that transcend the past, future, and present.

Razen on this occasion is:

Brecht Ameel: harmonium, celesta
Kim Delcour: winds, reeds
Will Guthrie: percussion
Paul Garriau: hurdy-gurdy on Moon, Aether, and Nebula

Mastered and cut by Noel Summerville
Artwork by Scott Daniel Ellison

Recorded July 2020 in two days at two locations

Wood, River, Trout, and Sleep: recorded by Christophe Albertijn
Moon, Aether, and Nebula: recorded by Niels Latomme

Regression

Razen - Regression (Preview)

Imaginary 80s game soundtrack pretending that SID was stereo.

Noise Filter SID

Ain't docile Automatons Vol. 1
march 16 2023

Ain't docile Automatons, Vol. 1

▲♥▲

Canvas Jam

Short Version of our new Shortwave Mystery material (first  SWM material in 30 years!)  which will be released digitally first on Itunes, CD Baby and all the rest of those kinds of services....
It will be a four track EP with an 8 minute version, this shorter version and a beautifully melancholic mix by Simon Mills (Bent/Napoleon)
This 4 track EP format was supposed to be ready by July 4th but I have been lazy of late vacationing around and not really burning the midnight oil as I should!
Expect this on the FULL 6-8 Track Shortwave Mystery  12" long player vinyl album  & CD  to come in 2015
on on  label World|Service Collective recordings ~www.wscollective.com

The Shortwave Mystery - Ineffable (Short Mix)

British musician Jo Johnson’s debut solo album for Further Records, Weaving, betokens an exciting presence in the world of minimalist composition. 

“Ancestral Footsteps” opens the LP with cascades of cyclical harp-like sounds, an homage to one of Johnson’s primary inspirations: Alice Coltrane. Channelling rigorous new age and mesmerizing Riley-esque/Reichian minimalism, the piece accrues heft and intensity, with occasional bursts of synthetic, tribal clapping until it fades out with cinematic flourish. The title track gradually alters simple guitar and keyboard phrases, along with a chiming motif that multiplies in a hall of mirrors. The disorientating arpeggios form moiré patterns against colossal bass notes. The mood lightens considerably with “Words Came After Music,” whose sweeping strings and drones could take you to whatever your idea of heaven is. Interestingly, the title of the piece is inspired by an anthropological theory Johnson stumbled across that musical ability predates language in humans. With its sombre, undulating synths and lustrous highs and lows, “In the Shadow of The Workhouse” plumbs profound emotional depths. Epic closer “Silver Threads” starts as an almost silent retreat in the vein of Laurie Spiegel's Appalachian Grove or Eno and Budd's The Pearl with the faint hum and buzz of telegraph wires, until four minutes in a stoic pulse and suspenseful chiming motif arise, buttressed by glowing synth sighs and the LP's only percussive thumps (think Incunabula era Autechre). 

While inspired by the "serious music" of Arvo Pärt, Wim Mertens and others, Johnson’s mandalas of tone mantras offer a playful, DIY sense of adventure, as you might expect from the former guitarist for incendiary punk group Huggy Bear and a long-term co-organizer of London’s Bleep43 techno club night and label. Weaving condenses Johnson's long love affair with free jazz, minimalism and electronic music and this unique ambient composition is invested with powerful emotional resonance.

In the Shadow of the Workhouse

BEACH FIN

Our new reactors will provide safe, clean power for decades to come, and are not at all for producing plutonium for nuclear weapons. 

Written and produced by Chris Sharp.

(c) 2014 Chris Sharp
(p) 2014 Chris Sharp

All rights strictly reserved. No unauthorised use.

Magnox

All tracks written, recorded and produced by SYNTH ALIEN
Mastered by Alden Tyrell
Artwork by Plástica

© 2016 Last Known Trajectory

TRAJECTORY 1015

B2 We Never Came Back

"Moon Shadow Move" by Bee Mask of the upcoming "When We Were Eating Ripe Pears" LP due out November 2012.

"Moon Shadow Move" by Bee Mask

Synth Alien, seudónimo tras el que se esconde el lucense Alberto Sanmartín vive en Antas de Ulla, centro geográfico de Galicia. Su relación con la música electrónica viene del año 2000 cuando comienza a frecuentar, como espectador, clubs del norte de España. La SciFi, el Amor, Detroit, La Haya, el Cosmos y la Pista de Baile son entre otras, sus grandes influencias. Su pasión por la música, así como su curiosidad e interés por la tecnología, lo conducen en 2007 a jugar con cajas de ritmo, sintetizadores y secuenciadores. A finales de 2009 publica su álbum debut Cosmic Odyssey en el sello italiano Le Galassie di Seyfert Records. Desde entonces sigue haciendo música.

B2 We Never Came Back

Synth Alien

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